This is a banner for a review of the film Everything Else is Noise. Image courtesy of the filmmakers.

‘Everything Else is Noise’ Film Review: Nicolás Pereda’s New Adventure in Observing the Mundane

The Mexican director Nicolás Pereda has proven himself as one of the most prominent filmmakers of the new generation. In the last three years, he released three films. Lázaro de Noche premiered at the 2024 FIDMarseille, and Cobre was also a world premiere at the French experimental film event in …

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‘Hamnet’ UHD Review

To paraphrase a great actor, we need art.  We live in a world where everything is increasingly financialized, and things are often valued only by what they can return to our pockets, but this fixation on the monetary ignores the richness of our souls and hinders our processing of difficult …

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‘What Does That Nature Say to You’ Film Review: Hong Sang-soo Never Stops

If you think Korean filmmaker Hong Sang-soo’s aesthetics will get more refined after his films have, over the years, preferred a more digitized (read: pixelated, desaturated, out-of-focus) aesthetic, think again! His latest film, within a corpus of slow cinema experiments, What Does That Nature Say to You, contains many of …

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‘Dead Lover’ Film Review: a Gutsy and Glorious Paean to Love, With all its Smells and Squelches

Grace Glowicki’s Dead Lover arrives as Frankenstein tales are having a real cultural moment. With Guillermo del Toro’s film released last autumn (and picking up three Oscars) and Maggie Gyllenhaal’s The Bride currently in cinemas, Glowicki’s picture as director, co-writer (with Ben Petrie, who also stars) and star may not …

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‘Dhurandhar The Revenge’ Film Review – A Dish Best Not Served

Content warning: descriptions of incredibly graphic violence from the start Sometimes a movie makes it apparent why we do the work we do. For example, if someone stabbed me in the shoulder, twisted the knife, and then stomped on the knife while it was still in my body, I might …

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‘GoldenEye’ Film Review: A James Bond Departure That Feels Just More of the Same

Re-released for its 30th anniversary last year, Martin Campbell’s 1995 super spy movie GoldenEye looks and feels particularly vintage, like something you’d watch on a holiday. The seventeenth title in the James Bond franchise, the film introduced a new 007 in Pierce Brosnan, who would end up playing the part …

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‘Fiz Um Foguete Imaginando que Você Vinha’ Film Review: A Playful Road Trip that Challenges Logic and Time

In the Brazilian cinema history, there are classic examples of road trip films. One of them is Iracema by Jorge Bodansky and Orlando Senna, a time capsule on the Northern region of the country during the military dictatorship. Regionally, a landmark of the sensorial cinema in the country is Viajo …

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‘Quezon’ Movie Review: Jerrold Tarog Reckons Yet Again With the Idea of a Great Man in the Final Installment to His Deconstructionist Hero Trilogy

Filipino filmmaker Jerrold Tarog’s historical biopic trilogy, which began a decade ago, may just have run its course with Quezon, notwithstanding the latest installment’s prescient coda. The movie first played in Philippine theaters in October last year and screened in the Limelight program of the 2026 International Film Festival Rotterdam, …

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‘La Belle Année’ Documentary Review: A Bloated Remembering of Teenage Desires

Cinema works as a personal diary for filmmakers. The camera as an instrument substitutes the pen, words shift to images, and the stories build upon a different logic. Similar to the process of writing in a journal, there is a process involved in the act of storytelling. The written story …

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‘The President’s Cake’ Film Review: A Moving, Often Harrowing Portrait of Resilience

Hasan Hadi’s The President’s Cake is a difficult film to watch. For 105 minutes, the Iraqi filmmaker’s directorial debut puts us in the middle of Saddam Hussein’s despotic reign and shows us harsh realities that many Western viewers are unfamiliar with. Even with Iraq’s invasion of Kuwait and economic sanctions …

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