This is a banner for a review of Murderbot Season 1 Episode 3, Risk Assessment.

‘Murderbot’ Season 1, Episode 3 Review: Risk Assessment

We’re off to the races! Can free planets handle themselves? Can Murderbot (Alexander Skarsgård) stand to be “stuck with these people and their pheromones in a small craft”? Although for a being that claims not to care about people, it sure does spend a lot of time paying close attention …

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This is a banner for a review of the documentary Natchez. Photo still credit to Noah Collier.

‘Natchez’ Documentary Film Review: Southern History Reexamined

In her sophomore effort, Suzannah Herbert premieres her film Natchez at the Tribeca Film Festival. The documentary title borrows its name from the city in Mississippi. In the 1800s, it was the city with the most millionaires in the world; cotton plantations and the slave trade were the main commercial …

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‘Eagles of the Republic’ Film Review: Movies, Governments, and the Truth

The movie with the best title at this year’s Cannes Film Festival is also the kind of movie filmmakers love to make: a movie about making a movie. But less joyously, the setting here is present-day Egypt, a nation not currently enjoying the delights of democracy. The creatives involved, beginning …

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‘Murderbot’ Season 1, Episode 2 Review: Eye Contact

The six hippie scientists from the non-corporation planet that Murderbot (Alexander Skarsgård) is tasked with protecting on their mining mission are as follows: Mensah (Noma Dumezweni), the admired mission leader, parent of seven, and terraforming expert who is secretly prone to panic attacks Pin-Lee (Sabrina Wu), the non-binary lawyer and …

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‘Her Will Be Done’ Review: Julia Kowalski’s Modern Folky Horror Movie

The French/Polish director Julia Kowalski recently premiered her Que Ma Volonté Soit Faite (Her Will Be Done). It is a Quinzaine Des Cineastes selection and the director’s sophomore full-length feature, Crache Cœur (Raging Rose). The film narrates the story of Nawojka (Maria Wróbel), a girl from rural France whose parents …

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‘Murderbot’ Season 1, Episode 1 Review: FreeCommerce

The eponymous hero of this new TV show Murderbot, based on the first of The Murderbot Diaries series of novels by Martha Wells, is strictly speaking a cyborg. It – though sometimes its clients misgender it as a he – has a metallic structure covered with cloned human flesh, including …

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‘The Life of Chuck’ Review: A Welcome Reminder That Movies Can Give You Hope

What is a “feel-good” movie? Is it just an uplifting story? Or something even more? That’s a tricky question that doesn’t have a distinct answer. Something that may be heartfelt to one person may be found schmaltzy and manipulative to another. Adding that idea to 2025 films makes the prospect …

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‘Carême’ Season 1, Episode 6 Review: Trompe l’oeil

Well. This is the darkest episode yet of Carême and where almost all of the various plot points from earlier in the season have finally converged. Our hero Antonin (Benjamin Voisin) finally has it drilled into his skull not only that actions have consequences, but also that he is not …

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‘Duel’ Movie Review: The Birth of a Master

It’s funny that the humble beginnings of Steven Spielberg — arguably the most iconic filmmaker working in Hollywood — can be traced back to Playboy Magazine. His directorial debut from 1971, Duel, began as a short story published in Hugh Hefner’s adult-oriented magazine. Author Richard Matheson (The Omega Man, Stir …

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‘Death Does Not Exist’ Review: Film Illustrates an Animated Political Connundrum

Bold, primary colours take centre point within the animated tale Death Does Not Exist (La mort n’existe pas) which convey the film’s blunt messaging effectively. Political in nature and economic in scale, the film lays bare its stance within its opening sequence leaving no doubt about its eat the rich …

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