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‘Everybody to Kenmure Street’ Documentary Film Review – When Ordinary People Step Up

It’s only January but Scottish documentary Everybody to Kenmure Street is a very serious contender for best documentary of the year. It’s rare to feel a documentary so firmly plant the seed of possibility in the mind of its audience. But there are three things audiences need to know in …

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‘The Oldest Person in the World’ Documentary Review: Sam Green on Longevity and the Inevitability of Death

In 2022, the Academy-nominated documentary Filmmaker Sam Green (The Weather Underground) impressed the audiences with a sonic experiment in his 32 Sounds. Mixed as an experiment to watch at the theater and scenes where the sound echoes differently in each soundbar, it illustrates how, underneath the technical experimentation, Green’s films …

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‘The Eyes of Ghana’ Documentary Review: Ben Proudfoot’s Remastering of Historical Footage

The young Canadian director Ben Proudfoot is one of the most prominent names in the documentary short film community. Through his Breakwater Studios, Proudfoot releases two shorts each year, which premiere in major festival venues such as the Tribeca Film Festival or Telluride Film Festival. In 2021, he won his …

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Interview: Pedring Lopez on Neo-noir Thriller ‘Shadow Transit’

Filipino genre filmmaker Pedring Lopez world premiered his first English-language film, the neo-noir thriller Shadow Transit, at last year’s QCinema International Film Festival. An independent co-production between the Philippines, Hong Kong, and Canada, Shadow Transit centers on a chance encounter between a grieving singer-photographer and a drifting DJ, resulting in …

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‘Bonjour Tristesse’ Movie Review: A Modern, Feminist Take on a Coming-of-Age Classic Set on The French Riviera

Already the second film adaptation of Françoise Sagan’s 1954 coming-of-age novel of the same name, Bonjour Tristesse, a debut feature by Canadian director Durga Chew-Bose, offers a modern, feminist spin on the original material, which was an overnight sensation written by the French novelist at age 18. Remakes can become …

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Interview: Oliver Laxe on Sirât

In this year’s Cannes Film Festival, a post-screening reaction surprised tons of cinephiles following the festival’s attendees. Despite premiering after a veteran French filmmaker, Dominik Moll, with his Case 137, the most talked-about film of the second day of the festival was Sirât by the French-Spanish director, Oliver Laxe. In …

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‘Dead Man’s Wire’ Film Review: An Understated Bill Skarsgård Stars in This ‘70s Hostage Thriller That Grips Us by the Neck

Whereas Kelly Reichardt’s latest indie fare The Mastermind, a character study of an arguably decent criminal shot 1970s-style, starring the brilliant and now ubiquitous Josh O’Connor, tersely eviscerates our notion of a crime/heist movie — though the resulting picture feels rather coiled — Gus Van Sant’s comeback feature Dead Man’s …

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‘Little Amélie or the Character of Rain’ Film Review: A Bubbly Bildungsroman Set in Post-War Japan

Children under age seven, in Japanese culture, are considered “of the gods,” which means they have the purest connection with the divine, until they inevitably transition into the mortal realm, taking their first few steps into adulthood. Such is the case for the titular protagonist of Little Amélie or the …

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‘Prime Minister’ Film Review – A Conventional Documentary on an Unconventional politician

Political filmmaking goes beyond documenting political movements and principally records the individuals who make the choices. A classic example of that is Rob Epstein’s The Times of Harvey Milk, a groundbreaking documentary that immortalized Milk’s work and brutal murder. In this sense, these sub-genres of docs crystallize the life of …

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‘Divine Comedy’ Film Review: Celluloid and Censorship

After making its premiere in the Orizzonti competition at this year’s Venice Film Festival, Ali Asgari’s latest feature Divine Comedy is set to make its Philippine debut as part of the 13th edition of the QCinema International Film Festival, running November 14 to 23. The film, which takes a metatextual …

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‘Phantoms of July’ Film Review: Julian Radlmaier Warps Time In This Absurdist Working-Class Dramedy

Originally titled Sehnsucht in Sangerhausen, which translates as “Longing in Sangerhausen,” Julian Radlmaier’s latest feature and Locarno 2025 in-competition entry Phantoms of July unfolds as a spirited absurdist dramedy set in the titular mining town that formed part of East Germany prior to reunification. It is the kind of movie …

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‘O Último Episódio’ Film Review – A Throwback to the Last Century in Brazil

Filmes de Plástico (which translates to plastic films) is a Brazilian production company based in the outskirts of Contagem, in the greater Belo Horizonte, one of Brazil’s largest capitals. The city is primarily a refuge for the working class, where rentals are less expensive than in the capital, which is …

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‘Little Trouble Girls’ Movie Review: A Catholic Choir Girl Discovers Queer Desire in this Slippery Slovenian Coming of Age

Catholic guilt is the monster that constantly rears its ugly head in Little Trouble Girls, a feature debut by Slovenian director Urška Djukić about an introverted choir girl who grapples with a sexual awakening and a renewed identity amidst pervasive conservatism and social pressures. The coming-of-age drama won the FIPRESCI …

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‘The Ugly Stepsister’ Film Review: Emilie Blichfeldt’s Feature Debut is a Controlled Evisceration of the Cinderella Fantasy

Cinderella meets Monstro Elisasue in Norwegian filmmaker Emilie Blichfeldt’s directorial debut The Ugly Stepsister, which at once functions like a twisted paean to and a biting, though still-restrained, rebuke of the whole Cinderella fairy tale, all hinged on a sinisterly fascinating performance from Lea Myren, who plays the title character.  …

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