This is a banner for a review of My Tennis Maestro. Image courtesy of the filmmakers.

‘Il Maestro’ Review: A Coming of Age Through Tennis Film

This movie, for which the English title should be My Tennis Coach and it’s weird that it isn’t, is an affable Italian road movie about the coming of age of a wannabe tennis player. The entire thing is built around the nuclear-level charm of Pierfrancesco Favino (who previously worked with …

Read more

This is a banner for a review of the movie Mosquitos. Image courtesy of the filmmakers.

‘Mosquitos’ Film Review: A Disappointing Outing from Nicole and Valentina Bertani

In their first directorial effort as a directing duo, Nicole and Valentina Bertani debut at the Concorso Internazionale of the Locarno Film Festival with Mosquitoes (Le Bambine). In 2022, Valentina screened her first film, The Crown Shyness (La timidezza delle chiome) at the Giornate degli Autori of the Venice Film …

Read more

This is a banner for a review of Human Resource. Image courtesy of the filmmakers.

‘Human Resource’ Film Review: Nawapol Thamrongrattanarit’s Return to Realism Reckons With Personal Agency in a Harsh World

Playing in the Orizzonti competition program at the 2025 Venice International Film Festival, Thai director and screenwriter Nawapol Thamrongrattanarit’s latest vision Human Resource doubles as an intimate character study and a meditative portrait of contemporary Thai life mapped through the soul-sapping mechanics of corporate grind, a kind of a white-collar …

Read more

This is a banner for a review of After the Hunt. Image courtesy of the filmmakers.

‘After the Hunt’ Review: A Reactionary Film from Luca Guadagnino

No deer longs for the hunter’s arrow, and no art designed to maintain the status quo is ever as good as it thinks it is. Say what you will about Luca Guadagnino, he has made three solid movies in the last eighteen months, a level of career output rarely seen since …

Read more

This is a banner for a review of Juror #2. Image courtesy of Claire Fogler and Warner Brothers.

‘Juror #2’ Film Review: Eastwood’s Courtroom Morality Drama For A Simpler Time

Juror #2 could not have come out at a stranger time in world events towards the end of 2024. As a director, Clint Eastwood’s interests have been captured by the contradictions of life and justice in the United States: there are often clear-cut guilty and innocent parties, but who prevails …

Read more

This is a banner for a review of The Order. Image courtesy of the filmmakers.

‘The Order’ Movie Review: True Crime Drama Shows Toxic Masculinity’s Extremes

Nicholas Hoult had a theme in 2024. The Order, director Justin Kurzel’s latest dramatic feature based on true events, puts his character in a very similar situation as in Clint Eastwood’s Juror #2. Both Bob Mathews (The Order) and Justin Kemp (Juror #2) are morally compromised men making bad (desperate, …

Read more

This is a banner for a review of God Will Not Help. Image courtesy of the filmmakers.

‘God Will Not Help’ Film Review: When Fierce Performances Aren’t Enough

In the following effort for the Croatian director Hana Jušić, she presents God Will Not Help in the Concorso Internazionale of the 2025 Locarno Film Festival. Following her debut at the Venice Film Festival’s Giornate degli Autori with Quit Staring at My Plate, the Croatian author takes a look at the …

Read more

This is a banner for a review of Sorella Di Clausura. Image courtesy of the filmmakers.

‘Sorella di Clausura’ Film Review: Ivana Mladenović’s Gem

In her fourth directorial effort, the Serbian director Ivana Mladenović returns to the Locarno Film Festival, where she premiered her 2019 film Ivana the Terrible, now with Sorella di Clausura. The director, who currently resides in Romania, presents a story about a wasted Romanian talent – someone who never reached …

Read more

This is a banner for a review of the film Hair, Paper, Water... (Tóc, giấy và nước...). Image courtesy of the filmmakers.

‘Tóc, giấy và nước…’ Film Review: Trương Minh Quý and Nicolas Graux on the Differences in Generations

The Vietnamese director Trương Minh Quý was one of the highlights of the 2024 Cannes Film Festival with his film Viet and Nam. The film had an extensive festival season, including a main slate slot in the New York Film Festival and a Wavelength selection in the Toronto International Film …

Read more

This is a banner for a review of Fantasy. Image courtesy of the filmmakers.

‘Fantasy’ Film Review: Kukla’s Surreal Social Drama is One of 2025’s Strongest Debuts

A competitive entry in the Filmmakers of the Present program of the Locarno Film Festival’s 78th edition, Fantasy, the feature directorial debut from Slovenian musician and director Kukla, at times credited as Katarina Bogdanović, is a hypnotic, surreal expansion of the story the filmmaker initially sketched in her award-winning short …

Read more

This is a banner for a review of the Locarno film A Balcony in Limoges. Image courtesy of the filmmakers.

‘A Balcony in Limoges’ Film Review: A Subtle, Slippery Morality Tale (Locarno)

Premiering in the Filmmakers of the Present competition of the recently concluded Locarno Film Festival, A Balcony in Limoges, French writer-director Jérôme Reybaud’s feature follow-up to his debut 4 Days in France (2016), is the kind of movie that one might describe as deceptive, or unforeseen at the very least, …

Read more

This is a banner for a review of Le Lac. Image courtesy of the filmmakers.

‘Le Lac’ Film Review: An Unconventional Exploration of Grief from Fabrice Aragno (Locarno)

The Swiss director Fabrice Aragno is known for his collaborations with the cinematic genius Jean-Luc Godard. He worked as a cinematographer in Godard’s films ” Film Socialisme, Goodbye to Language, and Trailer of a Film That Will Never Exist: Phony Wars. He produced Godard’s last Cannes competition entry, The Book …

Read more