It was Stephen Sondheim who wrote a song about the two things people can leave behind: children and art. What the Shakers, a small religious movement which began in the mid-1700s, left behind was their art. Some of this is their highly influential style of furniture, made plainly to emphasise …
A mishmash of moods held together by preposterous musical numbers is part of the appeal of most Indian cinema, but Telugu-language The RajaSaab holds together worse than most. There are three movies inside The RajaSaab struggling to get out: a haunted-house horror thriller, a paean to the grandmothers who raised …
The immediate reaction to this excellent movie – which on its surface is about an arrogant young American table-tennis player’s attempts to attend two world championships, one in London and the other in Tokyo, in the early 1950s – seems to be that no one wants to watch a movie …
Ready or Not tackles a difficult topic – very young teenagers playing very adult games – with a level of sympathy for their misadventures which makes the tough subject easy to watch. Writer Lynn Ruane and director Claire Frances Byrne talked at the Irish Film Festival London screening I attended …
This clever no-budget thriller is automatically recommended by me because it’s in the Irish language. Its aspirational depiction of life entirely inside the Irish language, which rarely happens in real life, is just wonderful to see. It is also a heist movie, with three women (two of whom are middle-aged) …
When the screening I attended of Colors of Time finished, the woman next to me mentioned how unusual it is to see a movie without a whisper of violence in it. She is right: some slightly hurt feelings are as bad as it gets here. But this is not to …
It seems that Train Dreams is so named because of how spectacular and innovative the technology of train travel was to the life at the centre of the film. It is set almost entirely in Idaho and western Washington state and shows a style of living that might as well …
Some might say Lady, which had its world premiere at the London Film Festival, is Saltburn meets What We Do in the Shadows. That’s not correct, as it’s both those movies meets Florence Foster Jenkins. By which I mean, Lady is a faux-documentary about an utterly deluded and impossibly wealthy …
It’s so ordinary nowadays for crime stories to have an absolutely terrific setup leading to a whimper of an ending, so when one plays its cards as well as A Private Life does it should be praised from the rooftops. In the last twenty or so years Jodie Foster has …
This examination of privilege in the modern American moment tries to have its cake and eat it, and while there’s nothing necessarily wrong with that, the badly-titled Dreams botches the recipe. Considering that ballet is at the center of this movie and director Michel Franco (and his cinematographer Yves Cape) …
The greatest glory of Pillion is that its sexual boldness is in service to an important point about self-determination and personal desire. We can watch this for the action, the message, or both. Though don’t get your hopes up too high: not a great deal of ‘action’ is shown, although …
The Secret Agent won two major awards at this year’s Cannes film festival, Best Director for Kleber Mendonça Filho and Best Actor for Wagner Moura, an unusual and enormous compliment. The Secret Agent is a lot like Waiting for Godot, as it is two and a half hours of set-up …
Amir El-Masry is the lucky owner of one of the great faces in modern cinema, and he got to show it off not once but twice at this year’s London Film Festival. Unfortunately in neither case was it shown off to his best advantage. Giant managed somehow not to be …
Amir El-Masry is the lucky owner of one of the great faces in modern cinema, and he got to show it off not once but twice at this year’s London Film Festival. Unfortunately in neither case was it shown off to his best advantage. The less said about 100 Nights …
One of the benefits of all of us having professional-grade recording devices on our persons at all times is that we are able to document everything. One of the downsides to this is that it’s possible to cross-reference any even slightly true story with the real footage of the case. …
Rose Byrne’s magnificent performance grounds this takedown of modern motherhood (not parenthood) under capitalism, but If I Had Legs I’d Kick You is really about the flaws of modern American society. Its unmissable message is that America is completely ruled by its addictions and its impossible desire to get without …
The Choral is the kind of movie at which the British film industry excels: made for audiences who like their stories flavoured strongly with nostalgia, and who like to read between the lines for their hard-hitting topics. These movies tend to play better overseas, where the historical trappings and the …
Dragonfly is based on a simple idea: how dangerous it is to trust anyone while you’re weakened, whether through old age, disability or both. Unfortunately it is also so worried that we won’t understand the nuances of this very good idea that it overdoes things, and collapses. This is very …
Enzo (Eloy Pohu) is sixteen or seventeen, a dangerous age. He’s still very much a child, but thinks he isn’t. Having a scooter and some limited amounts of freedom isn’t quite adulthood, but he is too young and too privileged to know that. He lives with his parents Marion and …
This could have been a play and may well get a second life as a play, because its single set, very talky script and clever staging keep us in the room for the 100-minute runtime. It is heavily inspired by real events but also plays fast and loose as required …