Director Maryam Touzani, who co-wrote Calle Málaga with Nabil Ayouch, starts extremely strongly with this tale of an elderly woman finally making her own choices in life, but loses the courage of her convictions. This is ironic as this is very much a story of how you cannot have your …
Cotton Queen is the debut film of Russian-Sudanese writer-director Suzannah Mirghani and very clearly made for an international audience. The establishing shots of laughing teenager cotton workers watching Tiktoks make sure, even if we know nothing about Sudan, we know it’s firmly in the now. And while it is Sudanese …
This movie, for which the English title should be My Tennis Coach and it’s weird that it isn’t, is an affable Italian road movie about the coming of age of a wannabe tennis player. The entire thing is built around the nuclear-level charm of Pierfrancesco Favino (who previously worked with …
Teenage self-assurance takes a serious hit in Stereo Girls but its sense of friendship and fun is strong enough to go to some dark places without losing its way. It’s an even bigger joy to see a movie about teenage girls who have such a strong sense of themselves, even …
Playing in the Orizzonti competition program at the 2025 Venice International Film Festival, Thai director and screenwriter Nawapol Thamrongrattanarit’s latest vision Human Resource doubles as an intimate character study and a meditative portrait of contemporary Thai life mapped through the soul-sapping mechanics of corporate grind, a kind of a white-collar …
Writer-director Mihai Mincan told the room at the Venice Film Festival that the idea of Milk Teeth came from a real case of a girl who disappeared carrying a bucket of walnut shells to the garbage. His movie also makes an interesting companion piece to another film from the festival, …
Writer-director Shahad Ameen begins her movie with the last thing you’d expect from a story set in Saudi Arabia: snow. The message of this image is clear: if stereotypes are all you know then you know nothing at all. And as we follow three people on a secret, dangerous journey, …
No deer longs for the hunter’s arrow, and no art designed to maintain the status quo is ever as good as it thinks it is. Say what you will about Luca Guadagnino, he has made three solid movies in the last eighteen months, a level of career output rarely seen since …
There are other directors who are better, there are others who are more stylish, but there is no director anywhere in the world who is more interesting than Werner Herzog. He was once shot on camera during an interview for British television and actually called the wound “insignificant” as the …
There has been a disturbing recent trend of setting stories in the afterlife, with the position that growth and change is really only possible after you are dead. This removes our agency, and posits that our situation is more important than our free will. This is especially aggravating when you …
Frankenstein is a masterpiece, an instant classic and a complete and utter triumph. It sticks very close to the source material while managing to be something fresh and new, it maintains its historic setting while never forgetting the current moment, and it all hangs on two extraordinary central performances that …
I texted a friend that I’d just seen a movie about how hard it is to be George Clooney and he immediately suggested we show Jay Kelly to every Palestinian. Perhaps there would be less sarcasm about world-famous middle-aged white male American millionaires in life crisis if there was any …
It’s depressing to realize someone is coasting on their reputation instead of using their talent, and in fact making so little use of their talent that their reputation becomes suspect. This is the sorry state of affairs after seeing The Room Next Door, written and directed by Pedro Almodóvar, that …
This 3 ½ hour long tale, complete with intermission, of a Jewish-Hungarian architect attempting to make his way in America after the second world war is what Francis Ford Coppola’s Megalopolis wishes it had been. It is about human dignity in the face of incredible suffering, and the ways in …
Happy Holidays is possibly as apolitical as a Palestinian movie can get, which is to say not very. Writer-editor-director Scandar Copti, who won the Orrozonti prize for best screenplay at this year’s Venice Biennale, worked with non-professional actors in an non-linear fashion to depict a very bad few months in …
They live in Metz, a city in northeastern France close to the borders with both Germany and Luxembourg. Both sons, who are in their very early twenties, cheerfully live at home. The older Fus (Benjamin Voisin) studied to be a welder but has been unable to find paying work so …
Writer-director Francesca Comencini apparently decided that her entire audience for The Time It Takes would be people who already knew that she is the daughter of the late Italian film director Luigi Comencini. This was so obvious to her that neither the father (played by Fabrizio Gifuni) nor the daughter …
What you have to realize about Queer is that it is an adaptation of a book by William S. Burroughs, so the queerness on display here is less about sexuality, but more a way of looking at the world. William Lee, largely Lee to his friends (an astonishing Daniel Craig), …
The most anticipated film of the Venice Biennale this year was the epic Horizon: An American Saga – Chapter 2, which landed with something of a whimper instead of the bang it truly deserves. Kevin Costner’s project, the first part of which had its world premiere in Cannes this past …
The empty nest is notoriously difficult for parents to deal with, but My Everything (Mon Inséparable) has taken a fresh angle to this ordinary dilemma: the adult son who’s ready to flee the coop has an intellectual disability. Joël (Charles Peccia Galletto) is in his late twenties/early thirties and lives …