This is a banner for a review of She Is Love. Image courtesy of the filmmakers.

‘She Is Love’ Film Review

During Jamie Adams’ whimsical, flimsy romance, She is Love, a character is told while reading a script that “the less you rehearse it, the better it will be”. This, it turns out, is Adams’ motif. The film and script is crafted through non-traditional methods. The cast and himself will propose …

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TV Review: ‘Squid Game’ Season 3’s Bloated Gore Depletes its Once-Cutting Satire

When Squid Game, the South Korean survival drama series created by Hwang Dong-hyuk, debuted in 2021, it took the world by storm, topping Netflix’s most-watched list barely two weeks in, and at one point becoming “the most in-demand show in the world, with 79 times as much audience interest as …

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‘Adults’ TV Review: A Hangout Comedy That Exists Beyond Matching Gen Z’s Freak

Adults, the latest twentysomething hangout comedy offered by FX/Hulu, might just be the television equivalent of TikTok brainrot: chaotic, nearly cringe, and specifically tailored for a Gen Z audience. But it’s a series that functions beyond matching Gen Z’s freak.  Executive produced by comedian Nick Kroll and co-written by Tonight …

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‘We Are Pat’ Film Review: Tribeca Alum Rowan Haber Reframes A ‘90s Cult Figure

Nearly six minutes into We Are Pat, a hybrid documentary from Tribeca alum Rowan Haber, our gaze fixates on a graphic in pink and blue gradient featuring a photograph of the director’s toddler self—naked, sporting a cute red eyewear, and waving their hand—juxtaposed with a larger photograph of Pat, the …

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‘Hacks’ Season 4 Review: An Emotionally Satisfying Though Unfocused Journey

Comfort television can be a grey area for many viewers. What one may find comforting could be dull and trite to others. That’s what makes some television series hard to connect with for some viewers. Particularly, this can be attributed to shows about the entertainment industry. With the common TV-watcher …

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‘Honeyjoon’ Film Review: Lillian T. Mehrel on Mothers and Daughters

In her debut feature premiering at this year’s Tribeca, Lillian T. Mehrel narrates about the relationship between a mother and daughter in Honeyjoon. In the film, June (Ayden Mayeri) and Lela (Amira Casar) travel to Açores in Portugal to celebrate the first anniversary of the family patriarch’s death. In their …

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‘The Travel Companion’ Film Review: Travis Wood and Alex Mallis’ Achingly Moving Debut Feature

After working on their respective short films and co-directing the documentary short Dollar Pizza Documentary, Brooklyn-based filmmakers Travis Wood and Alex Mallis are upping the ante as their debut feature The Travel Companion is having its world premiere in the US Narrative Competition section of the 2025 Tribeca Film Festival. …

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‘Sentimental Value’ Film Review: Joachim Trier on the Problems of Success

Sentimental Value won the Grand Prix at this year’s Cannes Film Festival thanks to the three central performances by Renate Reinsve, Elle Fanning and Stellan Skarsgård. Director Joachim Trier has a real talent for pulling out the emotional subtexts of ordinary lives and figuring out why people make the choices …

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‘Deep Cover’ Movie Review: Orlando Bloom in Full Chaotic Glory

Without knowing absolutely anything about Deep Cover, I began watching it at home with zero expectations – sometimes, that’s truly the best way to discover little cinematic surprises throughout the year. The lack of anticipation allows one to fully enjoy the unpredictability of the humor and the narrative lightness of …

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‘Murderbot’ Season 1, Episode 4: Escape Velocity Protocol

Now here is where things get very good. There’s a sense of humour in Escape Velocity Protocol which we haven’t seen before, just as we haven’t seen violence this serious in Murderbot before. But the main issue here is the dichotomy between the world as Murderbot (Alexander Skarsgård) understands it …

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‘Murderbot’ Season 1, Episode 3 Review: Risk Assessment

We’re off to the races! Can free planets handle themselves? Can Murderbot (Alexander Skarsgård) stand to be “stuck with these people and their pheromones in a small craft”? Although for a being that claims not to care about people, it sure does spend a lot of time paying close attention …

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‘Murderbot’ Season 1, Episode 2 Review: Eye Contact

The six hippie scientists from the non-corporation planet that Murderbot (Alexander Skarsgård) is tasked with protecting on their mining mission are as follows: Mensah (Noma Dumezweni), the admired mission leader, parent of seven, and terraforming expert who is secretly prone to panic attacks Pin-Lee (Sabrina Wu), the non-binary lawyer and …

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‘Murderbot’ Season 1, Episode 1 Review: FreeCommerce

The eponymous hero of this new TV show Murderbot, based on the first of The Murderbot Diaries series of novels by Martha Wells, is strictly speaking a cyborg. It – though sometimes its clients misgender it as a he – has a metallic structure covered with cloned human flesh, including …

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‘Carême’ Season 1, Episode 6 Review: Trompe l’oeil

Well. This is the darkest episode yet of Carême and where almost all of the various plot points from earlier in the season have finally converged. Our hero Antonin (Benjamin Voisin) finally has it drilled into his skull not only that actions have consequences, but also that he is not …

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