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‘Grow’ Film Review: A Story Steeped in British Traditionalism and Pumpkins

From John McPhail, the Glaswegian director behind cult favourite Anna and the Apocalypse, comes Grow, a delightfully daft and incredibly charming family film that follows Charlie (newcomer Priya-Rose Brookwell), a young girl with an almost supernatural instinct for horticulture on a mission to grow the world’s biggest pumpkin.  After some …

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Fantasia 2025: ‘I Fell in Love with a Z-Grade Director in Brooklyn’ Film Review: A Lovely Ode to Rediscovering Artistic and Romantic Desire

Winner of the Bronze audience prize for Best Asian Feature at the 2025 Fantasia International Film Festival, I Fell in Love with a Z-Grade Director in Brooklyn is a captivating romantic comedy that functions as yet another endearing paean to independent horror cinema from Japanese cult filmmaker Kenichi Ugana, following …

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‘Night Always Comes’ Review: Vanessa Kirby Shines in a Film That Fumbles Its Potential

When Night Always Comes opens with news reports and radio shows hammering the housing crisis – wages too low to cover rent and basic expenses, evictions looming – the promise is clear: a direct plunge into a reality that pushes people to the edge. As the protagonist heads out to …

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‘On the Sea’ Film Review: The Perils and Promise of Masculinity (EIFF)

The prison of British masculinity is explored in On The Sea, the latest film from writer and director Helen Walsh. On the outside, Jack (Barry Ward) has a stable, traditional life. He has been married to Maggie (Liz White) for decades, and they expected to raise their son Tom (Henry …

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‘Solomamma’ Film Review: A Single Mother Finds A Second Coming of Age in Janicke Askevold’s Soberly Riveting Drama (Locarno)

2025 is slowly turning into a banner year for Norwegian cinema, not least because of the Grand Prix acclaim of Joachim Trier’s Sentimental Value, already touted as one of “The 100 Best Movies of the 2020s (So Far),” at this year’s Cannes Film Festival. Not long prior to that, Nina …

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‘Dry Leaf’ Film Review: Alexandre Koberidze’s Gorgeously Fierce Neo-Noir Odyssey

Georgian director Alexandre Koberidze made a splash in the arthouse circuit when he competed in the 2021 Berlin Film Festival with his What Do We See When We Look at the Sky?. MUBI acquired the film and released it as one of the original releases during the expansion of the …

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‘Nobody 2’ Movie Review: Bob Odenkirk Returns in an Action Sequel That Knows Its Audience

When Nobody (2021) premiered, it was received as a sort of distant cousin to John Wick, but with its own identity rooted mainly in the unexpected charisma of Bob Odenkirk (Better Call Saul) and the spot-on balance between action, violence, and humor. Four years later, the sequel arrives under the …

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‘Murderbot’ Season 1, Episode 10 Review & Recap: The Perimeter

Upon the news that Murderbot has been renewed for a second series, we can all breathe more easily. This first series is the demonstration of how the Pinocchio became a real boy, or in this case, a genderless sentient construct that, without its armor, looks like an augmented human. But …

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‘KPop Demon Hunters’ Review: Netflix’s Top Animated Movie is a Visual and Sonic Smash

KPop Demon Hunters, the latest musical adventure from Sony Pictures Animation, is, in many respects, a global hit. Released in mid-June, the title is officially the most-watched animated movie of all time on Netflix, its distributor. Currently, the film sits comfortably at No. 2 on the streaming service’s Global Top …

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‘Murderbot’ Season 1, Episode 9 Review & Recap: All Systems Red

Finally we have reached the episode named after the novel from which the TV show Murderbot is adapted, although it’s only the penultimate one. The ways in which the differing plot strands twist together is incredibly impressive, not least in the amount of damage Murderbot (Alexander Skarsgård) suffers: the face …

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Fantasia 2025: ‘Redux Redux’ Film Review: Michaela McManus Travels the Multiverse in this Striking Grief Indie

It feels like every movie I’ve seen at this year’s Fantasia International Film Festival turns into an instant favorite, from A Grand Mockery, a hypnotic Super 8mm avant-garde trip from Sam Dixon and Adam C. Briggs, to Anything That Moves, an inventively transgressive Giallo/Bomba picture courtesy of Alex Phillips. Every …

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‘Murderbot’ Season 1, Episode 8: Foreign Object

Brothers Chris and Paul Weitz are maintaining the breakneck pacing of this show with what seems like the greatest of ease. As the mysterious enemy finally becomes clearer, there is at least enough respite to allow Bharadwaj (Tamara Podemski) to operate on Gurathin (David Dastmalchian), and for the throuple subplot …

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‘Fixed’ Movie Review: An Animated Romp Where Identity Matters More Than Anatomy

There’s something curious – and even a bit uncomfortable – about seeing one of the names responsible for creating some of the most iconic Cartoon Network series – and, consequently, a big part of my childhood – heading down such an… adult path. Fixed, written by Genndy Tartakovsky (Hotel Transylvania) …

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‘Eddington’ Movie Review: From COVID Satire to Blood-Soaked Western Noir

Over the last few years, my relationship with Ari Aster’s filmography could best be described as a rollercoaster ride. Hereditary is one of the defining works of modern horror and among my favorite films of the century. In 2019, Midsommar captivated me with its fusion of visual beauty and psychological …

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