This is a banner for a review of the movie Amrun.

‘Amrum’ Film Review: A Squarely German Story That Deserves to go Global

No one quite knows what to do with director Fatih Akin. His explosive early movie Head-On was about the complex convergence of immigration and mental health issues between two Turkish-German punks. It’s one of the most violent and romantic movies ever made and also one of the smartest about intersectional …

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‘Cuerpo Celeste’ Film Review: Nayra Ilic García’s Debut Feature is a Poetic Snapshot of post-Pinochet Chile

In Cuerpo Celeste, the symbolically loaded debut feature from Chilean writer-director Nayra Ilic García, the past not only fractures the present and future but actively exists along with it as if they are all one and the same. The film explores that threshold, the possibility to re-encounter even something we …

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‘Sentimental Value’ Film Review: Joachim Trier on the Problems of Success

Sentimental Value won the Grand Prix at this year’s Cannes Film Festival thanks to the three central performances by Renate Reinsve, Elle Fanning and Stellan Skarsgård. Director Joachim Trier has a real talent for pulling out the emotional subtexts of ordinary lives and figuring out why people make the choices …

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‘Deep Cover’ Movie Review: Orlando Bloom in Full Chaotic Glory

Without knowing absolutely anything about Deep Cover, I began watching it at home with zero expectations – sometimes, that’s truly the best way to discover little cinematic surprises throughout the year. The lack of anticipation allows one to fully enjoy the unpredictability of the humor and the narrative lightness of …

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‘A Bright Future’ Review: An Deliciously Absurd and Intriguing Sci-Fi Film

The Uruguayan director Lucia Garibaldi presents her sophomore feature, Un Futuro Brillante (A Bright Future), at this year’s Tribeca Film Festival. Her first film, Los Tiburones (The Sharks), premiered at the 2019 Sundance Film Festival. Consequently, her subsequent work became a highly anticipated title on the festival circuit, and it …

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‘Tell Her I Love Her’ Film Review: Romane Bohringer’s Extremely Personal Story

Romane Bohringer is a French actor who, for her second film as director, has chosen to make an extremely personal story about her search for more information about her mother, Maggy, who left the family before she was a year old and died when Ms. Bohringer was in her early …

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‘Resurrection’ Review: An Enormous, Sumptuous and Magnificent Movie from Bi Gan

This enormous, sumptuous, magnificent movie is almost too much, which is not a complaint. Resurrection is one of those movies that decided to tell the story of a universe starting with a kitchen sink and then built out from there. It’s very long – 160 minutes in this edit – …

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This is a banner for a review of the documentary Natchez. Photo still credit to Noah Collier.

‘Natchez’ Documentary Film Review: Southern History Reexamined

In her sophomore effort, Suzannah Herbert premieres her film Natchez at the Tribeca Film Festival. The documentary title borrows its name from the city in Mississippi. In the 1800s, it was the city with the most millionaires in the world; cotton plantations and the slave trade were the main commercial …

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‘Eagles of the Republic’ Film Review: Movies, Governments, and the Truth

The movie with the best title at this year’s Cannes Film Festival is also the kind of movie filmmakers love to make: a movie about making a movie. But less joyously, the setting here is present-day Egypt, a nation not currently enjoying the delights of democracy. The creatives involved, beginning …

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This is a banner for a review of Julia Kowalski's Her Will Be Done/Que ma volonté soit faite.

‘Her Will Be Done’ Review: Julia Kowalski’s Modern Folky Horror Movie

The French/Polish director Julia Kowalski recently premiered her Que Ma Volonté Soit Faite (Her Will Be Done). It is a Quinzaine Des Cineastes selection and the director’s sophomore full-length feature, Crache Cœur (Raging Rose). The film narrates the story of Nawojka (Maria Wróbel), a girl from rural France whose parents …

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‘The Life of Chuck’ Review: A Welcome Reminder That Movies Can Give You Hope

What is a “feel-good” movie? Is it just an uplifting story? Or something even more? That’s a tricky question that doesn’t have a distinct answer. Something that may be heartfelt to one person may be found schmaltzy and manipulative to another. Adding that idea to 2025 films makes the prospect …

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‘Duel’ Movie Review: The Birth of a Master

It’s funny that the humble beginnings of Steven Spielberg — arguably the most iconic filmmaker working in Hollywood — can be traced back to Playboy Magazine. His directorial debut from 1971, Duel, began as a short story published in Hugh Hefner’s adult-oriented magazine. Author Richard Matheson (The Omega Man, Stir …

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‘Death Does Not Exist’ Review: Film Illustrates an Animated Political Connundrum

Bold, primary colours take centre point within the animated tale Death Does Not Exist (La mort n’existe pas) which convey the film’s blunt messaging effectively. Political in nature and economic in scale, the film lays bare its stance within its opening sequence leaving no doubt about its eat the rich …

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Interview: Masayuki Suô on ‘Shall We Dance?’

Japanese director Masayuki Suô’s 1996 romantic comedy, Shall We Dance? Follows Shohei Sugiyama (Kôji Yakusho), an accountant who is surprisingly discontented. Despite his successful career and a wife and daughter who love him dearly, there’s something missing in Sugiyama’s life. On his daily commute, he spies from the train a …

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