The emotional rollercoaster Giacomo Covi’s character undergoes in A Year of School is so relatable it’s obvious why he won the Best Actor prize in the Orrizonti strand of this year’s Venice Film Festival: a new prince has been crowned. In fact all four of the main actors in A …
In 2021 a small French movie called The World After Us played the festival circuit because it was one of the first modern movies to address life in the modern gig economy. It was a direct precursor to At Work, in that they are both about a novelist in Paris …
This comedy-thriller manages to be both very funny and gruesomely violent, with an appetite for the strange and startling that had the Venice Film Festival audience barking with shock as often as laughing. For the most part, the bold mood swings work, largely thanks to a setting which includes several …
There is a fascinating new trend in cinema gathering steam: action movies with hardly any dialogue. Finland’s Sisu from 2022 shows Nazis being slaughtered without saying much about it, while America’s No One Will Save You from 2023 has a young woman fighting off an alien attack. And now Detroit …
Winner of the Orrizonti Award for Best Film at the 2025 Venice International Film Festival, On the Road (En el Camino) is, at its core, a poignant tale of repressed desire bursting in the most undesirable of places. It’s the fifth feature from Mexican writer-director David Pablos, and it’s the …
Jude Law’s first appearance as Vladimir Putin is so eerily accurate the Venice Film Festival audience around me laughed in surprise. Who would have thought he could do it? Well congratulations to director Olivier Assayas and his casting director Antoinette Boulat, because the performance Mr. Law gives here is one …
Since its first exhibition, film has played a crucial role in portraying memory and the feeling of daily life. Directors utilize cinema as a tool to immortalize places, stories, and people. It is the case for Amir Aziz, who delivers a homage in the nostalgia-heavy Daroon-e Amir, or Inside Amir. …
There’s a little scene late in Silent Rebellion (À bras-le-corps) where a disgusting boss offers the young heroine, Emma (a wonderful Lila Gueneau), a “chance” at promotion, but is prevented from molesting her by an older female colleague making a scene. The other woman is punished, but she and Emma …
There are certain movies which only exist because someone has needed to make them. They are too weird to be mainstream and too proud of their unusual style to truly be weird. This is by no means a complaint. When people lean very hard into style over substance it is …
It’s not really a surprise that Jim Jarmusch has won the Golden Lion at this year’s Venice Film Festival for Father Mother Sister Brother. He has always been a major filmmaker working in a minor key, and here we have another one of his portmanteau films, this time three thematically …
There is a needle drop in Mother so insane that it either singlehandedly turns the movie into a triumph or ruins it completely, and I still can’t decide which it is. But this is precisely the point director Teona Strugar Mitevska is trying to make with her fictionalised biopic of …
It is so hard to figure out how other people think that a movie like Silent Friend, which lays it all out step by step, is just so incredibly cool. The fact that it is hooked onto a real tree in a real place – an enormous ginkgo tree in …
Benedetta Porcaroli won the Best Actress prize in the Orrizonti strands of the Venice Film Festival simply because this ridiculous movie would not have been possible without her spectacular performance. The Kidnapping of Arabella (Il rapimento di Arabella) does indeed involve a kidnapping but one in which we are not …
Director Maryam Touzani, who co-wrote Calle Málaga with Nabil Ayouch, starts extremely strongly with this tale of an elderly woman finally making her own choices in life, but loses the courage of her convictions. This is ironic as this is very much a story of how you cannot have your …
Cotton Queen is the debut film of Russian-Sudanese writer-director Suzannah Mirghani and very clearly made for an international audience. The establishing shots of laughing teenager cotton workers watching Tiktoks make sure, even if we know nothing about Sudan, we know it’s firmly in the now. And while it is Sudanese …
This movie, for which the English title should be My Tennis Coach and it’s weird that it isn’t, is an affable Italian road movie about the coming of age of a wannabe tennis player. The entire thing is built around the nuclear-level charm of Pierfrancesco Favino (who previously worked with …
Teenage self-assurance takes a serious hit in Stereo Girls but its sense of friendship and fun is strong enough to go to some dark places without losing its way. It’s an even bigger joy to see a movie about teenage girls who have such a strong sense of themselves, even …
Playing in the Orizzonti competition program at the 2025 Venice International Film Festival, Thai director and screenwriter Nawapol Thamrongrattanarit’s latest vision Human Resource doubles as an intimate character study and a meditative portrait of contemporary Thai life mapped through the soul-sapping mechanics of corporate grind, a kind of a white-collar …
Writer-director Mihai Mincan told the room at the Venice Film Festival that the idea of Milk Teeth came from a real case of a girl who disappeared carrying a bucket of walnut shells to the garbage. His movie also makes an interesting companion piece to another film from the festival, …
Writer-director Shahad Ameen begins her movie with the last thing you’d expect from a story set in Saudi Arabia: snow. The message of this image is clear: if stereotypes are all you know then you know nothing at all. And as we follow three people on a secret, dangerous journey, …