This is an image for a review of the Locarno film Tabi to hibi. Image courtesy of the filmmakers.

‘Tabi to Hibi’ Film Review: Shô Miyake’s Golden Leopard Winner is a Pulsating Drama About Existential Solitude and the Limits of Language

An incommunicable solitude pulsates at the heart of Tabi to Hibi — also titled Two Seasons, Two Strangers — the bifurcated drama from Japanese writer-director Shô Miyake, who just won a career-defining Pardo d’Oro (Golden Leopard) for the movie, following its world premiere in the Concorso Internazionale section of this …

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This is a banner for a review of the Locarno film A Balcony in Limoges. Image courtesy of the filmmakers.

‘A Balcony in Limoges’ Film Review: A Subtle, Slippery Morality Tale (Locarno)

Premiering in the Filmmakers of the Present competition of the recently concluded Locarno Film Festival, A Balcony in Limoges, French writer-director Jérôme Reybaud’s feature follow-up to his debut 4 Days in France (2016), is the kind of movie that one might describe as deceptive, or unforeseen at the very least, …

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‘Yakushima’s Illusion’ Film Review: Vicky Krieps’ Best Performance Since Corsage

Naomi Kawase is arguably the most well-known Japanese female director internationally. Previously, she competed in the Festival de Cannes competition five times with Shara in 2003, The Mourning Forest in 2007, Hanezu in 2011, Still the Water in 2014, and Radiance in 2017. Her 2020 feature, True Mothers, appeared on …

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‘Le Lac’ Film Review: An Unconventional Exploration of Grief from Fabrice Aragno (Locarno)

The Swiss director Fabrice Aragno is known for his collaborations with the cinematic genius Jean-Luc Godard. He worked as a cinematographer in Godard’s films ” Film Socialisme, Goodbye to Language, and Trailer of a Film That Will Never Exist: Phony Wars. He produced Godard’s last Cannes competition entry, The Book …

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Book Review: ‘Dire Bound’ by Sable Sorensen

Meryn Cooper has one goal in Sable Sorensen’s Dire Bound: protect her sister. Their father died before Saela (her sister) was born and their mother slips further away every day thanks to her mental illness. All the two sisters have in the world is each other so that goal isn’t surprising. …

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‘Blue Film’ EIFF Review: A Fearless Look at Desire and Taboo

From the title of Blue Film, writer and director Elliott Tuttle’s feature debut suggests titillation. This unbelievably challenging work, however, is something far more slippery, enigmatic, and subversive than simple thrills within the milieu of modern sex work. Indeed, the on-screen sex scenes are brief and shot with a curious …

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This is a banner for a review of the Tony Tost movie Americana. Images courtesy of Lionsgate.

‘Americana’ Movie Review: The Weight of Tradition in a Modern Western Key

Preparing to watch a contemporary western is always an exercise in expectation and curiosity. The genre, so often revisited, can be both fertile ground for reinvention and a minefield of clichés. Tony Tost, in his first feature as writer and director, takes on this risky premise with Americana, a hybrid …

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‘Smoke’ Review: A Messy Mini-Series with Great Performances

Author and writer Dennis Lehane has carved a niche in the crime and thriller genres. His credits include novels such as Live by Night and Gone Baby Gone, as well as screenplays like 2014’s underrated film The Drop. Lehane has even dipped his toe into television work with series such …

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This is a banner for a review of the Locarno documentary As Estações, The Seasons. Image courtesy of the filmmakers.

‘As Estações’ Film Review: A Poetic Documentary Portraying Alentejo

The French director Maureen Fazendeiro is known for her short documentary Sol Negro (Black Sun), a recitation of Henri Michaux‘s poem. After that, she joined the Portuguese director Miguel Gomes, co-writing his Cannes award-winning Grand Tour, and co-directing the 2021 film, Diários de Otsoga (The Tsugua Diaries). Now, she directs …

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This is a banner for a review of the Edinburgh movie Grow. Image courtesy of the filmmakers.

‘Grow’ Film Review: A Story Steeped in British Traditionalism and Pumpkins

From John McPhail, the Glaswegian director behind cult favourite Anna and the Apocalypse, comes Grow, a delightfully daft and incredibly charming family film that follows Charlie (newcomer Priya-Rose Brookwell), a young girl with an almost supernatural instinct for horticulture on a mission to grow the world’s biggest pumpkin.  After some …

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