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‘If We Don’t Burn How Do We Light Up the Night’ Film Review – A Coming of Age Tale from Kim Torres

The Costa Rican filmmaker Kim Torres is one of the most exciting emerging voices of Latin American cinema. In her short-film efforts, she presented Atrapaluz at Locarno and Luz Nocturna at Cannes. Yet, she made a splash in the festival circuit with her Solo La Luna Comprenderá (The Moon will Contain Us), a beautiful …

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‘Miroirs No.3’ Film Review – A Christian Petzold Melodrama

Melodrama is a constantly sub-genre appreciated by cinephiles. Historically, filmmakers like Douglas Sirk, Rainer Werner Fassbinder, and Pedro Almodovar earned admiration from the lovers of the seventh art, predominantly because their work approaches the structures of the melodramatic conventions. In this sense, another contemporary filmmaker admired for his oeuvre in …

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‘Historias de Buen Valle’ Documentary Film Review

Few countries in the world have invested in documentary filmmaking as much as Spain. In recent years, films like Tardes de Soledad by Albert Serra have impacted the festival circuit with their gut-wrenching observations of bullfighting. Also, there are new names in the Spanish non-fiction community, such as Patricia Franquesa in My Sextortion Diary. …

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‘Palestine 36’ Review – Annemarie Jacir’s Film That Speaks Profoundly to the Present

Annemarie Jacir is a crucial filmmaker to understand modern Palestinian cinema. In 2003, she made history with her short film, Like Twenty Impossibles, the first Arab short selected at the Festival de Cannes, and later earned an Academy Award nomination. In her subsequent efforts, Jacir reached the principal international stages. …

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‘Bouchra’ Film Review – A Fascinating Debut From Orian Barki and Meriem Bennani

The animation medium allows a plenitude of experimentation. In this sense, it is possible to represent and narrate any story the writer’s head wishes to, using the technique and animation conventions to develop that specific story. One of the most popular and eccentric subcultures in the world is the furry …

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‘Back Home’ Documentary Review: Tsai Ming-Liang’s Travelogue in Laos

The Malaysian/Taiwanese director Tsai Ming-Liang is one of the most prominent figures in slow cinema. This philosophy of filmmaking contradicts the modern postulates of the commercial cinema, where the film features multiple cuts and plenty of scenarios to compose its story. As the name suggests, this form of filmmaking contemplates …

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15 Films We Are Excited To See In 2026

2025 has just recently finished, the awards season is well underway, and our Letterbox stats are well in our inbox, but we’re already looking at the 2026 cinema schedule.  2026 sees the return of some of Earth’s mightiest superheroes, Spielberg to the science fiction genre for the first time since …

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‘Dhurandhar’ Film Review

It is a cultural quirk of Indian cinema that they will show the most gruesome torture and murders in glorious close-up while simultaneously subtitling the language used during these scenes as “Dang!” and “You idiot!” If we are in a hard-R/18 environment, capable of being shown a man suspended off …

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‘Only Good Things’ Film Review – The Western Traditions in the Brazilian Countryside

The Brazilian director Daniel Nolasco has been creating a trademark for himself as a filmmaker. Drawing inspiration from his personal interests and his academic path, his films approach the stories of the LGBTQIA community in a conservative state. In his debut feature, Vento Seco (Dry Wind), he approaches the monotonous …

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‘Franz’ Film Review – A Frustrating Follow Up from Agnieszka Holland

Few authors from the 20th Century are more influential than Franz Kafka. The Czech writer did not receive the recognition he deserved throughout his life, as detailed in the introductions to his books. Each new edition of his masterpieces, such as Metamorphosis, gets a deep explanation of how Kafka’s success …

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‘The Little Sister’ Film Review: A Strong Directorial Effort from Hafsia Herzi

The introductory section of Hafsia Herzi’s The Little Sister (La petite dernière) is slightly alienating, as it swiftly moves from one scene to the next, without an anchor point for the audience to latch onto, despite being adapted from Fatima Daas’ 2020 autofiction novel of the same name. However, our …

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Interview: Composer Daniel Lopatin on the Score of ‘Marty Supreme’

When discussing modern experimental electronic music, Daniel Lopatin, also known as Oneohtrix Point Never or OPN, is a prominent name in the conversation. Despite releasing acclaimed solo records, OPN also produced artists like FKA Twigs, Charli XCX, The Weeknd, and Soccer Mommy, musicians who bring electronic elements to mainstream pop. …

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‘The Testament of Ann Lee’ Film Review – A Haunting Experience for All The Senses

It was Stephen Sondheim who wrote a song about the two things people can leave behind: children and art. What the Shakers, a small religious movement which began in the mid-1700s, left behind was their art. Some of this is their highly influential style of furniture, made plainly to emphasise …

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