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‘Bonjour Tristesse’ Movie Review: A Modern, Feminist Take on a Coming-of-Age Classic Set on The French Riviera

Already the second film adaptation of Françoise Sagan’s 1954 coming-of-age novel of the same name, Bonjour Tristesse, a debut feature by Canadian director Durga Chew-Bose, offers a modern, feminist spin on the original material, which was an overnight sensation written by the French novelist at age 18. Remakes can become …

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‘Dead Man’s Wire’ Film Review: An Understated Bill Skarsgård Stars in This ‘70s Hostage Thriller That Grips Us by the Neck

Whereas Kelly Reichardt’s latest indie fare The Mastermind, a character study of an arguably decent criminal shot 1970s-style, starring the brilliant and now ubiquitous Josh O’Connor, tersely eviscerates our notion of a crime/heist movie — though the resulting picture feels rather coiled — Gus Van Sant’s comeback feature Dead Man’s …

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‘Mr. Scorsese’ Mini-Series Review – A Charismatic, Authentic, and Honest Portrayal of the Life of a Genius

In the early 1950s, the legendary French magazine Cahiers du Cinéma popularized a new manner of analyzing cinema. Hence, the politique des auteurs (auteur theory) became their central thesis, in which film criticism analyzed films through the lens of the whole and the filmmaker’s style. Thus, in a subsequent consequence …

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‘Little Amélie or the Character of Rain’ Film Review: A Bubbly Bildungsroman Set in Post-War Japan

Children under age seven, in Japanese culture, are considered “of the gods,” which means they have the purest connection with the divine, until they inevitably transition into the mortal realm, taking their first few steps into adulthood. Such is the case for the titular protagonist of Little Amélie or the …

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‘Prime Minister’ Film Review – A Conventional Documentary on an Unconventional politician

Political filmmaking goes beyond documenting political movements and principally records the individuals who make the choices. A classic example of that is Rob Epstein’s The Times of Harvey Milk, a groundbreaking documentary that immortalized Milk’s work and brutal murder. In this sense, these sub-genres of docs crystallize the life of …

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‘Divine Comedy’ Film Review: Celluloid and Censorship

After making its premiere in the Orizzonti competition at this year’s Venice Film Festival, Ali Asgari’s latest feature Divine Comedy is set to make its Philippine debut as part of the 13th edition of the QCinema International Film Festival, running November 14 to 23. The film, which takes a metatextual …

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‘Phantoms of July’ Film Review: Julian Radlmaier Warps Time In This Absurdist Working-Class Dramedy

Originally titled Sehnsucht in Sangerhausen, which translates as “Longing in Sangerhausen,” Julian Radlmaier’s latest feature and Locarno 2025 in-competition entry Phantoms of July unfolds as a spirited absurdist dramedy set in the titular mining town that formed part of East Germany prior to reunification. It is the kind of movie …

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‘O Último Episódio’ Film Review – A Throwback to the Last Century in Brazil

Filmes de Plástico (which translates to plastic films) is a Brazilian production company based in the outskirts of Contagem, in the greater Belo Horizonte, one of Brazil’s largest capitals. The city is primarily a refuge for the working class, where rentals are less expensive than in the capital, which is …

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‘Little Trouble Girls’ Movie Review: A Catholic Choir Girl Discovers Queer Desire in this Slippery Slovenian Coming of Age

Catholic guilt is the monster that constantly rears its ugly head in Little Trouble Girls, a feature debut by Slovenian director Urška Djukić about an introverted choir girl who grapples with a sexual awakening and a renewed identity amidst pervasive conservatism and social pressures. The coming-of-age drama won the FIPRESCI …

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‘The Ugly Stepsister’ Film Review: Emilie Blichfeldt’s Feature Debut is a Controlled Evisceration of the Cinderella Fantasy

Cinderella meets Monstro Elisasue in Norwegian filmmaker Emilie Blichfeldt’s directorial debut The Ugly Stepsister, which at once functions like a twisted paean to and a biting, though still-restrained, rebuke of the whole Cinderella fairy tale, all hinged on a sinisterly fascinating performance from Lea Myren, who plays the title character.  …

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‘All That’s Left of You’ Film Review

In the history of cinema, the Anglo-Saxon perspective has been the most prominent in mainstream filmmaking. As society seems to include and understand diverse ethnicities, different ethnicities may develop their own viewpoints of reality. Unfortunately, the Palestinian history told by its people took plenty of time to get an opportunity, …

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‘Aqui Não Entra Luz’ Documentary Film Review – Karol Maia on the Housemaids of Brazil

Historically, Brazil has had a complicated relationship between maids and houseowners. The long slavery trade in the country, one of the last to abolish it, spread its evil seeds to the hierarchical association between those who have the power and those who obey. In this sense, the abolition of slavery …

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‘The Ice Tower (La Tour de Glace)’ Film Review

Lucile Hadžihalilović has only four works in her filmography, but each of her new releases draws attention from the audience. Directing her feature debut, Innocence, in 2004, starring Marion Cotillard, the Bosnian filmmaker established a connection with the Toronto Film Festival, where she premiered her subsequent two films: Evolution and Earwig. …

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