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‘Murderbot’ Season 1, Episode 9 Review & Recap: All Systems Red

Finally we have reached the episode named after the novel from which the TV show Murderbot is adapted, although it’s only the penultimate one. The ways in which the differing plot strands twist together is incredibly impressive, not least in the amount of damage Murderbot (Alexander Skarsgård) suffers: the face …

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‘Murderbot’ Season 1, Episode 8: Foreign Object

Brothers Chris and Paul Weitz are maintaining the breakneck pacing of this show with what seems like the greatest of ease. As the mysterious enemy finally becomes clearer, there is at least enough respite to allow Bharadwaj (Tamara Podemski) to operate on Gurathin (David Dastmalchian), and for the throuple subplot …

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‘Fixed’ Movie Review: An Animated Romp Where Identity Matters More Than Anatomy

There’s something curious – and even a bit uncomfortable – about seeing one of the names responsible for creating some of the most iconic Cartoon Network series – and, consequently, a big part of my childhood – heading down such an… adult path. Fixed, written by Genndy Tartakovsky (Hotel Transylvania) …

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‘Eddington’ Movie Review: From COVID Satire to Blood-Soaked Western Noir

Over the last few years, my relationship with Ari Aster’s filmography could best be described as a rollercoaster ride. Hereditary is one of the defining works of modern horror and among my favorite films of the century. In 2019, Midsommar captivated me with its fusion of visual beauty and psychological …

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‘Murderbot’ Season 1, Episode 7: Complementary Species

Another action-packed episode, and packed with more than one kind of action, if you know what I mean. It’s Arada the biologist (Tattiawna Jones) who realises quicker than the others what the two creatures are doing on top of the hopper, which has glass panels in its roof. Murderbot (Alexander …

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‘The Pickup’ Movie Review: The Art of Wasting Good Talent

In a year full of forgettable productions and releases that fly under the radar, The Pickup arrives as just another film filling a slot on the calendar. With virtually nonexistent marketing and extremely low expectations – especially considering the names involved – this heist flick, written by Kevin Burrows & …

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‘Wednesday’ Season 2, Part 1 Review: Macabre Mysteries with* Jenna Ortega

Jenna Ortega’s psychic teen detective returns for the first part of Wednesday’s second season. Splitting the part into two seasons will likely leave fans wanting more than just four episodes. Although our time with Wednesday Addams is fleeting, we still get time for macabre balls, gory mysteries that need resolving, …

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‘Murderbot’ Season 1, Episode 6: Command Feed

This mid-series run of Murderbot is some of the tightest episodes of television in a while. This episode also contains a great deal of humour, backrubs, some awfully graphic surgery, and then some even more graphic violence. The tonal shifts flow more naturally than that description sounds, which is especially …

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Fantasia 2025: ‘Touch Me’ Film Review

Touch Me is the sophomore effort by Addison Heimann. The director premiered with Hypochondriac, a 2022 release. His new film is another addition to the tendency of contemporary horror films to use genre conventions to tackle trauma and abuse. In his latest film, Joey (Olivia Taylor Dudley) is a traumatized …

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Fantasia 2025: Director Alex Phillips on ‘Anything That Moves’ (Interview)

Chicago-based filmmaker Alex Phillips continues to entrench himself in underground and transgressive cinema with his sophomore feature, Anything That Moves. After 2022’s All Jacked Up and Full of Worms, about people eating and getting high on these slithery creatures, he sought another potentially polarizing idea in the vein of a …

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Fantasia 2025: ‘$POSITIONS’ Review: Brandon Daley’s Compelling First Feature Film

$POSITIONS is the debut feature by Brandon Daley, after his three short films: Savasana (2015), Chicken Tuesdays (2017), and Technology Lake: Meditations on Death and Sex (2019). In his first feature directorial effort, the director explores the world of cryptocurrencies and the allure of making easy money online. He sets …

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Fantasia 2025: ‘Hold the Fort’ Film Review: A Silly Monster Mayhem with a B-movie Charm

A horror-comedy that perfectly evokes the schlocky charm and madness of B-movies has been a rare sight since the last decade, save of course for Shin’ichirō Ueda’s 2017 low-budget film-within-a-film comedy, One Cut of the Dead, the last ingenious and delightfully funny effort I could name and recommend. Something you …

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Fantasia 2025: ‘Buffet Infinity’ Review – A Mildly Chaotic But Unique and Singular Film

There are movies, and there are movies, and then there are the wild and experimental films that use the cinematic form to tell a story in a way that only filmmaking can.  Buffet Infinity is one of this third type.  Set in a small town in Alberta, Canada, Buffet Infinity …

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‘The Naked Gun’ Movie Review: Making People Laugh Is Still a Noble Cinematic Goal

Over the decades, slapstick comedy and deadpan humor have become increasingly rare. In a cinematic landscape where physical satire and innocent laughter have given way to biting irony or postmodern self-referential humor, the return of the The Naked Gun franchise feels like a breath of fresh air… or, forgive me, …

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‘Murderbot’ Season 1, Episode 5: Rogue War Tracker Infinite

Before the review begins: an apology. I originally misgendered Murderbot in my reviews of the previous four episodes, which have now been corrected. A publicist got in touch to inform us that Murderbot has no gender; I should not have presumed the gender of the human actor playing it had …

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‘Happy Gilmore 2’ Movie Review: Adam Sandler Swings Back with Boozy Gags, Big Cameos, and ’90s Absurdity

There are films that, regardless of their cinematic quality, earn a very special place in the hearts of audiences. Happy Gilmore (1996), starring Adam Sandler and co-written with Tim Herlihy, is one such case. Much like many of Sandler’s comedies from the ’90s and early 2000s, it didn’t stand out …

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‘Carême’ Season 1, Episode 7 Review: Confession

After all the machinations of the previous episode it’s no wonder this course of Carême chooses a different focus for all its power struggles. The episode takes place entirely within Talleyrand’s (Jérémie Renier) estate and revolves around Hortense (Lily Taieb) unexpectedly going into labour. For those of you not keeping …

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