This is a banner for a review of the miniseries Death by Lightning. Image courtesy of Netflix.

‘Death by Lightning’ Miniseries Review: History is Stranger Than Fiction

“Assassination can be no more guarded against than death by lightning; it is best not to worry about either.” With these words early in his presidency, James Garfield may have sealed his fate. Shot by Charles J. Guiteau and dying six months after taking office in 1881, the United States …

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‘It: Welcome to Derry’ Episode 2 Recap and Review

Content Note: The following contains spoilers for episode 2 of It: Welcome to Derry. The show also deals with child death/harm and mental institutions, so proceed with caution if those are sensitive subjects. The end of episode 1 of It: Welcome to Derry was a significant shocker, with several kids who seemed like …

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‘Pillion’ Film Review: A Tender, Awkward, BDSM Love Story

A pillion is a seat for a passenger behind a motorcyclist. This simple, not-overly-familiar word captures the whole experience of Colin (Harry Melling) in Harry Lighton’s feature directorial debut adapted from the 2020 novel Box Hill by Adam Mars-Jones. In Pillion, Colin is shy, still living at home with his …

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‘Hedda’ Movie Review: Thompson and Hoss Go All Guns Blazing

“Just Hedda is fine.” With these prickly, precise words, Hedda (Tessa Thompson) immediately establishes her self-image and control thereof. Hedda is the recently married wife of up-and-coming scholar George Tesman (Tom Bateman), but the legacy left by her father General Gabler – including his guns – is one she takes …

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‘Springsteen: Deliver Me From Nowhere’ Film Review: An Untrustworthy Biopic

It is always, always interesting to see art about the making of other art. The choices people make, why those choices resonate, whether those choices were deliberate or accidental, and how much people get into their own way is always fascinating to watch. It certainly helps if you have a …

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‘Hamlet’ Movie Review: Poetic Fidelity Suffocates the Modern Concept

Curiosity and hope were my personal feelings going into the cinema to see Hamlet (2025). I knew beforehand this would be another transposition of Shakespeare’s iconic tragedy into a contemporary context, an exercise that’s always risky in itself. However, the decisive factor in giving the film a chance was, without …

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This is a review for the movie A Year of School. Image courtesy of the filmmakers.

‘A Year of School’ A Charming Coming-of-Age Film

The emotional rollercoaster Giacomo Covi’s character undergoes in A Year of School is so relatable it’s obvious why he won the Best Actor prize in the Orrizonti strand of this year’s Venice Film Festival: a new prince has been crowned. In fact all four of the main actors in A …

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‘At Work’ Film Review: Bastien Bouillon is Quietly Compelling

In 2021 a small French movie called The World After Us played the festival circuit because it was one of the first modern movies to address life in the modern gig economy. It was a direct precursor to At Work, in that they are both about a novelist in Paris …

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‘Mare’s Nest’ Review: Ben Rivers Adapts Don DeLillo

The experimental director and visual artist Ben Rivers is a respected name in the film festival circuit. The director debuts his works in principal events, such as the Locarno Film Festival, where he premiered his 2024 film Bogancloch and his new work, Mare’s Nest, both in the Concorso Internazionale. In …

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‘Smoke’ Review: A Messy Mini-Series with Great Performances

Author and writer Dennis Lehane has carved a niche in the crime and thriller genres. His credits include novels such as Live by Night and Gone Baby Gone, as well as screenplays like 2014’s underrated film The Drop. Lehane has even dipped his toe into television work with series such …

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‘Night Always Comes’ Review: Vanessa Kirby Shines in a Film That Fumbles Its Potential

When Night Always Comes opens with news reports and radio shows hammering the housing crisis – wages too low to cover rent and basic expenses, evictions looming – the promise is clear: a direct plunge into a reality that pushes people to the edge. As the protagonist heads out to …

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‘Murderbot’ Season 1, Episode 10 Review & Recap: The Perimeter

Upon the news that Murderbot has been renewed for a second series, we can all breathe more easily. This first series is the demonstration of how the Pinocchio became a real boy, or in this case, a genderless sentient construct that, without its armor, looks like an augmented human. But …

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‘Murderbot’ Season 1, Episode 9 Review & Recap: All Systems Red

Finally we have reached the episode named after the novel from which the TV show Murderbot is adapted, although it’s only the penultimate one. The ways in which the differing plot strands twist together is incredibly impressive, not least in the amount of damage Murderbot (Alexander Skarsgård) suffers: the face …

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‘Murderbot’ Season 1, Episode 8: Foreign Object

Brothers Chris and Paul Weitz are maintaining the breakneck pacing of this show with what seems like the greatest of ease. As the mysterious enemy finally becomes clearer, there is at least enough respite to allow Bharadwaj (Tamara Podemski) to operate on Gurathin (David Dastmalchian), and for the throuple subplot …

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‘Murderbot’ Season 1, Episode 7: Complementary Species

Another action-packed episode, and packed with more than one kind of action, if you know what I mean. It’s Arada the biologist (Tattiawna Jones) who realises quicker than the others what the two creatures are doing on top of the hopper, which has glass panels in its roof. Murderbot (Alexander …

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