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‘Don’t Let Me Die’ Film Review: Andrei Epure Doubles Down on the Absurdity of Death

Romanian writer-director Andrei Epure already tested the premise of his feature debut Don’t Let Me Die, which premiered in the Filmmakers of the Present section of the 2025 Locarno Film Festival, in his 2021 short film Intercom 15, an entry in Cannes’ Critics’ Week. In fact, exactly seven minutes into …

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‘Fallout’ Season 2 Review: Chaotic, Messy Fun

We seem to have entered a season in which video adaptations can no longer be written off as trash before we even watch them. One of the most lauded adaptations has been Amazon’s Fallout, coming back for season 2. Even though I have still not played the game (despite having “New …

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‘Rebuilding’ Film Review – Josh O’Connor’s Melancholic Performance as an American Cowboy in Reconstruction

Usually, the cinema portrays tragedies that occur as incidents or natural disasters, if we call them that. The seasonal ones do not get representation on the big screen. Some regions are more susceptible to tornadoes, natural fires, and earthquakes. They are due to the geographical and geological compositions of those …

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Summertime Sadness: Interview with Chie Hayakawa of Tokyo Drama ‘Renoir’

Renoir, the sophomore feature from Japanese filmmaker Chie Hayakawa, continues her cinematic exploration of the notions of death, old age, and loneliness, preoccupations that loom over her body of work, such as in her feature debut Plan 75 (2022), the anthology film Ten Years Japan (2018), which she co-directed with …

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‘The Last One for the Road’ – Francesco Sossai’s Bittersweet Toast to Life

Each generation faces the inevitable clash with the ones before. They were morally superior, enjoyed life better, and lived through their days properly. The generational clash is arguably never fading. Each age gap has divergences within the collective of individuals, particularly in their relationships with the environment and with society …

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‘Belén’ Movie Review – The Portrait of the Success of Argentinian Feminism 

Throughout the complicated formation of Latin America, Catholicism became the norm for the so-called civilization of native populations. Hence, ever since its inception, the new continent has been a Catholic region, colonized mainly by the Portuguese and Spanish. Despite the colonial wounds, the imperial process carries severe traumas, particularly in …

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‘The Things You Kill’ Film Review: A Psychological Thriller Rendered Surreal And Slippery By A Lynchian Dream Logic

Following its Sundance world premiere in early 2025, The Things You Kill, the third feature from Iranian filmmaker Alireza Khatami, is set to screen in Philippine theaters as part of the 2025 QCinema International Film Festival. Selected as the Canadian submission for the 2026 Oscar Best International Feature Film category, …

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‘A Private Life’ Film Review – Jodie Foster’s Excellent French Story

It’s so ordinary nowadays for crime stories to have an absolutely terrific setup leading to a whimper of an ending, so when one plays its cards as well as A Private Life does it should be praised from the rooftops. In the last twenty or so years Jodie Foster has …

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‘Dreams’ Movie Review: Jessica Chastain and Isaac Hernández’s Ballet Drama

This examination of privilege in the modern American moment tries to have its cake and eat it, and while there’s nothing necessarily wrong with that, the badly-titled Dreams botches the recipe. Considering that ballet is at the center of this movie and director Michel Franco (and his cinematographer Yves Cape) …

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‘Familia’ Film Review: Italy’s Oscar Entry Offers an Intense Look Into Domestic Abuse and Masculinity in Crisis

Selected as Italy’s official contender for best international feature film at the 2026 Oscars, Francesco Costabile’s sophomore feature Familia carries the thematic preoccupations of their directorial debut Una Femmina: The Code of Silence, a crime drama loosely based on Italian journalist Lirio Abbate’s investigative book, which wrestles with women victims …

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