One of the many reasons I love film and television is its ability to comment on the world. A piece of content can take a real-world context (i.e., a global pandemic or world disaster) and wrap it in an even more heightened setting. The results can create something entertaining while …
Of the three plus years of the virtual Sundance I have attended, 2025’s felt like the weirdest yet. The films had varying qualities of success, varying from good middling to downright bad. As the festival progressed, I began to think this was the weakest year yet. That is until I …
The AppleTV+ show Severance is an extraordinary feat of imaginative filmmaking. Over the course of a critically acclaimed first season, and three episodes of funky mystery-box plotting, and a crazy cliffhanger which saw Outie Mark begin to be psychologically recalibrated with his Innie, the show has consistently agitated and cajoled …
The title of episode three of Severance season two, Who Is Alive?, is a question. In a show that is constantly asking questions, this is only the second instance of the title itself existing as a question. The first was in season one, with the episode What’s For Dinner? which …
Brazilian cinema has always been known for exploring the country’s turbulent history and coming forward with hard-hitting stories. Be it the City of God or Four Days in September, cinema has been one of the most powerful mediums for shedding light on Brazil’s socio-political struggles, unearthing raw, unfiltered narratives that …
Death to Smoochy came out in 2002 when I had three kids under three and was expecting my fourth. I was in the thick of parenting little kids, which meant I was at my most familiar with children’s television programming. Danny DeVito’s dark look at the seedy underbelly of that industry seemed …
At the beginning of Parthenope, the protagonist reflects on the concept of beauty, saying that it lasts only for 10 minutes and all that is left after that is just boredom. Interestingly enough, that is exactly how I ended up feeling about the entire film after the first few scenes. …
Winning an award is always an achievement worthy of noting. The first season of Severance, the superb Apple TV+ thriller where characters sever their brains to become two people (an Innie for work life, and an Outie for home life) earned several but the one that feels most salient to …
The art of cinema has room for all kinds of experiences, whether unusual blends of genres, unorthodox storytelling methods, or unique filming techniques. Steven Soderbergh (Traffic) is a pioneer of modern independent cinema, and his movies are often acclaimed precisely for their inventive or distinct perspective. Presence fits into the …
When Apple announced their appearance on the streaming market, there was palpable excitement amongst media fans. Allowing filmmakers and creatives to play with big budgets to create vibrant, energetic stories nearly totally liberated from network executives was a concept unfamiliar within the media zeitgeist. That excitement soon deflated after AppleTV+ …
Starting a new cinephile year is always exciting, even knowing that January is far from being a particularly memorable month. In fact, even today, the first month of the year is often dubbed “dump January” precisely because it consists of 31 days studios don’t consider appealing or important for their …
I was a freshman in high school when Baywatch debuted, so I have always had a very particular view of who Pamela Anderson is as an actor. She was the Playgirl with the most covers on Playboy, the object of Borat’s lust, and the unfortunate victim of a leaked sex tape. Gia Coppola clearly knows Anderson’s background and used that …
To watch The Quick and the Dead is to embrace in pure pulp from one of Hollywood’s greatest pulp veterans, Sam Raimi – switching gears for the Western with an all-star cast. Sharon Stone, young Leonardo DiCaprio, it’s a black comedy that benefits entirely from director of photography, Dante Spinotti, …
Following the failed effort of rebooting The Exorcist franchise with last year’s The Exorcist: Believer, director David Gordon Green returns to a familiar ground, the comedies. Nutcrackers, Green’s latest, is a film about tragedy in the first place. It narrates the story of the Kicklighter brothers, children who lost their …
Just as there’s a thin line between love and hate, there’s a thin line between romance and horror. What from one perspective shows love conquering all can also be seen as a person (usually a woman) having to deny their career, their sexuality and their independence in order to be …
Content Warning: This is a review of the movie Baby John, and it includes disturbing topics, including discussion of rape, torture, and violence against women and children. No matter where you are in the world, police propaganda has the same problem: how to justify violence meted out by cops with …
“In the entertainment business, you’re not supposed to let your practice sh-t out. It ruins the mystique.” is how Llewyn Davis expresses his carelessness for a box of childhood remnants his sister intends to hand back to him. Inside Llewyn Davis, the Coen Brothers most recent masterpiece inspired by the …
J. R. R. Tolkien’s The Lord of the Rings saga struck such a colossal nerve when it was first published because it was a reaction to the loss of the first World War. The displacement of the muddy, modern conflict into a deliberately regressive story of magic and magical creatures …
Angel Studios’ recent movie, Sound of Hope: The Story of Possum Trot is not immune to the studio’s typical criticism (yes, it uses children suffering as a tool to proselytize Christianity), but the film isn’t as bad as its detractors say it is, nor is it as good as its …
Musician and filmmaker H.P. Mendoza’s newest release The Secret Art of Human Flight looks like a B-movie and has an absurd premise usually seen in average-quality YouTube shorts. Known for his skill directing small-budget movies, Mendoza manages to take a film that even at its premise, teeters toward collapse and …