This is a banner for a review of the TV show Police Squad! Image courtesy of the filmmakers.

Before The Naked Gun, ‘Police Squad!’ Was on the Case (Review)

The filmmaking trio of David Zucker, Jim Abrahams, and Jerry Zucker (better known as Zucker, Abrahams, and Zucker or ZAZ) made their mark on cinema early in their careers.  They began with The Kentucky Fried Movie, an anthology film of sketch comedy that did quite well critically and commercially, and …

Read more

This is a banner for a review of After the Hunt. Image courtesy of the filmmakers.

‘After the Hunt’ Review: A Reactionary Film from Luca Guadagnino

No deer longs for the hunter’s arrow, and no art designed to maintain the status quo is ever as good as it thinks it is. Say what you will about Luca Guadagnino, he has made three solid movies in the last eighteen months, a level of career output rarely seen since …

Read more

This is a banner for a review of Juror #2. Image courtesy of Claire Fogler and Warner Brothers.

‘Juror #2’ Film Review: Eastwood’s Courtroom Morality Drama For A Simpler Time

Juror #2 could not have come out at a stranger time in world events towards the end of 2024. As a director, Clint Eastwood’s interests have been captured by the contradictions of life and justice in the United States: there are often clear-cut guilty and innocent parties, but who prevails …

Read more

This is a banner for a review of The Order. Image courtesy of the filmmakers.

‘The Order’ Movie Review: True Crime Drama Shows Toxic Masculinity’s Extremes

Nicholas Hoult had a theme in 2024. The Order, director Justin Kurzel’s latest dramatic feature based on true events, puts his character in a very similar situation as in Clint Eastwood’s Juror #2. Both Bob Mathews (The Order) and Justin Kemp (Juror #2) are morally compromised men making bad (desperate, …

Read more

This is a banner for a review of the Tony Tost movie Americana. Images courtesy of Lionsgate.

‘Americana’ Movie Review: The Weight of Tradition in a Modern Western Key

Preparing to watch a contemporary western is always an exercise in expectation and curiosity. The genre, so often revisited, can be both fertile ground for reinvention and a minefield of clichés. Tony Tost, in his first feature as writer and director, takes on this risky premise with Americana, a hybrid …

Read more

This is a banner for a review of the miniseries Smoke. Image courtesy of Apple TV+.

‘Smoke’ Review: A Messy Mini-Series with Great Performances

Author and writer Dennis Lehane has carved a niche in the crime and thriller genres. His credits include novels such as Live by Night and Gone Baby Gone, as well as screenplays like 2014’s underrated film The Drop. Lehane has even dipped his toe into television work with series such …

Read more

This is a banner for a review of the movie Night Always Comes. Image courtesy of Netflix.

‘Night Always Comes’ Review: Vanessa Kirby Shines in a Film That Fumbles Its Potential

When Night Always Comes opens with news reports and radio shows hammering the housing crisis – wages too low to cover rent and basic expenses, evictions looming – the promise is clear: a direct plunge into a reality that pushes people to the edge. As the protagonist heads out to …

Read more

This is a banner for a review of Nobody 2. Image courtesy of the filmmakers.

‘Nobody 2’ Movie Review: Bob Odenkirk Returns in an Action Sequel That Knows Its Audience

When Nobody (2021) premiered, it was received as a sort of distant cousin to John Wick, but with its own identity rooted mainly in the unexpected charisma of Bob Odenkirk (Better Call Saul) and the spot-on balance between action, violence, and humor. Four years later, the sequel arrives under the …

Read more

This is a banner for a review of Redux Redux. Image courtesy of the filmmakers.

Fantasia 2025: ‘Redux Redux’ Film Review: Michaela McManus Travels the Multiverse in this Striking Grief Indie

It feels like every movie I’ve seen at this year’s Fantasia International Film Festival turns into an instant favorite, from A Grand Mockery, a hypnotic Super 8mm avant-garde trip from Sam Dixon and Adam C. Briggs, to Anything That Moves, an inventively transgressive Giallo/Bomba picture courtesy of Alex Phillips. Every …

Read more

This is a banner for a review of Lurker. Image courtesy of the filmmakers.

Fantasia 2025: ‘Lurker’ Review – Théodore Pellerin’s Superb Film Performance

Lurker is the debut feature by Alex Russell. He is an Emmy winner for his work as a supervising producer in Netflix’s miniseries, Beef. Besides the show with Ali Wong and Steve Yeun, the young screenwriter penned episodes of FX’s Dave and The Bear. In 2017, Russell wrote a feature …

Read more

This is a banner for a review of The Naked Gun. Image courtesy of Paramount.

‘The Naked Gun’ Movie Review: Making People Laugh Is Still a Noble Cinematic Goal

Over the decades, slapstick comedy and deadpan humor have become increasingly rare. In a cinematic landscape where physical satire and innocent laughter have given way to biting irony or postmodern self-referential humor, the return of the The Naked Gun franchise feels like a breath of fresh air… or, forgive me, …

Read more

This is a banner for a review of Season 3 of Squid Game. Image courtesy of Netflix.

TV Review: ‘Squid Game’ Season 3’s Bloated Gore Depletes its Once-Cutting Satire

When Squid Game, the South Korean survival drama series created by Hwang Dong-hyuk, debuted in 2021, it took the world by storm, topping Netflix’s most-watched list barely two weeks in, and at one point becoming “the most in-demand show in the world, with 79 times as much audience interest as …

Read more

This is a banner for a review of The Mastermind.

‘The Mastermind’ Review: A Brilliant Anti-Heist Film

The Mastermind, Kelly Reichardt’s quietly hypnotic film about a worryingly inept thief, is almost about everything else except the heist our anti-hero spends the first half-hour planning. The loose structure unravels just as quickly as the plan itself, and the longer we spend adrift with James (Josh O’Connor), it becomes …

Read more

This is a banner for a review of the movie Air Force One.

‘Air Force One’ Review: An Epic-Scope Action Movie from Wolfgang Petersen

German master crafter of epic-scope action films, Wolfgang Petersen, famous for his Academy-Award nominated 1982 World War II Das Boot, later in his life became a name in Hollywood for when you needed an author to sculpt a large-scale action film. Petersen ranges from the classic heartbreaking family movie The …

Read more

This is a banner for a review of the Charles Williams film Inside.

‘Inside’ Film Review: Charles Williams’ Debut Feature

Australian director Charles Williams presents his debut feature: Inside. Williams won the short film Palme d’Or in 2018 at Cannes for All These Creatures and soon became a potential talent for the future. Six years later, the director narrates the story of a young man, Mel (Vincent Miller), who is …

Read more

This is a banner for a review of season 1 of Mobland. Photo credit to Christine Ramage.

‘MobLand’ Season 1 TV Review: All The Classic Mob Tropes, But More Fun

British gangster content has become a popular pastime for entertainment media enthusiasts. There’s a heightened quality that’s proven uproariously entertaining for viewers. British gangster classics such as Snatch, Lock, Stock & Two Smoking Barrels, Layer Cake, and the old-school The Long Good Friday proved this correct. One commonality amongst some …

Read more

This banner is for a review of the film Havoc.

‘Havoc’ Film Review: A Fun Friday Night Watch

Director Gareth Evans made waves with his 2011 film, The Raid: Redemption, and its 2014 sequel, The Raid 2. Both films became modern-day staples of the action genre, delivering a one-of-a-kind experience. They are films that, 10+ years later, still have an impact on the cultural discussion of action movies. …

Read more