This is a banner for a review of the movie The Fence. Image courtesy of the filmmakers.

‘The Fence’ Film Review: Claire Denis Explores Colonialism In Understated Play Adaptation

The Fence is Claire Denis’ isolated adaptation of Bernard-Marie Koltès’s play Black Battles with Dogs, which subtly explores masculinity and colonialism. Set predominantly in one location over one night, The Fence never loses its stage show sensibilities, even if that forces Denis to reject her trademark visual lyricism. Set on …

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‘Shes the He’ Film Review: A Sweet Coming-Of-Age Comedy

In their last months of high school, two cisgender boys pretend to be transgender to get into the girls’ changing room. The concept sounds like a dangerous right-wing rhetoric, but She’s the He is a sweet coming-of-age comedy made by a predominantly trans and nonbinary cast and crew. Alex (Nico …

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‘Joan of Arc’ Film Review – The Passage of Time through Hlynur Pálmason’s Eyes

Despite the small territorial space, Iceland has been a potent force for cinema in recent decades. The little island in the Arctic gave us names like Rúnar Rúnarsson and Hylnur Pálmason. Both of them are popular presences at events like the Cannes Film Festival. Rúnarsson presented his When The Light …

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‘Blue Moon’ Film Review – Richard Linklater’s Latest is Worth Watching More Than Once

This could have been a play and may well get a second life as a play, because its single set, very talky script and clever staging keep us in the room for the 100-minute runtime. It is heavily inspired by real events but also plays fast and loose as required …

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‘Death by Lightning’ Miniseries Review: History is Stranger Than Fiction

“Assassination can be no more guarded against than death by lightning; it is best not to worry about either.” With these words early in his presidency, James Garfield may have sealed his fate. Shot by Charles J. Guiteau and dying six months after taking office in 1881, the United States …

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‘Predator: Badlands’ Movie Review: Dan Trachtenberg Earns the Franchise Keys by Flipping the Hunt

I confess my expectations for a new entry in this saga were modest before Predator: Badlands, despite Dan Trachtenberg (Prey) returning. While Prey excelled at simplifying the formula and returning to basics, the ambition to completely shift the franchise’s point of view — transforming the antagonist into the protagonist — …

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‘It: Welcome to Derry’ Episode 2 Recap and Review

Content Note: The following contains spoilers for episode 2 of It: Welcome to Derry. The show also deals with child death/harm and mental institutions, so proceed with caution if those are sensitive subjects. The end of episode 1 of It: Welcome to Derry was a significant shocker, with several kids who seemed like …

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‘Pillion’ Film Review: A Tender, Awkward, BDSM Love Story

A pillion is a seat for a passenger behind a motorcyclist. This simple, not-overly-familiar word captures the whole experience of Colin (Harry Melling) in Harry Lighton’s feature directorial debut adapted from the 2020 novel Box Hill by Adam Mars-Jones. In Pillion, Colin is shy, still living at home with his …

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‘BLKNWS: Terms and Conditions’ Film Review: A Maximalist Compendium

A week before its original Sundance premiere, BLKNWS: Terms & Conditions by Kahlil Joseph had its participation withdrawn from the festival by its investor, Participant Media. The financer alleged the director showed a secret cut of the project to critics at the CAA screening room, justifying their intervention in the …

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‘Forastera’ Film Review: An Admirable Feature Debut from Lucía Aleñar Iglesias

The prestigious publication, Screen International, publishes a yearly article about buzzy films they would like to see playing in the festival circuit. In this year’s piece, Forastera by Lucía Aleñar Iglesias is one of the films mentioned there. It is an impressive feature to include in the list alongside notable …

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