As the title makes abundantly clear, Tu Meri Main Tera Main Tera Tu Meri (which means ‘you’re mine, I’m yours, I’m yours, you’re mine’ in Hindi) is here to have its cake and eat it. Its explicit purpose is to make a 90s-style romance (this means old-fashioned, readers of a …
It is a cultural quirk of Indian cinema that they will show the most gruesome torture and murders in glorious close-up while simultaneously subtitling the language used during these scenes as “Dang!” and “You idiot!” If we are in a hard-R/18 environment, capable of being shown a man suspended off …
Most people in the West probably never saw A Step Into the Past, a one-season Hong Kong TV show from 2001 about a modern scientist who ends up back in the Qin dynasty. Therefore the major draw of Back to the Past, which finishes the plotlines of that TV show, …
The Brazilian director Daniel Nolasco has been creating a trademark for himself as a filmmaker. Drawing inspiration from his personal interests and his academic path, his films approach the stories of the LGBTQIA community in a conservative state. In his debut feature, Vento Seco (Dry Wind), he approaches the monotonous …
Few authors from the 20th Century are more influential than Franz Kafka. The Czech writer did not receive the recognition he deserved throughout his life, as detailed in the introductions to his books. Each new edition of his masterpieces, such as Metamorphosis, gets a deep explanation of how Kafka’s success …
The introductory section of Hafsia Herzi’s The Little Sister (La petite dernière) is slightly alienating, as it swiftly moves from one scene to the next, without an anchor point for the audience to latch onto, despite being adapted from Fatima Daas’ 2020 autofiction novel of the same name. However, our …
A mishmash of moods held together by preposterous musical numbers is part of the appeal of most Indian cinema, but Telugu-language The RajaSaab holds together worse than most. There are three movies inside The RajaSaab struggling to get out: a haunted-house horror thriller, a paean to the grandmothers who raised …
Following its Sundance world premiere in early 2025, The Things You Kill, the third feature from Iranian filmmaker Alireza Khatami, is set to screen in Philippine theaters as part of the 2025 QCinema International Film Festival. Selected as the Canadian submission for the 2026 Oscar Best International Feature Film category, …
It’s so ordinary nowadays for crime stories to have an absolutely terrific setup leading to a whimper of an ending, so when one plays its cards as well as A Private Life does it should be praised from the rooftops. In the last twenty or so years Jodie Foster has …
The Secret Agent won two major awards at this year’s Cannes film festival, Best Director for Kleber Mendonça Filho and Best Actor for Wagner Moura, an unusual and enormous compliment. The Secret Agent is a lot like Waiting for Godot, as it is two and a half hours of set-up …
Ratchapoom Boonbunchachoke’s debut feature A Useful Ghost exhibits a hooky high concept, one that’s centered on a woman who dies of dust pollution and gets reunited with her grieving husband by possessing a vacuum cleaner, much to the chagrin of her in-laws. The director dresses this concept, essentially a loose …
Screening in the Before Midnight section of the 2025 QCinema International Film Festival, Dutch filmmaker Morgan Knibbe’s sophomore feature The Garden of Earthly Delights portrays a gritty, neon-tinged Manila inferno centered on a young queer protagonist played by first-time actor JP Rodriguez. A teenager named Ginto descends deep into the …
Richard Linklater brought two films to the festival crowds this year. The first being Blue Moon, a drama about the tragic Lorenz Hart, whose professional relationship with Richard Rodgers has mostly been lost to history. The second is Nouvelle Vague, a loving ode to French New Wave cinema. Both are …
Enzo (Eloy Pohu) is sixteen or seventeen, a dangerous age. He’s still very much a child, but thinks he isn’t. Having a scooter and some limited amounts of freedom isn’t quite adulthood, but he is too young and too privileged to know that. He lives with his parents Marion and …
The young Chilean filmmaker Diego Céspedes has a vigorous relationship with the Cannes Film Festival. His first short, El Verano del Léon Elétrico (The Summer of the Electric Lion), was part of the Cinefondation selection in 2018, which dedicates its program to films produced during the film school period. Four …
In Aranya Sahay’s Humans in the Loop, technology and morality collide in a gripping story about the fine line between human judgment and artificial intelligence. The film follows Nehma, a woman deeply passionate about innovation but forced to confront ethical dilemmas that shake her sense of purpose and identity. At …
In 2021 a small French movie called The World After Us played the festival circuit because it was one of the first modern movies to address life in the modern gig economy. It was a direct precursor to At Work, in that they are both about a novelist in Paris …
There’s never an easy way to tackle a real-life story or a story based on real-life events. The audience would go into the theaters or log in to their streaming platforms, expecting they would see something riveting. However, it’s not that easy, and filmmakers need to follow certain rules if …
Cotton Queen is the debut film of Russian-Sudanese writer-director Suzannah Mirghani and very clearly made for an international audience. The establishing shots of laughing teenager cotton workers watching Tiktoks make sure, even if we know nothing about Sudan, we know it’s firmly in the now. And while it is Sudanese …
This movie, for which the English title should be My Tennis Coach and it’s weird that it isn’t, is an affable Italian road movie about the coming of age of a wannabe tennis player. The entire thing is built around the nuclear-level charm of Pierfrancesco Favino (who previously worked with …