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TV Review: ‘Squid Game’ Season 3’s Bloated Gore Depletes its Once-Cutting Satire

When Squid Game, the South Korean survival drama series created by Hwang Dong-hyuk, debuted in 2021, it took the world by storm, topping Netflix’s most-watched list barely two weeks in, and at one point becoming “the most in-demand show in the world, with 79 times as much audience interest as …

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‘Adults’ TV Review: A Hangout Comedy That Exists Beyond Matching Gen Z’s Freak

Adults, the latest twentysomething hangout comedy offered by FX/Hulu, might just be the television equivalent of TikTok brainrot: chaotic, nearly cringe, and specifically tailored for a Gen Z audience. But it’s a series that functions beyond matching Gen Z’s freak.  Executive produced by comedian Nick Kroll and co-written by Tonight …

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‘Love, Death & Robots’ Volume Four Review

Animation and sci-fi are two of the most eye-popping genres in the history of cinema. However, in the recent couple of decades, these two genres have become quite popular on television as well. From Stranger Things and The Legend of Vox Machina to Westworld and Arcane, streaming platforms and traditional networks are not shying away from …

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‘Hacks’ Season 4 Review: An Emotionally Satisfying Though Unfocused Journey

Comfort television can be a grey area for many viewers. What one may find comforting could be dull and trite to others. That’s what makes some television series hard to connect with for some viewers. Particularly, this can be attributed to shows about the entertainment industry. With the common TV-watcher …

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Doctor Who: ‘Lux’ Review – Season 2 Episode 2

1950s Miami, a spooky theatre, and an even spookier – animated – baddie. Well it could only be another big creative swing from Russell T Davies in the second episode of Doctor Who titled Lux. The introductory episode shackles have been shaken off and the doctor and Belinda are getting …

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‘MobLand’ Season 1 TV Review: All The Classic Mob Tropes, But More Fun

British gangster content has become a popular pastime for entertainment media enthusiasts. There’s a heightened quality that’s proven uproariously entertaining for viewers. British gangster classics such as Snatch, Lock, Stock & Two Smoking Barrels, Layer Cake, and the old-school The Long Good Friday proved this correct. One commonality amongst some …

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‘Murderbot’ Season 1, Episode 4: Escape Velocity Protocol

Now here is where things get very good. There’s a sense of humour in Escape Velocity Protocol which we haven’t seen before, just as we haven’t seen violence this serious in Murderbot before. But the main issue here is the dichotomy between the world as Murderbot (Alexander Skarsgård) understands it …

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‘Murderbot’ Season 1, Episode 3 Review: Risk Assessment

We’re off to the races! Can free planets handle themselves? Can Murderbot (Alexander Skarsgård) stand to be “stuck with these people and their pheromones in a small craft”? Although for a being that claims not to care about people, it sure does spend a lot of time paying close attention …

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‘Murderbot’ Season 1, Episode 2 Review: Eye Contact

The six hippie scientists from the non-corporation planet that Murderbot (Alexander Skarsgård) is tasked with protecting on their mining mission are as follows: Mensah (Noma Dumezweni), the admired mission leader, parent of seven, and terraforming expert who is secretly prone to panic attacks Pin-Lee (Sabrina Wu), the non-binary lawyer and …

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‘Murderbot’ Season 1, Episode 1 Review: FreeCommerce

The eponymous hero of this new TV show Murderbot, based on the first of The Murderbot Diaries series of novels by Martha Wells, is strictly speaking a cyborg. It – though sometimes its clients misgender it as a he – has a metallic structure covered with cloned human flesh, including …

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‘Carême’ Season 1, Episode 6 Review: Trompe l’oeil

Well. This is the darkest episode yet of Carême and where almost all of the various plot points from earlier in the season have finally converged. Our hero Antonin (Benjamin Voisin) finally has it drilled into his skull not only that actions have consequences, but also that he is not …

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‘Carême’ Season 1, Episode 4 Review: Buy the Crown!

On the one hand, this is the weakest episode yet of Carême, full of characterisations that are regrettable cliche. On the other, director Matias Boucard, cinematographer Julio Ramón Ribeyro and editor Jean-Baptiste Beaudoin managed to create a mood that makes palpable both the price of power and the cost of …

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