Author and writer Dennis Lehane has carved a niche in the crime and thriller genres. His credits include novels such as Live by Night and Gone Baby Gone, as well as screenplays like 2014’s underrated film The Drop. Lehane has even dipped his toe into television work with series such …
When Night Always Comes opens with news reports and radio shows hammering the housing crisis – wages too low to cover rent and basic expenses, evictions looming – the promise is clear: a direct plunge into a reality that pushes people to the edge. As the protagonist heads out to …
When Nobody (2021) premiered, it was received as a sort of distant cousin to John Wick, but with its own identity rooted mainly in the unexpected charisma of Bob Odenkirk (Better Call Saul) and the spot-on balance between action, violence, and humor. Four years later, the sequel arrives under the …
The saying “they don’t make ‘em like they used to” can be applied to a variety of media forms. This can include art, commerce, or even people and important events. Applying that question to the world of the arts can mean a lot of different things. In the ever-evolving movie …
It feels like every movie I’ve seen at this year’s Fantasia International Film Festival turns into an instant favorite, from A Grand Mockery, a hypnotic Super 8mm avant-garde trip from Sam Dixon and Adam C. Briggs, to Anything That Moves, an inventively transgressive Giallo/Bomba picture courtesy of Alex Phillips. Every …
Lurker is the debut feature by Alex Russell. He is an Emmy winner for his work as a supervising producer in Netflix’s miniseries, Beef. Besides the show with Ali Wong and Steve Yeun, the young screenwriter penned episodes of FX’s Dave and The Bear. In 2017, Russell wrote a feature …
Over the decades, slapstick comedy and deadpan humor have become increasingly rare. In a cinematic landscape where physical satire and innocent laughter have given way to biting irony or postmodern self-referential humor, the return of the The Naked Gun franchise feels like a breath of fresh air… or, forgive me, …
Pulitzer Prize-winner David Mamet is no stranger to filmmaking. Besides his iconic writing efforts like Glengarry Glen Ross and Wag the Dog, Mamet is also no stranger to directing. With a focus primarily on short films and TV movies, he has directed relatively few theatrical features. Granted, not all of …
When Squid Game, the South Korean survival drama series created by Hwang Dong-hyuk, debuted in 2021, it took the world by storm, topping Netflix’s most-watched list barely two weeks in, and at one point becoming “the most in-demand show in the world, with 79 times as much audience interest as …
The Mastermind, Kelly Reichardt’s quietly hypnotic film about a worryingly inept thief, is almost about everything else except the heist our anti-hero spends the first half-hour planning. The loose structure unravels just as quickly as the plan itself, and the longer we spend adrift with James (Josh O’Connor), it becomes …
German master crafter of epic-scope action films, Wolfgang Petersen, famous for his Academy-Award nominated 1982 World War II Das Boot, later in his life became a name in Hollywood for when you needed an author to sculpt a large-scale action film. Petersen ranges from the classic heartbreaking family movie The …
Australian director Charles Williams presents his debut feature: Inside. Williams won the short film Palme d’Or in 2018 at Cannes for All These Creatures and soon became a potential talent for the future. Six years later, the director narrates the story of a young man, Mel (Vincent Miller), who is …
British gangster content has become a popular pastime for entertainment media enthusiasts. There’s a heightened quality that’s proven uproariously entertaining for viewers. British gangster classics such as Snatch, Lock, Stock & Two Smoking Barrels, Layer Cake, and the old-school The Long Good Friday proved this correct. One commonality amongst some …
Director Gareth Evans made waves with his 2011 film, The Raid: Redemption, and its 2014 sequel, The Raid 2. Both films became modern-day staples of the action genre, delivering a one-of-a-kind experience. They are films that, 10+ years later, still have an impact on the cultural discussion of action movies. …
The gift Iranian writer-director Jafar Panahi has given to us all is no accident. Palme d’Or winner It Was Just an Accident uses a very simple scenario to ask unanswerable questions about what makes a person good. It does this by offering four people a chance many dream of: the …
Everybody knows the greatest thing about Wes Anderson’s movies is their sense of style. Style is the tool he uses to bring lightness to dark and complex subjects such as grief, the creeping threat of fascism and being an insufferable young person. The staging and blocking, the centering of images, …
The ripped-from-the-headlines Case 137 (Dossier 137) combines two genres everybody loves. The first is the detailed bureaucracy of justice and how much easier it is to find objective truth since we all started carrying recording devices (our mobile phones) around at all times. Think Anatomy of a Fall and Saint …
Paul Feig gave us an entertaining, sexy mystery with the 2018 movie A Simple Favor. He’s back, along with Anna Kendrick and Blake Lively, with the sequel Another Simple Favor, currently streaming on Prime Video, but where the first was a clever look at motherhood and being a girl’s girl, Another …
Bullet Train Explosion marks Japan’s return to one of cinema’s most intense rail thrillers, nearly fifty years after the release of Junya Sato’s classic The Bullet Train. This legacy sequel is directed by Shinji Higuchi (Shin Godzilla, Shin Ultraman) and penned by Kazuhiro Nakagawa and Norichika Ōba. While the concept …
Gareth Evans isn’t a filmmaker with an extensive portfolio, but cult classics The Raid and The Raid 2 were enough to cement his legacy in action cinema. Any avid fan of the genre recognizes these movies as a major influence – not just for the intensity of their fight set …