This is a banner for a review of the Edinburgh film On the Sea. Image courtesy of the filmmakers.

‘On the Sea’ Film Review: The Perils and Promise of Masculinity (EIFF)

The prison of British masculinity is explored in On The Sea, the latest film from writer and director Helen Walsh. On the outside, Jack (Barry Ward) has a stable, traditional life. He has been married to Maggie (Liz White) for decades, and they expected to raise their son Tom (Henry …

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‘Carême’ Season 1, Episode 7 Review: Confession

After all the machinations of the previous episode it’s no wonder this course of Carême chooses a different focus for all its power struggles. The episode takes place entirely within Talleyrand’s (Jérémie Renier) estate and revolves around Hortense (Lily Taieb) unexpectedly going into labour. For those of you not keeping …

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‘She Is Love’ Film Review

During Jamie Adams’ whimsical, flimsy romance, She is Love, a character is told while reading a script that “the less you rehearse it, the better it will be”. This, it turns out, is Adams’ motif. The film and script is crafted through non-traditional methods. The cast and himself will propose …

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‘Zombies 4: Dawn of the Vampires’ Review: Passing the Torch for the Zombies Movies

If you have children of a certain age, you’ve probably heard of the Zombies franchise. The newest installment in the series was out last week on streaming, having premiered on the Disney Channel the day before. Zombies 4: Dawn of the Vampires is entertaining, with catchy music and a positive …

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‘Superman II: The Richard Donner Cut’ Film Review: A Perfect Embodiment of the Iconic Character

Continuing our rewatch of classic Superman films before 2025’s Superman, we have now reached Superman II. To clarify for those unaware, Superman II had a unique history. The initial theatrical version was released in the 1980s. While warmly received, the behind-the-scenes drama plagued the film with mystery. With the director …

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‘Carême’ Season 1, Episode 6 Review: Trompe l’oeil

Well. This is the darkest episode yet of Carême and where almost all of the various plot points from earlier in the season have finally converged. Our hero Antonin (Benjamin Voisin) finally has it drilled into his skull not only that actions have consequences, but also that he is not …

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‘Carême’ Season 1, Episode 4 Review: Buy the Crown!

On the one hand, this is the weakest episode yet of Carême, full of characterisations that are regrettable cliche. On the other, director Matias Boucard, cinematographer Julio Ramón Ribeyro and editor Jean-Baptiste Beaudoin managed to create a mood that makes palpable both the price of power and the cost of …

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‘Carême’ Season 1, Episode 3 Review: A Recipe for a Disaster

Everybody clearly had a wonderful time making this episode of Carême, in which they either very politely make vicious threats to each other, or create a colossal mess. Best of all, nudity! Sorry, this is France: nudité. One bottom belongs to a male extra who has evidently just participated in …

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‘Carême’ Season 1, Episode 2 Review: Blackmail

What happens throughout this episode is, in the very best sense of the word, adult. Carême’s understanding that people’s motivations and people’s desires do not necessarily reflect their best selves is unknown in American art. But the French are perhaps more capable of acknowledging the gap between their best and …

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‘Carême’ Season 1, Episode 1 Review: The Infernal Machine – Whipped Cream and Other Delights

The sumptuous Carême hits two basic needs for a high-end television series. One is for sex, but the other is rarer in fictional television: food porn. This combination is an absolutely wonderful idea, because god knows our appetite for something good to eat doesn’t always get its due from a …

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‘Sister Midnight’ Film Review: Domestic Tragicomedy via Genre-bending Horror

Karan Kandhari’s Sister Midnight seems, upon its opening, to be a quotidian domestic drama. Uma (Radhika Apte) has one key problem taking over her life: she and her new husband, Gobal (Ashok Parthak), are not at all compatible. Those who arranged their marriage failed to account for fundamental differences in …

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‘Pedro Páramo’ Movie Review: Rodrigo Prieto’s Disappointing Take on a Literary Classic

In his essay Defense of an Adaptation, French film critic and co-founder of the historical film magazine Cahiers du Cinema André Bazin states that a literary adaptation for the cinema is impure. He points out how dependence on another medium affects filmmaking and how leaning over another source material, either …

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This is a banner for an interview with writer and director Will Seefried, of Lilies Not For Me.

Interview: Writer and Director Will Seefried on ‘Lilies Not For Me’

At this year’s iteration of the Edinburgh Film Festival, I sat down with director Will Seefried to discuss his debut feature Lilies Not For Me. The film explores the relationship between old school friends Owen (Fionn O’Shea) and Phillip (Robert Aramayo) as they begin a homosexual relationship in the quiet …

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