The legendary filmmaker Robert Flaherty made history with his documentary Nanook of the North, a pioneering film, considered the first non-fiction work. Despite the controversies and claims of its stagings, it establishes the medium’s interest in the study of the human organization and the different cultures. A century later, we …
Filipino genre filmmaker Pedring Lopez world premiered his first English-language film, the neo-noir thriller Shadow Transit, at last year’s QCinema International Film Festival. An independent co-production between the Philippines, Hong Kong, and Canada, Shadow Transit centers on a chance encounter between a grieving singer-photographer and a drifting DJ, resulting in …
The Icelandic director Hlynur Pálmason is one of the most fascinating voices in the current European cinema. Known for his 2022 film Godland (Vanskabte land), a project about a young Danish priest traveling to the remote parts of Iceland. It premiered at that year’s Un Certain Regard of the Cannes …
Catholic guilt is the monster that constantly rears its ugly head in Little Trouble Girls, a feature debut by Slovenian director Urška Djukić about an introverted choir girl who grapples with a sexual awakening and a renewed identity amidst pervasive conservatism and social pressures. The coming-of-age drama won the FIPRESCI …
Šarūnas Bartas is one of the most prominent Lithuanian directors. Over three decades, the filmmaker has produced films such as Few of Us, The House, Peace to Us in Our Dreams, Frost, and In the Dusk. Those films would premiere at the world’s principal film events, such as the Cannes …
Documentary filmmaking is a tool for encapsulating time. Actually, all films are, but the non-fiction frames a specific portrait of an individual in a particular period. Despite the apparent manipulations, such as camera angles and editing, the documentary features a level of realism that fiction fails to reach. Therefore, we …
The central plot point of The Stranger – a coloniser kills one of the colonised, and there are consequences – lands very differently now that it did when the original novella was published by Albert Camus in occupied France in 1942. For one thing, the world is trying with mixed …
The Costa Rican filmmaker Kim Torres is one of the most exciting emerging voices of Latin American cinema. In her short-film efforts, she presented Atrapaluz at Locarno and Luz Nocturna at Cannes. Yet, she made a splash in the festival circuit with her Solo La Luna Comprenderá (The Moon will Contain Us), a beautiful …
Few countries in the world have invested in documentary filmmaking as much as Spain. In recent years, films like Tardes de Soledad by Albert Serra have impacted the festival circuit with their gut-wrenching observations of bullfighting. Also, there are new names in the Spanish non-fiction community, such as Patricia Franquesa in My Sextortion Diary. …
Annemarie Jacir is a crucial filmmaker to understand modern Palestinian cinema. In 2003, she made history with her short film, Like Twenty Impossibles, the first Arab short selected at the Festival de Cannes, and later earned an Academy Award nomination. In her subsequent efforts, Jacir reached the principal international stages. …
The Romanian director Radu Jude is one of the most prolific filmmakers of our time. A member of the Romanian New Wave, a group of new voices in the mid-2000s, which generated great works from Cristian Mungiu, Cristi Puiu, Corneliu Porumboiu, and Alexander Nanau. Since 2020, Jude has released 11 …
The Malaysian/Taiwanese director Tsai Ming-Liang is one of the most prominent figures in slow cinema. This philosophy of filmmaking contradicts the modern postulates of the commercial cinema, where the film features multiple cuts and plenty of scenarios to compose its story. As the name suggests, this form of filmmaking contemplates …
As the title makes abundantly clear, Tu Meri Main Tera Main Tera Tu Meri (which means ‘you’re mine, I’m yours, I’m yours, you’re mine’ in Hindi) is here to have its cake and eat it. Its explicit purpose is to make a 90s-style romance (this means old-fashioned, readers of a …
It is a cultural quirk of Indian cinema that they will show the most gruesome torture and murders in glorious close-up while simultaneously subtitling the language used during these scenes as “Dang!” and “You idiot!” If we are in a hard-R/18 environment, capable of being shown a man suspended off …
Most people in the West probably never saw A Step Into the Past, a one-season Hong Kong TV show from 2001 about a modern scientist who ends up back in the Qin dynasty. Therefore the major draw of Back to the Past, which finishes the plotlines of that TV show, …
The Brazilian director Daniel Nolasco has been creating a trademark for himself as a filmmaker. Drawing inspiration from his personal interests and his academic path, his films approach the stories of the LGBTQIA community in a conservative state. In his debut feature, Vento Seco (Dry Wind), he approaches the monotonous …
Few authors from the 20th Century are more influential than Franz Kafka. The Czech writer did not receive the recognition he deserved throughout his life, as detailed in the introductions to his books. Each new edition of his masterpieces, such as Metamorphosis, gets a deep explanation of how Kafka’s success …
The introductory section of Hafsia Herzi’s The Little Sister (La petite dernière) is slightly alienating, as it swiftly moves from one scene to the next, without an anchor point for the audience to latch onto, despite being adapted from Fatima Daas’ 2020 autofiction novel of the same name. However, our …
A mishmash of moods held together by preposterous musical numbers is part of the appeal of most Indian cinema, but Telugu-language The RajaSaab holds together worse than most. There are three movies inside The RajaSaab struggling to get out: a haunted-house horror thriller, a paean to the grandmothers who raised …
Following its Sundance world premiere in early 2025, The Things You Kill, the third feature from Iranian filmmaker Alireza Khatami, is set to screen in Philippine theaters as part of the 2025 QCinema International Film Festival. Selected as the Canadian submission for the 2026 Oscar Best International Feature Film category, …