This is a banner for a review of the documentary Natchez. Photo still credit to Noah Collier.

‘Natchez’ Documentary Film Review: Southern History Reexamined

In her sophomore effort, Suzannah Herbert premieres her film Natchez at the Tribeca Film Festival. The documentary title borrows its name from the city in Mississippi. In the 1800s, it was the city with the most millionaires in the world; cotton plantations and the slave trade were the main commercial …

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‘Eagles of the Republic’ Film Review: Movies, Governments, and the Truth

The movie with the best title at this year’s Cannes Film Festival is also the kind of movie filmmakers love to make: a movie about making a movie. But less joyously, the setting here is present-day Egypt, a nation not currently enjoying the delights of democracy. The creatives involved, beginning …

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‘Her Will Be Done’ Review: Julia Kowalski’s Modern Folky Horror Movie

The French/Polish director Julia Kowalski recently premiered her Que Ma Volonté Soit Faite (Her Will Be Done). It is a Quinzaine Des Cineastes selection and the director’s sophomore full-length feature, Crache Cœur (Raging Rose). The film narrates the story of Nawojka (Maria Wróbel), a girl from rural France whose parents …

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‘The Life of Chuck’ Review: A Welcome Reminder That Movies Can Give You Hope

What is a “feel-good” movie? Is it just an uplifting story? Or something even more? That’s a tricky question that doesn’t have a distinct answer. Something that may be heartfelt to one person may be found schmaltzy and manipulative to another. Adding that idea to 2025 films makes the prospect …

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‘Duel’ Movie Review: The Birth of a Master

It’s funny that the humble beginnings of Steven Spielberg — arguably the most iconic filmmaker working in Hollywood — can be traced back to Playboy Magazine. His directorial debut from 1971, Duel, began as a short story published in Hugh Hefner’s adult-oriented magazine. Author Richard Matheson (The Omega Man, Stir …

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‘Death Does Not Exist’ Review: Film Illustrates an Animated Political Connundrum

Bold, primary colours take centre point within the animated tale Death Does Not Exist (La mort n’existe pas) which convey the film’s blunt messaging effectively. Political in nature and economic in scale, the film lays bare its stance within its opening sequence leaving no doubt about its eat the rich …

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Interview: Masayuki Suô on ‘Shall We Dance?’

Japanese director Masayuki Suô’s 1996 romantic comedy, Shall We Dance? Follows Shohei Sugiyama (Kôji Yakusho), an accountant who is surprisingly discontented. Despite his successful career and a wife and daughter who love him dearly, there’s something missing in Sugiyama’s life. On his daily commute, he spies from the train a …

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‘Havoc’ Film Review: A Fun Friday Night Watch

Director Gareth Evans made waves with his 2011 film, The Raid: Redemption, and its 2014 sequel, The Raid 2. Both films became modern-day staples of the action genre, delivering a one-of-a-kind experience. They are films that, 10+ years later, still have an impact on the cultural discussion of action movies. …

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‘Titan A.E.’ Review: A Post-Apocalyptic Sci-Fi Movie Worth Revisiting

There was a period when Fox Animation Studios was producing high-quality animated kids’ films. The studio gave us Anastasia in 1997, and a few years later, gave us Titan A.E. A pull quote on the special edition DVD of the film proclaims it as “the movie Star Wars fans have …

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‘It Was Just An Accident’ Review: Jafar Panahi’s Film Shines a Light on The Difference Between Justice and Revenge

The gift Iranian writer-director Jafar Panahi has given to us all is no accident. Palme d’Or winner It Was Just an Accident uses a very simple scenario to ask unanswerable questions about what makes a person good. It does this by offering four people a chance many dream of: the …

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‘The Phoenician Scheme’ Movie Review: Wes Anderson’s Stylish Misfire

Everybody knows the greatest thing about Wes Anderson’s movies is their sense of style. Style is the tool he uses to bring lightness to dark and complex subjects such as grief, the creeping threat of fascism and being an insufferable young person. The staging and blocking, the centering of images, …

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