This is a banner for a review of the documentary Eight Bridges. Image courtesy of the filmmakers.

‘Eight Bridges’ Documentary Review: James Benning’s Relentless Portrayal of the American Landscape (Berlinale 2026)

James Benning is one of the most prominent experimental directors in history. Labeled as a researcher of the American landscapes, his work features a formally rigorous study of the United States and its structures. His interest in the composition of the country is evident in his most well-known films: The …

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‘Isabel’ Film Review: A Sweet Toast to Failure (Berlinale 2026)

The Brazilian director Gabe Klinger has built his career entirely in the United States. Based in Chicago, he directed the documentary Double Play: James Benning and Richard Linklater, Porto, and the short film Bergman’s Ghosts, a complementary work to Bergman Island, the Cannes film by Mia Hansen-Løve. For the first …

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‘Ghost in the Machine’ Documentary Review – Film is Almost Too Hot to Handle

It’s very normal for documentaries to begin and end with copious lists of the various production companies who have contributed to or enabled its making. As director Valerie Veatch pointed out in her Sundance Film Festival Q&A, Ghost in the Machine has none of these. She had to fund the …

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‘A Fabulosa Máquina do Tempo’ Documentary Review: A Clever Exercise of Imagination (Berlinale)

In 2023, the Brazilian documentary veteran, Eliza Capai, released her Incompatível com a Vida (Incompatible with Life). Despite being a mix of talking head with diary documentary, it is an utterly personal telling of her experience with the traumatic loss of her baby in her womb. The director tells her …

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‘Jaripeo’ Documentary – The Film Unveils a Previously Hidden Queer Experience

It’s not so much that Jaripeo is therapy – a reductive way to think about documentary, especially when the director is documenting their own experiences – but Jaripeo is maybe the first time some of its participants have ever been asked to think about the things they do. This is, …

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‘Rosebush Pruning’ is Tasteless and Pointless (Berlinale 2026 Film Review)

I think we can blame the English royal family. When TV shows like Succession, The Righteous Gemstones and Yellowstone decide to examine the interpersonal struggle for power within an unbelievable wealthy family, they’ve all worked from the same template: tyrannical father and absent or dead mother with three sons and …

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‘Good Luck, Have Fun, Don’t Die’ is a Gonzo Thrill Ride (Berlinale 2026 Film Review)

Good Luck, Have Fun, Don’t Die takes the worst nightmares of the current moment and turns them into comedy, but the kind of comedy where if you didn’t laugh you’d cry. This is done in the lighthearted comic blockbuster style best described as a mash-up where 1990s French horror-comedy Delicatessen …

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‘The Red Hangar’ is Subtle Like a Knife (Berlinale 2026 Review)

This Chilean-Argentinian coproduction is a Chilean story but was filmed in Argentina for reasons its subject matter makes obvious. The military coup in Chile in 1973 that started with the murder of Salvador Allende brought about (speaking with understatement here) such a traumatic time to the nation that the after-effects …

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‘Wuthering Heights’ Film Review: A Stone Cold, Smoking Hot Banger

Talk about melodrama! It is not so much that this adaption of Wuthering Heights goes to eleven, but that this version of Wuthering Heights starts at eleven and keeps going and going, and going, without losing its momentum for a moment. This over-the-top depiction of secret and dangerous passion makes …

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‘Everybody to Kenmure Street’ Documentary Film Review – When Ordinary People Step Up

It’s only January but Scottish documentary Everybody to Kenmure Street is a very serious contender for best documentary of the year. It’s rare to feel a documentary so firmly plant the seed of possibility in the mind of its audience. But there are three things audiences need to know in …

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‘The Oldest Person in the World’ Documentary Review: Sam Green on Longevity and the Inevitability of Death

In 2022, the Academy-nominated documentary Filmmaker Sam Green (The Weather Underground) impressed the audiences with a sonic experiment in his 32 Sounds. Mixed as an experiment to watch at the theater and scenes where the sound echoes differently in each soundbar, it illustrates how, underneath the technical experimentation, Green’s films …

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‘The Eyes of Ghana’ Documentary Review: Ben Proudfoot’s Remastering of Historical Footage

The young Canadian director Ben Proudfoot is one of the most prominent names in the documentary short film community. Through his Breakwater Studios, Proudfoot releases two shorts each year, which premiere in major festival venues such as the Tribeca Film Festival or Telluride Film Festival. In 2021, he won his …

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Interview: Pedring Lopez on Neo-noir Thriller ‘Shadow Transit’

Filipino genre filmmaker Pedring Lopez world premiered his first English-language film, the neo-noir thriller Shadow Transit, at last year’s QCinema International Film Festival. An independent co-production between the Philippines, Hong Kong, and Canada, Shadow Transit centers on a chance encounter between a grieving singer-photographer and a drifting DJ, resulting in …

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‘Bonjour Tristesse’ Movie Review: A Modern, Feminist Take on a Coming-of-Age Classic Set on The French Riviera

Already the second film adaptation of Françoise Sagan’s 1954 coming-of-age novel of the same name, Bonjour Tristesse, a debut feature by Canadian director Durga Chew-Bose, offers a modern, feminist spin on the original material, which was an overnight sensation written by the French novelist at age 18. Remakes can become …

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Interview: Oliver Laxe on Sirât

In this year’s Cannes Film Festival, a post-screening reaction surprised tons of cinephiles following the festival’s attendees. Despite premiering after a veteran French filmmaker, Dominik Moll, with his Case 137, the most talked-about film of the second day of the festival was Sirât by the French-Spanish director, Oliver Laxe. In …

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