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Fantasia 2025: ‘OBEX’ Film Review – Albert Birney’s Homage to Early Video Games

The American indie director Albert Birney has had a prolific career in the last few years. He is releasing his sixth feature film, OBEX. Birney released before Strawberry Mansion, Tux and Fanny, Sylvio, Eyeballs in the Darkness, and The Beast Pageant. The director uses the 1980s setting to tell his …

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Fantasia 2025: ‘Lurker’ Review – Théodore Pellerin’s Superb Film Performance

Lurker is the debut feature by Alex Russell. He is an Emmy winner for his work as a supervising producer in Netflix’s miniseries, Beef. Besides the show with Ali Wong and Steve Yeun, the young screenwriter penned episodes of FX’s Dave and The Bear. In 2017, Russell wrote a feature …

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Fantasia 2025: ‘Buffet Infinity’ Review – A Mildly Chaotic But Unique and Singular Film

There are movies, and there are movies, and then there are the wild and experimental films that use the cinematic form to tell a story in a way that only filmmaking can.  Buffet Infinity is one of this third type.  Set in a small town in Alberta, Canada, Buffet Infinity …

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‘Reflection in a Dead Diamond’ Movie Review: A Stylish and Fresh Genre Homage (Fantasia 2025)

The duo of directors Hélène Cattet and Bruno Forzani is known for their approach to genre cinema, especially the giallo, an Italian sub-genre of slasher films marked by its distinctive visual style. They are back with their latest film, Reflection in a Dead Diamond (Reflet dans un diamant mort), a …

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‘Food Delivery’ Documentary Film Review: Country Underwater

Five minutes into Food Delivery: Fresh from the West Philippine Sea, the latest documentary from Filipino filmmaker Baby Ruth Villarama, we are presented with a patchwork of news headlines, archived footage depicting Filipino and Chinese maritime vessels ramming into each other, and graphics mapping the Philippines’ nautical borders. A propulsive …

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‘Better Go Mad in the Wild’ Review: A Film of Beauty in the Absurd

The Slovak director Miro Remo presents an alternative way of living in his film Better Go Mad in the Wild. In his fifth feature-length film, the director closely observes the twin brothers František and Ondřej Klišík. They live in the inner countryside of the Czech Republic, in the Sumava. The …

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‘I am Frankelda’ Review: A Captivating Universe but Uneven Film

I Am Frankelda (Soy Frankelda) is the debut feature by Arturo and Roy Ambriz. It is also the first stop-motion animation feature ever produced in Mexico. Mexican cinema has a growing animation industry, it is internationally recognized, with names such as Jorge R. Gutierrez (Book of Life & Maya and …

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‘Strange Journey: The Story of Rocky Horror’ Documentary Review

This documentary about the continuing phenomenon of Rocky Horror is directed by the son of the man who created the phenomenon. Normally this would lead to calls of nepotism, but somehow here the closeness to the material is appropriate. The stories within Strange Journey have clearly been told and revisited …

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‘I Was Born This Way’ Documentary Review: A Compelling Look at Carl Bean

Veteran documentary filmmakers Sam Pollard (MLK/FBI and Citizen Ashe) and Daniel Junge (Challenger: The Final Flight and A Lego Documentary) come together to direct I Was Born This Way. Borrowing the title name from the 1975 song by Valentino, globally famous through the voice of Carl Bean in 1977. The …

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‘The Girl in the Snow’ Film Review: A Witch Hunt in Rural 1800s France from Louise Hémon

In her first full-length feature, Louise Hémon presents L’engloutie (The Girl in the Snow). A selection in the Quinzaine des Cineastes of this year’s Cannes Film Festival, Hémon designs a vibey film. She narrates the story of Aimée (Galatea Bellugi), a volunteer teacher from an unspecified big French city. She …

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‘Tow’ Film Review: A Compelling Enough Drama from Stephanie Laing and Rose Byrne

The veteran indie director Stephanie Laing (Irreplaceable You and Family Squares) teams up with Rose Byrne to present Tow. The film tells the true story of Amanda Ogle (Byrne), a woman who left her child, Avery (Elsie Fisher), to find a better life condition as a veterinary technician. However, she …

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‘Honeyjoon’ Film Review: Lillian T. Mehrel on Mothers and Daughters

In her debut feature premiering at this year’s Tribeca, Lillian T. Mehrel narrates about the relationship between a mother and daughter in Honeyjoon. In the film, June (Ayden Mayeri) and Lela (Amira Casar) travel to Açores in Portugal to celebrate the first anniversary of the family patriarch’s death. In their …

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‘Inside’ Film Review: Charles Williams’ Debut Feature

Australian director Charles Williams presents his debut feature: Inside. Williams won the short film Palme d’Or in 2018 at Cannes for All These Creatures and soon became a potential talent for the future. Six years later, the director narrates the story of a young man, Mel (Vincent Miller), who is …

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‘The Travel Companion’ Film Review: Travis Wood and Alex Mallis’ Achingly Moving Debut Feature

After working on their respective short films and co-directing the documentary short Dollar Pizza Documentary, Brooklyn-based filmmakers Travis Wood and Alex Mallis are upping the ante as their debut feature The Travel Companion is having its world premiere in the US Narrative Competition section of the 2025 Tribeca Film Festival. …

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’13 Days, 13 Nights’ Film Review: A French Perspective on Kabul in August 2021

The generic title underplays the importance of this French war film, which does something utterly shocking from an American perspective: it pays respect to France’s allies, too. Not since the days of World War II movies have any American films bothered to mark our allies, even in passing. (A brief …

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‘Amrum’ Film Review: A Squarely German Story That Deserves to go Global

No one quite knows what to do with director Fatih Akin. His explosive early movie Head-On was about the complex convergence of immigration and mental health issues between two Turkish-German punks. It’s one of the most violent and romantic movies ever made and also one of the smartest about intersectional …

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