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‘Laguna’ Film Review – Šarūnas Bartas’ Invitation to Look at the World Around Us

Šarūnas Bartas is one of the most prominent Lithuanian directors. Over three decades, the filmmaker has produced films such as Few of Us, The House, Peace to Us in Our Dreams, Frost, and In the Dusk. Those films would premiere at the world’s principal film events, such as the Cannes …

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‘To The Victory!’ Documentary Review

In modern Ukrainian filmmaking, Valentyn Vasyanovych is one of the best-known names on the festival circuit. His films Atlantis and Reflection premiered at the Venice Film Festival. In this sense, the director has already been discussing the Russia-Ukraine conflict in his work. Reflection narrates the kidnapping of a Ukrainian surgeon …

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‘The Stranger’ Film Review – The More Things Change

The central plot point of The Stranger – a coloniser kills one of the colonised, and there are consequences – lands very differently now that it did when the original novella was published by Albert Camus in occupied France in 1942. For one thing, the world is trying with mixed …

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‘Miroirs No.3’ Film Review – A Christian Petzold Melodrama

Melodrama is a constantly sub-genre appreciated by cinephiles. Historically, filmmakers like Douglas Sirk, Rainer Werner Fassbinder, and Pedro Almodovar earned admiration from the lovers of the seventh art, predominantly because their work approaches the structures of the melodramatic conventions. In this sense, another contemporary filmmaker admired for his oeuvre in …

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‘Palestine 36’ Review – Annemarie Jacir’s Film That Speaks Profoundly to the Present

Annemarie Jacir is a crucial filmmaker to understand modern Palestinian cinema. In 2003, she made history with her short film, Like Twenty Impossibles, the first Arab short selected at the Festival de Cannes, and later earned an Academy Award nomination. In her subsequent efforts, Jacir reached the principal international stages. …

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‘Bouchra’ Film Review – A Fascinating Debut From Orian Barki and Meriem Bennani

The animation medium allows a plenitude of experimentation. In this sense, it is possible to represent and narrate any story the writer’s head wishes to, using the technique and animation conventions to develop that specific story. One of the most popular and eccentric subcultures in the world is the furry …

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‘Dhurandhar’ Film Review

It is a cultural quirk of Indian cinema that they will show the most gruesome torture and murders in glorious close-up while simultaneously subtitling the language used during these scenes as “Dang!” and “You idiot!” If we are in a hard-R/18 environment, capable of being shown a man suspended off …

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‘Only Good Things’ Film Review – The Western Traditions in the Brazilian Countryside

The Brazilian director Daniel Nolasco has been creating a trademark for himself as a filmmaker. Drawing inspiration from his personal interests and his academic path, his films approach the stories of the LGBTQIA community in a conservative state. In his debut feature, Vento Seco (Dry Wind), he approaches the monotonous …

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‘The Little Sister’ Film Review: A Strong Directorial Effort from Hafsia Herzi

The introductory section of Hafsia Herzi’s The Little Sister (La petite dernière) is slightly alienating, as it swiftly moves from one scene to the next, without an anchor point for the audience to latch onto, despite being adapted from Fatima Daas’ 2020 autofiction novel of the same name. However, our …

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Interview: Composer Daniel Lopatin on the Score of ‘Marty Supreme’

When discussing modern experimental electronic music, Daniel Lopatin, also known as Oneohtrix Point Never or OPN, is a prominent name in the conversation. Despite releasing acclaimed solo records, OPN also produced artists like FKA Twigs, Charli XCX, The Weeknd, and Soccer Mommy, musicians who bring electronic elements to mainstream pop. …

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‘The Testament of Ann Lee’ Film Review – A Haunting Experience for All The Senses

It was Stephen Sondheim who wrote a song about the two things people can leave behind: children and art. What the Shakers, a small religious movement which began in the mid-1700s, left behind was their art. Some of this is their highly influential style of furniture, made plainly to emphasise …

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Interview: Eva Victor on ‘Sorry, Baby’

For the last forty years, the Sundance Film Festival has been a crucial festival to highlight American independent cinema. Each year, when the event unveils its lineup, cinephiles, audiences, and sales agents dive into the programming to guess which of the selections will join films like Little Miss Sunshine, Memento, …

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Interview: Bi Gan on ‘Resurrection,’ his film philosophy, and M83

The young Chinese filmmaker Bi Gan is already a well-loved personality in the arthouse community. Despite his brief filmography, the director has already produced remarkable works in his career, such as Kaili Blues, Long Day’s Journey into Night, and his short film, A Short Story. Employing a poetic approach to …

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Interview with Co-Writer and Director Joachim Trier on ‘Sentimental Value’

Since his debut feature in 2006 with Reprise, Joachim Trier has become a relevant author in the arthouse circuit. His films gathered attention for the humanity, but centered on the use of Oslo, Norway, as a prominent character. Hence, Trier is mainly associated with his “Oslo Trilogy”, composed by Reprise, …

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‘Don’t Let Me Die’ Film Review: Andrei Epure Doubles Down on the Absurdity of Death

Romanian writer-director Andrei Epure already tested the premise of his feature debut Don’t Let Me Die, which premiered in the Filmmakers of the Present section of the 2025 Locarno Film Festival, in his 2021 short film Intercom 15, an entry in Cannes’ Critics’ Week. In fact, exactly seven minutes into …

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