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‘My Undesirable Friends: Part I – Last Air in Moscow’ Review: An Epic 5-Hour Documentary

The Russian-American director Julia Loktev is a well-known director despite her small filmography. In 1998, she made her debut with Moment of Impact. Then, eight years later, she released her sophomore film with Day Night Day Night. She premiered her most prominent work to date, the 2011 film The Loneliest …

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‘Levers’ Film Review: A World Without Sunlight From Rhayne Vermette

One of the most fascinating aspects of the Toronto International Film Festival’s wavelength section is the combination of local talents with internationally prestigious names in experimental and bold efforts. The programming team, led by Andréa Picard, balances the most courageous work with more unconventional efforts that compose the best section …

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‘There Are No Words’ Film Review: On Remembering After Trauma

Min Sook Lee is a veteran of the Canadian documentary filmmaking. With a history of producing documentaries since 2003, the South Korean-born and Toronto-raised director has a strong background in non-fiction. Since her debut, Sook Lee has released other films, such as Hogtown: The Politics of Policing, Tiger Spirit, and …

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‘While The Green Grass Grows: A Diary in Seven Parts’ Film Review: An Intense Odyssey from Peter Mettler

The Swiss-Canadian director, Peter Mettler, is a respected documentary filmmaker. Focusing on exploring the miracles of existence, his films observe the environment surrounding human beings. In this sense, he tends to release long films that meditate on the humane reality. His career spans four decades, featuring celebrated films like Picture …

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‘Wrong Husband’ Review: A Fascinating Film from Zacharias Kanuk (TIFF)

In 2023, the CBC (Canadian Broadcasting Corporation) released a list of the fifty greatest Canadian films ever. At the top of the list, it was not the name of David Cronenberg, Sarah Polley, Jean-Marc Vallée, or Atom Egoyan. It was Zacharias Kunuk with his historical 2001 film, Atanarjuat: The Fast …

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‘Blue Heron’ Film Review: Sophy Romvari’s Excellent Debut Feature

Even before her debut feature, Sophy Romvari has become a highly regarded upcoming director among the online cinephiles. Her shorts Norman Norman, Still Processing, and It’s What Each Person Needs were part of the selections at the Toronto International Film Festival. Criterion Channel acquired some of her other films, such …

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‘Mosquitos’ Film Review: A Disappointing Outing from Nicole and Valentina Bertani

In their first directorial effort as a directing duo, Nicole and Valentina Bertani debut at the Concorso Internazionale of the Locarno Film Festival with Mosquitoes (Le Bambine). In 2022, Valentina screened her first film, The Crown Shyness (La timidezza delle chiome) at the Giornate degli Autori of the Venice Film …

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‘God Will Not Help’ Film Review: When Fierce Performances Aren’t Enough

In the following effort for the Croatian director Hana Jušić, she presents God Will Not Help in the Concorso Internazionale of the 2025 Locarno Film Festival. Following her debut at the Venice Film Festival’s Giornate degli Autori with Quit Staring at My Plate, the Croatian author takes a look at the …

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‘Mare’s Nest’ Review: Ben Rivers Adapts Don DeLillo

The experimental director and visual artist Ben Rivers is a respected name in the film festival circuit. The director debuts his works in principal events, such as the Locarno Film Festival, where he premiered his 2024 film Bogancloch and his new work, Mare’s Nest, both in the Concorso Internazionale. In …

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‘Sorella di Clausura’ Film Review: Ivana Mladenović’s Gem

In her fourth directorial effort, the Serbian director Ivana Mladenović returns to the Locarno Film Festival, where she premiered her 2019 film Ivana the Terrible, now with Sorella di Clausura. The director, who currently resides in Romania, presents a story about a wasted Romanian talent – someone who never reached …

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‘Tóc, giấy và nước…’ Film Review: Trương Minh Quý and Nicolas Graux on the Differences in Generations

The Vietnamese director Trương Minh Quý was one of the highlights of the 2024 Cannes Film Festival with his film Viet and Nam. The film had an extensive festival season, including a main slate slot in the New York Film Festival and a Wavelength selection in the Toronto International Film …

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‘Yakushima’s Illusion’ Film Review: Vicky Krieps’ Best Performance Since Corsage

Naomi Kawase is arguably the most well-known Japanese female director internationally. Previously, she competed in the Festival de Cannes competition five times with Shara in 2003, The Mourning Forest in 2007, Hanezu in 2011, Still the Water in 2014, and Radiance in 2017. Her 2020 feature, True Mothers, appeared on …

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‘Le Lac’ Film Review: An Unconventional Exploration of Grief from Fabrice Aragno (Locarno)

The Swiss director Fabrice Aragno is known for his collaborations with the cinematic genius Jean-Luc Godard. He worked as a cinematographer in Godard’s films ” Film Socialisme, Goodbye to Language, and Trailer of a Film That Will Never Exist: Phony Wars. He produced Godard’s last Cannes competition entry, The Book …

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‘As Estações’ Film Review: A Poetic Documentary Portraying Alentejo

The French director Maureen Fazendeiro is known for her short documentary Sol Negro (Black Sun), a recitation of Henri Michaux‘s poem. After that, she joined the Portuguese director Miguel Gomes, co-writing his Cannes award-winning Grand Tour, and co-directing the 2021 film, Diários de Otsoga (The Tsugua Diaries). Now, she directs …

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‘Dry Leaf’ Film Review: Alexandre Koberidze’s Gorgeously Fierce Neo-Noir Odyssey

Georgian director Alexandre Koberidze made a splash in the arthouse circuit when he competed in the 2021 Berlin Film Festival with his What Do We See When We Look at the Sky?. MUBI acquired the film and released it as one of the original releases during the expansion of the …

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