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‘Runa Simi’ Documentary Review: Fernando Valencia’s Quechua Dream

The Peruvian director Augusto Zegarra presents his debut feature, Runa Simi, at the 2025 Tribeca Film Festival. The film narrates the story of Fernando Valencia, an indigenous man from Cusco, Peru. He has been passionate about voice work since he was a young child, inspired by Walt Disney animations that …

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‘Cuerpo Celeste’ Film Review: Nayra Ilic García’s Debut Feature is a Poetic Snapshot of post-Pinochet Chile

In Cuerpo Celeste, the symbolically loaded debut feature from Chilean writer-director Nayra Ilic García, the past not only fractures the present and future but actively exists along with it as if they are all one and the same. The film explores that threshold, the possibility to re-encounter even something we …

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‘Sentimental Value’ Film Review: Joachim Trier on the Problems of Success

Sentimental Value won the Grand Prix at this year’s Cannes Film Festival thanks to the three central performances by Renate Reinsve, Elle Fanning and Stellan Skarsgård. Director Joachim Trier has a real talent for pulling out the emotional subtexts of ordinary lives and figuring out why people make the choices …

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‘Backside’ Film Review: A Look at the Working Class Behind the Kentucky Derby

In his debut feature, Backside, Mexican director Raúl O. Paz-Pastrana tells the untold stories behind one of the most crucial sports events in the United States, the Kentucky Derby. Every May, more than a hundred thousand people attend the traditional horse racing event at Churchill Downs in Louisville, Kentucky. Besides …

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‘A Bright Future’ Review: An Deliciously Absurd and Intriguing Sci-Fi Film

The Uruguayan director Lucia Garibaldi presents her sophomore feature, Un Futuro Brillante (A Bright Future), at this year’s Tribeca Film Festival. Her first film, Los Tiburones (The Sharks), premiered at the 2019 Sundance Film Festival. Consequently, her subsequent work became a highly anticipated title on the festival circuit, and it …

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‘Tell Her I Love Her’ Film Review: Romane Bohringer’s Extremely Personal Story

Romane Bohringer is a French actor who, for her second film as director, has chosen to make an extremely personal story about her search for more information about her mother, Maggy, who left the family before she was a year old and died when Ms. Bohringer was in her early …

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‘Resurrection’ Review: An Enormous, Sumptuous and Magnificent Movie from Bi Gan

This enormous, sumptuous, magnificent movie is almost too much, which is not a complaint. Resurrection is one of those movies that decided to tell the story of a universe starting with a kitchen sink and then built out from there. It’s very long – 160 minutes in this edit – …

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This is a banner for a review of the documentary Natchez. Photo still credit to Noah Collier.

‘Natchez’ Documentary Film Review: Southern History Reexamined

In her sophomore effort, Suzannah Herbert premieres her film Natchez at the Tribeca Film Festival. The documentary title borrows its name from the city in Mississippi. In the 1800s, it was the city with the most millionaires in the world; cotton plantations and the slave trade were the main commercial …

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‘Eagles of the Republic’ Film Review: Movies, Governments, and the Truth

The movie with the best title at this year’s Cannes Film Festival is also the kind of movie filmmakers love to make: a movie about making a movie. But less joyously, the setting here is present-day Egypt, a nation not currently enjoying the delights of democracy. The creatives involved, beginning …

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‘Her Will Be Done’ Review: Julia Kowalski’s Modern Folky Horror Movie

The French/Polish director Julia Kowalski recently premiered her Que Ma Volonté Soit Faite (Her Will Be Done). It is a Quinzaine Des Cineastes selection and the director’s sophomore full-length feature, Crache Cœur (Raging Rose). The film narrates the story of Nawojka (Maria Wróbel), a girl from rural France whose parents …

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‘Death Does Not Exist’ Review: Film Illustrates an Animated Political Connundrum

Bold, primary colours take centre point within the animated tale Death Does Not Exist (La mort n’existe pas) which convey the film’s blunt messaging effectively. Political in nature and economic in scale, the film lays bare its stance within its opening sequence leaving no doubt about its eat the rich …

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‘The Phoenician Scheme’ Movie Review: Wes Anderson’s Stylish Misfire

Everybody knows the greatest thing about Wes Anderson’s movies is their sense of style. Style is the tool he uses to bring lightness to dark and complex subjects such as grief, the creeping threat of fascism and being an insufferable young person. The staging and blocking, the centering of images, …

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