Documentary filmmaking is a tool for encapsulating time. Actually, all films are, but the non-fiction frames a specific portrait of an individual in a particular period. Despite the apparent manipulations, such as camera angles and editing, the documentary features a level of realism that fiction fails to reach. Therefore, we …
The central plot point of The Stranger – a coloniser kills one of the colonised, and there are consequences – lands very differently now that it did when the original novella was published by Albert Camus in occupied France in 1942. For one thing, the world is trying with mixed …
The Costa Rican filmmaker Kim Torres is one of the most exciting emerging voices of Latin American cinema. In her short-film efforts, she presented Atrapaluz at Locarno and Luz Nocturna at Cannes. Yet, she made a splash in the festival circuit with her Solo La Luna Comprenderá (The Moon will Contain Us), a beautiful …
Few countries in the world have invested in documentary filmmaking as much as Spain. In recent years, films like Tardes de Soledad by Albert Serra have impacted the festival circuit with their gut-wrenching observations of bullfighting. Also, there are new names in the Spanish non-fiction community, such as Patricia Franquesa in My Sextortion Diary. …
Annemarie Jacir is a crucial filmmaker to understand modern Palestinian cinema. In 2003, she made history with her short film, Like Twenty Impossibles, the first Arab short selected at the Festival de Cannes, and later earned an Academy Award nomination. In her subsequent efforts, Jacir reached the principal international stages. …
The Romanian director Radu Jude is one of the most prolific filmmakers of our time. A member of the Romanian New Wave, a group of new voices in the mid-2000s, which generated great works from Cristian Mungiu, Cristi Puiu, Corneliu Porumboiu, and Alexander Nanau. Since 2020, Jude has released 11 …
The Malaysian/Taiwanese director Tsai Ming-Liang is one of the most prominent figures in slow cinema. This philosophy of filmmaking contradicts the modern postulates of the commercial cinema, where the film features multiple cuts and plenty of scenarios to compose its story. As the name suggests, this form of filmmaking contemplates …
As the title makes abundantly clear, Tu Meri Main Tera Main Tera Tu Meri (which means ‘you’re mine, I’m yours, I’m yours, you’re mine’ in Hindi) is here to have its cake and eat it. Its explicit purpose is to make a 90s-style romance (this means old-fashioned, readers of a …
It is a cultural quirk of Indian cinema that they will show the most gruesome torture and murders in glorious close-up while simultaneously subtitling the language used during these scenes as “Dang!” and “You idiot!” If we are in a hard-R/18 environment, capable of being shown a man suspended off …
Most people in the West probably never saw A Step Into the Past, a one-season Hong Kong TV show from 2001 about a modern scientist who ends up back in the Qin dynasty. Therefore the major draw of Back to the Past, which finishes the plotlines of that TV show, …
The Brazilian director Daniel Nolasco has been creating a trademark for himself as a filmmaker. Drawing inspiration from his personal interests and his academic path, his films approach the stories of the LGBTQIA community in a conservative state. In his debut feature, Vento Seco (Dry Wind), he approaches the monotonous …
Few authors from the 20th Century are more influential than Franz Kafka. The Czech writer did not receive the recognition he deserved throughout his life, as detailed in the introductions to his books. Each new edition of his masterpieces, such as Metamorphosis, gets a deep explanation of how Kafka’s success …
The introductory section of Hafsia Herzi’s The Little Sister (La petite dernière) is slightly alienating, as it swiftly moves from one scene to the next, without an anchor point for the audience to latch onto, despite being adapted from Fatima Daas’ 2020 autofiction novel of the same name. However, our …
A mishmash of moods held together by preposterous musical numbers is part of the appeal of most Indian cinema, but Telugu-language The RajaSaab holds together worse than most. There are three movies inside The RajaSaab struggling to get out: a haunted-house horror thriller, a paean to the grandmothers who raised …
Following its Sundance world premiere in early 2025, The Things You Kill, the third feature from Iranian filmmaker Alireza Khatami, is set to screen in Philippine theaters as part of the 2025 QCinema International Film Festival. Selected as the Canadian submission for the 2026 Oscar Best International Feature Film category, …
It’s so ordinary nowadays for crime stories to have an absolutely terrific setup leading to a whimper of an ending, so when one plays its cards as well as A Private Life does it should be praised from the rooftops. In the last twenty or so years Jodie Foster has …
The Secret Agent won two major awards at this year’s Cannes film festival, Best Director for Kleber Mendonça Filho and Best Actor for Wagner Moura, an unusual and enormous compliment. The Secret Agent is a lot like Waiting for Godot, as it is two and a half hours of set-up …
Ratchapoom Boonbunchachoke’s debut feature A Useful Ghost exhibits a hooky high concept, one that’s centered on a woman who dies of dust pollution and gets reunited with her grieving husband by possessing a vacuum cleaner, much to the chagrin of her in-laws. The director dresses this concept, essentially a loose …
Screening in the Before Midnight section of the 2025 QCinema International Film Festival, Dutch filmmaker Morgan Knibbe’s sophomore feature The Garden of Earthly Delights portrays a gritty, neon-tinged Manila inferno centered on a young queer protagonist played by first-time actor JP Rodriguez. A teenager named Ginto descends deep into the …
Richard Linklater brought two films to the festival crowds this year. The first being Blue Moon, a drama about the tragic Lorenz Hart, whose professional relationship with Richard Rodgers has mostly been lost to history. The second is Nouvelle Vague, a loving ode to French New Wave cinema. Both are …