This is a banner for a review of the Locarno film Solomamma. Image courtesy of the filmmakers.

‘Solomamma’ Film Review: A Single Mother Finds A Second Coming of Age in Janicke Askevold’s Soberly Riveting Drama (Locarno)

2025 is slowly turning into a banner year for Norwegian cinema, not least because of the Grand Prix acclaim of Joachim Trier’s Sentimental Value, already touted as one of “The 100 Best Movies of the 2020s (So Far),” at this year’s Cannes Film Festival. Not long prior to that, Nina …

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‘Dry Leaf’ Film Review: Alexandre Koberidze’s Gorgeously Fierce Neo-Noir Odyssey

Georgian director Alexandre Koberidze made a splash in the arthouse circuit when he competed in the 2021 Berlin Film Festival with his What Do We See When We Look at the Sky?. MUBI acquired the film and released it as one of the original releases during the expansion of the …

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Fantasia 2025: ‘Redux Redux’ Film Review: Michaela McManus Travels the Multiverse in this Striking Grief Indie

It feels like every movie I’ve seen at this year’s Fantasia International Film Festival turns into an instant favorite, from A Grand Mockery, a hypnotic Super 8mm avant-garde trip from Sam Dixon and Adam C. Briggs, to Anything That Moves, an inventively transgressive Giallo/Bomba picture courtesy of Alex Phillips. Every …

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Fantasia 2025: ‘Dui Shaw’ Film Review: Nuhash Humayun’s Folklore-fueled Anthology Runs the Tonal Gamut

Dui Shaw, courtesy of Bangladeshi writer-director Nuhash Humayun – who made history as the first filmmaker from Bangladesh to cop an Oscar nomination for the post-apocalyptic short film Moshari (2022), executive produced by horror master Jordan Peele and Sound of Metal star Riz Ahmed – locates grimy, cyclic folklores in …

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Fantasia 2025: ‘Every Heavy Thing’ Film Review: Mickey Reece’s Big Tech Thriller is a Surreal Trip

Every Heavy Thing, the latest feature from prolific indie auteur Mickey Reece which just had its world premiere at Fantasia 2025, is a pulsing technothriller propelled by daring Lynchian experimentations. Essentially, it feels like a standalone Black Mirror episode reckoning with the threat of Big Tech in American suburbs. Mounted …

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Fantasia 2025: ‘Touch Me’ Film Review

Touch Me is the sophomore effort by Addison Heimann. The director premiered with Hypochondriac, a 2022 release. His new film is another addition to the tendency of contemporary horror films to use genre conventions to tackle trauma and abuse. In his latest film, Joey (Olivia Taylor Dudley) is a traumatized …

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Fantasia 2025: Director Alex Phillips on ‘Anything That Moves’ (Interview)

Chicago-based filmmaker Alex Phillips continues to entrench himself in underground and transgressive cinema with his sophomore feature, Anything That Moves. After 2022’s All Jacked Up and Full of Worms, about people eating and getting high on these slithery creatures, he sought another potentially polarizing idea in the vein of a …

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Fantasia 2025: ‘Blazing Fists’ Film Review – A Visceral Work by the Master Takashi Miike

Japanese director Takashi Miike is one of the most prolific directors alive. In 2025, he released three films: Shin Abarenbo Shogun, Sham, and Blazing Fists. He is known for his signature in his work, which usually merges genres. In Blazing Fists, Miike crafts a martial arts film that combines fighting, …

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Fantasia 2025: ‘Hellcat’ Film Review: Dakota Gorman is a Visceral Force in Brock Bodell’s Suffocating Survival Horror

Brock Bodell’s feature directorial debut, Hellcat, which made its world premiere at the 2025 Fantasia International Film Festival, is a chamber survival horror-thriller that manages to be effectively tense and visceral despite a premise that we’ve come across a few too many times before. Produced and shot entirely in Nashville, …

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Fantasia 2025: ‘$POSITIONS’ Review: Brandon Daley’s Compelling First Feature Film

$POSITIONS is the debut feature by Brandon Daley, after his three short films: Savasana (2015), Chicken Tuesdays (2017), and Technology Lake: Meditations on Death and Sex (2019). In his first feature directorial effort, the director explores the world of cryptocurrencies and the allure of making easy money online. He sets …

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Fantasia 2025: ‘OBEX’ Film Review – Albert Birney’s Homage to Early Video Games

The American indie director Albert Birney has had a prolific career in the last few years. He is releasing his sixth feature film, OBEX. Birney released before Strawberry Mansion, Tux and Fanny, Sylvio, Eyeballs in the Darkness, and The Beast Pageant. The director uses the 1980s setting to tell his …

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Fantasia 2025: ‘Lurker’ Review – Théodore Pellerin’s Superb Film Performance

Lurker is the debut feature by Alex Russell. He is an Emmy winner for his work as a supervising producer in Netflix’s miniseries, Beef. Besides the show with Ali Wong and Steve Yeun, the young screenwriter penned episodes of FX’s Dave and The Bear. In 2017, Russell wrote a feature …

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Fantasia 2025: ‘Buffet Infinity’ Review – A Mildly Chaotic But Unique and Singular Film

There are movies, and there are movies, and then there are the wild and experimental films that use the cinematic form to tell a story in a way that only filmmaking can.  Buffet Infinity is one of this third type.  Set in a small town in Alberta, Canada, Buffet Infinity …

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‘Reflection in a Dead Diamond’ Movie Review: A Stylish and Fresh Genre Homage (Fantasia 2025)

The duo of directors Hélène Cattet and Bruno Forzani is known for their approach to genre cinema, especially the giallo, an Italian sub-genre of slasher films marked by its distinctive visual style. They are back with their latest film, Reflection in a Dead Diamond (Reflet dans un diamant mort), a …

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‘Food Delivery’ Documentary Film Review: Country Underwater

Five minutes into Food Delivery: Fresh from the West Philippine Sea, the latest documentary from Filipino filmmaker Baby Ruth Villarama, we are presented with a patchwork of news headlines, archived footage depicting Filipino and Chinese maritime vessels ramming into each other, and graphics mapping the Philippines’ nautical borders. A propulsive …

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‘Better Go Mad in the Wild’ Review: A Film of Beauty in the Absurd

The Slovak director Miro Remo presents an alternative way of living in his film Better Go Mad in the Wild. In his fifth feature-length film, the director closely observes the twin brothers František and Ondřej Klišík. They live in the inner countryside of the Czech Republic, in the Sumava. The …

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‘I am Frankelda’ Review: A Captivating Universe but Uneven Film

I Am Frankelda (Soy Frankelda) is the debut feature by Arturo and Roy Ambriz. It is also the first stop-motion animation feature ever produced in Mexico. Mexican cinema has a growing animation industry, it is internationally recognized, with names such as Jorge R. Gutierrez (Book of Life & Maya and …

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