This is a banner for a review of the movie Sister Midnight.

‘Sister Midnight’ Film Review: Domestic Tragicomedy via Genre-bending Horror

Karan Kandhari’s Sister Midnight seems, upon its opening, to be a quotidian domestic drama. Uma (Radhika Apte) has one key problem taking over her life: she and her new husband, Gobal (Ashok Parthak), are not at all compatible. Those who arranged their marriage failed to account for fundamental differences in …

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This is a banner for a review of Are You There God? It's Me, Margaret.

‘Are You There God? It’s Me, Margaret.’ Movie Review: An Endlessly Charming Coming-Of-Age Delight

In 1970, Judy Blume’s eponymous novel Are You There God? It’s Me, Margaret was published. The book, a grounded curtail pull on teenage sexuality, was met with indignation by certain literary factions of the USA, going as far as banning the book in certain states over its discussion of menstruation …

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This is a banner for a review of the movie Bodies Bodies Bodies.

‘Bodies Bodies Bodies’ Movie Review: A Satire of Social Media

Society’s infatuation with social media has grown and evolved over the years. What started with sites connecting long-distance/old friends (looking at you, Facebook) has morphed into something else. The culture constantly compares itself, making it hard for the younger generation to grow without feeling bad about themselves. Such a methodology …

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This is a banner for a review of the movie Corina, from director Urzula Barba Hopfner.

‘Corina’ Movie Review: A Mature Directorial Debut by Urzula Barba Hopfner

Cinema represents reality by allowing us to imagine ourselves in situations that may seem far from our daily existence. In her directorial debut, Mexican director Urzula Barba Hopfner envisions the life of Corina (Naian González Norvind), an agoraphobic woman. She has an anxiety disorder that affects her when she is …

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This is a banner for a review of the documentary Blue Road: The Edna O'Brien story.

‘Blue Road: The Edna O’Brien Story’ Review: An Emotionally Engaging Documentary

Throughout its violent process of independence and establishment of national identity, Ireland grew tentatively separating from the colonial exploitation of the British Empire. The Catholic church contributed massively to the societal construction of the Irish; however, it led to a misogynist and oppressed culture in the earliest years. As the …

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This is a banner for a review of the movie September 5.

‘September 5’ Movie Review: A Period Piece Relevant for the Current Moment

Unusually, September 5 faced one main question before its release: why has it been made? Well, since the last presidential inauguration, we have our answer. September 5 is one of those biopic-style (but not a documentary) re-enactments of tragic real-world events. Here the disaster is at the 1972 Munich Olympics, …

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This is a banner for a review of the Netflix original film Pedro Páramo.

‘Pedro Páramo’ Movie Review: Rodrigo Prieto’s Disappointing Take on a Literary Classic

In his essay Defense of an Adaptation, French film critic and co-founder of the historical film magazine Cahiers du Cinema André Bazin states that a literary adaptation for the cinema is impure. He points out how dependence on another medium affects filmmaking and how leaning over another source material, either …

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This is a banner for an Interview with Banr's Erica Xia-Hou.

Interview: ‘Banr’ – Erica Xia-Hou’s Vision for an Immersive, Emotionally Grounded Film

There are only a handful of movies that have managed to capture the horrifying nature of Alzheimer’s. Films such as Still Alice , Away From Her, and The Father  talk about this disease and the devastation it causes in a surreal manner. At this year’s Slamdance Film Festival, viewers got …

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This is a review for the UHD release of Wolf man.

Wolf Man UHD Blu-Ray Review

Leigh Whannell’s Wolf Man, starring Christopher Abbott, Julia Garner, and Matilda Firth arrives on home video this week. The film received mixed reviews from critics (including our Manuel São Bento), but a UHD Blu-ray release is always a reason to celebrate, and this one is no exception.  So, let’s take …

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Borderline Movie Review

‘Borderline’ Film Review: Samara Weaving and Ray Nicholson Shine in a Familiar yet Fun Thriller

Samara Weaving has become a recurring presence in horror, thriller, and action flicks with a touch of dark humor. From The Babysitter to Ready or Not, along with Guns Akimbo and Azrael, the Australian actress has cemented herself as a modern-day final girl, embracing roles that balance stylized violence and …

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This is a poster for a review of the movie Kung Fu Rookie.

‘Kung Fu Rookie’ Movie Review – A Fun and Enjoyable Homage to Jackie Chan

Acting as a true, unapologetically enthusiastic celebration of Hong Kong action icon Jackie Chan, Kung Fu Rookie (or Timuchin), is a fun homage to a significant figure in martial arts cinema. With Chan’s Karate Kid: Legends releasing in a few months and his classic Rumble in the Bronx celebrating its …

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‘The End’ Review: A Musical Film of Collective Delusion (Glasgow Film Festival)

In The End, Joshua Oppenheimer turns his camera from documentary towards fiction while continuing his exploration of the lies people tell themselves. The film opens with a young man (George Mackay) painstakingly painting miniature figures and landscapes onto a large diorama; on closer inspection, the diorama seems to encapsulate a …

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This is a banner for an interview with writer and director Will Seefried, of Lilies Not For Me.

Interview: Writer and Director Will Seefried on ‘Lilies Not For Me’

At this year’s iteration of the Edinburgh Film Festival, I sat down with director Will Seefried to discuss his debut feature Lilies Not For Me. The film explores the relationship between old school friends Owen (Fionn O’Shea) and Phillip (Robert Aramayo) as they begin a homosexual relationship in the quiet …

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‘Mickey 17’ Review: Robert Pattinson Shines in Bong Joon-ho’s Latest Genre-Bending Adventure

Bong Joon-ho is one of the most fascinating filmmakers of the century. From The Host to Parasite, not forgetting Snowpiercer or Okja, the writer-director jumps from genre to genre, blending distinct tones with remarkable balance and efficiency. Joon-ho fits into that special category of filmmakers who simply cannot make a …

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