Greg Kwedar’s Sing Sing opens from the wings of a theatre. The camera moves hazily through sparkling streamers hanging from the stage ceiling before emerging on John “Divine G” Whitfield (Colman Domingo) performing a monologue from Shakespeare’s A Midsummer Night’s Dream. Rapturous applause breaks out, and the entire cast joins …
The empty nest is notoriously difficult for parents to deal with, but My Everything (Mon Inséparable) has taken a fresh angle to this ordinary dilemma: the adult son who’s ready to flee the coop has an intellectual disability. Joël (Charles Peccia Galletto) is in his late twenties/early thirties and lives …
One of the quintessential members of the newest Brazilian cinema, the movement of authors, was the renovation of filmmakers working with diverse topics and smaller budgets. Karim Aïnouz built a reputation for himself. His melodramatic tropes resembling Douglas Sirk and Fassbinder added to his decisive colors and narrative construction of …
Although only a few short films manage to capture the depth of human emotion, Danielle Baynes’ latest film The Dog does that work impeccably. The short movie takes the viewers on an emotional ride and talks about a subject that is not tackled frequently in conventional cinema. It recently screened …
It’s a difficult thing to create and maintain dread in a narrative. Horror takes many shapes and approaches, but the best of horror films can dig in under your skin, and take hold of a part of you. Cuckoo is a film like this, that slowly but surely digs into …
In mega-popular franchises like Alien, it’s common to have a primary filmmaker whose role can either be to continue as a director or to shift into a producer role, serving as a sort of supervisor of the original vision of the saga. Ridley Scott is that person, starting in 1979 …
About two weeks ago, Netflix released yet another original flick titled The Union. In my review of that film, I mentioned that it exemplified the worst characteristics often associated with the term “Netflix flick,” which carries a rather negative connotation, at least in the online world. This problem isn’t exclusive …
“Nature has a way of showing you who you really are.” It’s a simple truth, if a little on the nose for a survival horror film that pits people against nature with bloody consequences, but it’s still true. It’s also a fair way to describe director Adam MacDonald’s latest film, …
“The most detestable habit in all modern cinema is the homage. I don’t want to see another goddamn homage in anybody’s movie. There are enough of them when you’re unconscious.” – Orson Welles, 1982 Fede Alvarez’s Alien: Romulus is a competently made movie. It has some of the most stunning cinematography …
At this point in my life, I’ve seen so many horror films and series that nothing surprises me. There are so many horror films on the scene nowadays, and the twists they attempt to present can be boiled down to the basics of storytelling. They become predictable, which isn’t necessarily …
After a botched limited theatrical release, Joachim Rønning’s Young Woman and the Sea is now available for all to view on Disney+. Strangely enough, the film never received any theatrical footprint in Canada, the next-door neighbor to the United States, and was announced as a ‘Disney+ Original’ when it made …
Tim Burton’s Beetlejuice Beetlejuice screened out of competition at the 81st Venice International Film Festival on August 28, 2024. There are few directors in which can truly be accredited with the title of ‘auteur’, but Tim Burton, with his affinity for the macabre, can be called just that. Over a …
The term “Netflix flick” doesn’t usually carry a positive connotation – quite the opposite. It’s typically used to describe yet another generic film lacking creativity or innovation, without even memorable moments through impressive action set pieces, hilarious jokes, or, at the very least, outstanding performances. That said, the streaming service …
Sometimes, you see marketing for a film, and then when you actually watch the movie, something feels off about that marketing. That was the case when I watched Good One, the debut feature film from writer and director India Donaldson. While this film does feature a young person who learns a …
The performances in He Ain’t Heavy are so emotional that it takes a while to notice the movie is essentially a three-hander, between Jade (Leila George), her little brother Max (Sam Corlett), and their mother Bev (Greta Scacchi, Ms. George’s real-life mother). They live in Perth in western Australia and …
Strange Darling is a strange film indeed. I was advised by a colleague of mine to go into my viewing as blind as possible. That’s something I’m rarely able to accomplish with the nature of my job demanding a strong knowledge of upcoming releases and my curious nature leading me …
Horror is one genre that the Indian film industry has struggled with. However, in 2018, audiences got to have a unique experience with Amar Kaushik’s Stree. It was a perfect blend of horror and comedy. Even after being touted as a horror-comedy, it had a pretty story to tell and …
Amy Liptrot’s breathtakingly poignant and unsparing memoir The Outrun has been acclaimed by critics and adored by readers across the world since its 2016 publication. Eight years later, the book loses none of its effect – the description of a very personal journey through familial mental illness, addiction, substance abuse, …
Ridley Scott’s 1979 masterpiece Alien was a tremendous achievement; A low-fi monolith of science-fiction horror that changed the landscape of film as we know it. From Ridley Scott’s lean and elegant direction to HR Giger’s phallic and genitalia-inspired character and set design, one which now feels fused into the very …
It’s a shame when one of your most anticipated films of the year winds up also being one of the biggest disappointments. Unfortunately, that was my experience with Alien: Romulus, the highly anticipated return to the horrors of space from Fede Álvarez. Álvarez has made a name for himself within …