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‘The Blue Trail’ Film Review: Brazil’s Alternate Elder Reality

One of the central figures of the newest generation of Brazilian cinema, Gabriel Mascaro, is already a well-known name on the international festival circuit. His 2015 film, Neon Bull (Boi Neon), premiered at the Venice Film Festival. His next work, Divine Love (Divino Amor), world premiered at the 2019 Sundance …

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‘On the Road’ Film Review: David Pablos’ Venice Orrizonti Winner Is A Neo-noir Road Movie With A Schmaltzy Impulse

Winner of the Orrizonti Award for Best Film at the 2025 Venice International Film Festival, On the Road (En el Camino) is, at its core, a poignant tale of repressed desire bursting in the most undesirable of places. It’s the fifth feature from Mexican writer-director David Pablos, and it’s the …

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‘Sweetheart’ Film Review: A Predictably Endearing Riff on the Coming-of-age Genre

There are only so many ways a film like Sweetheart, originally titled Gioia Mia, pans out. Special Jury Prize winner at the 2025 Locarno Film Festival’s Filmmakers of the Present competition, Margherita Spampinato’s debut feature is a predictably compelling take on the coming-of-age genre: a schmaltzy drama about grief and …

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‘Wake Up Dead Man: A Knives Out Mystery’ Film Review: Rian Johnson’s Crisis of Faith

The formula established in Knives Out and Glass Onion has been changed in Wake Up Dead Man. The series of good old-fashioned murder mysteries solved by gentleman detective Benoit Blanc (Daniel Craig) has been a roaring success because they were mostly about fabulously wealthy people being held to account. Tweaking the …

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‘My Undesirable Friends: Part I – Last Air in Moscow’ Review: An Epic 5-Hour Documentary

The Russian-American director Julia Loktev is a well-known director despite her small filmography. In 1998, she made her debut with Moment of Impact. Then, eight years later, she released her sophomore film with Day Night Day Night. She premiered her most prominent work to date, the 2011 film The Loneliest …

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‘The Wizard of the Kremlin’ Film Review: Paul Dano’s Remarkable Performance

Jude Law’s first appearance as Vladimir Putin is so eerily accurate the Venice Film Festival audience around me laughed in surprise. Who would have thought he could do it? Well congratulations to director Olivier Assayas and his casting director Antoinette Boulat, because the performance Mr. Law gives here is one …

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‘Silent Rebellion’ Film Review: Working Class Feminism

There’s a little scene late in Silent Rebellion (À bras-le-corps) where a disgusting boss offers the young heroine, Emma (a wonderful Lila Gueneau), a “chance” at promotion, but is prevented from molesting her by an older female colleague making a scene. The other woman is punished, but she and Emma …

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‘Levers’ Film Review: A World Without Sunlight From Rhayne Vermette

One of the most fascinating aspects of the Toronto International Film Festival’s wavelength section is the combination of local talents with internationally prestigious names in experimental and bold efforts. The programming team, led by Andréa Picard, balances the most courageous work with more unconventional efforts that compose the best section …

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‘Magellan’ Film Review: Lav Diaz’s Radical Omissions

Forty-four minutes into Magellan, we see the eponymous Portuguese navigator at the film’s center, deftly portrayed by Gael García Bernal, sitting still inside a 16th-century tavern, his mind drifting elsewhere. He grips a walking cane on one hand, then an oversized hat on the other. Lit candles beside him quietly …

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‘Marvel Zombies’ Review: A Rushed, Hollow Echo of a Great Idea

The new Disney+ series Marvel Zombies builds on a single episode from season one of What If…?, What If…Zombies?, which first imagined a world where Earth’s Mightiest Heroes had become its greatest threat. Directed by Bryan Andrews and written by Zeb Wells, the four-episode miniseries introduces a new group of …

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‘There Are No Words’ Film Review: On Remembering After Trauma

Min Sook Lee is a veteran of the Canadian documentary filmmaking. With a history of producing documentaries since 2003, the South Korean-born and Toronto-raised director has a strong background in non-fiction. Since her debut, Sook Lee has released other films, such as Hogtown: The Politics of Policing, Tiger Spirit, and …

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‘While The Green Grass Grows: A Diary in Seven Parts’ Film Review: An Intense Odyssey from Peter Mettler

The Swiss-Canadian director, Peter Mettler, is a respected documentary filmmaker. Focusing on exploring the miracles of existence, his films observe the environment surrounding human beings. In this sense, he tends to release long films that meditate on the humane reality. His career spans four decades, featuring celebrated films like Picture …

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