Meeting with Pol Pot is very loosely based on a memoir by an American journalist named Elizabeth Becker, who was at its first screening at the Cannes Film Festival. It must have been a very strange feeling to see a fictionalized version of some of the most important events in …
Roberto Minervini shared the best director prize in the Un Certain Regard strand of this year’s Cannes Film Festival for this mumblecore-style film about soldiers in the Wild West during the American Civil War. It’s the flipside to Kevin Costner’s Horizon: An American Saga (reviewed separately), which has broadly the …
There was one movie at this year’s Cannes Film Festival which was a passion project for the director that got all the attention: Megalopolis. But there was another movie, a passion project for the director, that also played Cannes, albeit not in competition: Horizon: An American Saga – Chapter 1. This …
Alexandre Dumas’ novel The Count of Monte Cristo is kind of the ur-text for the modern adventure story. Published in 1844, it has it all: treachery, sword-fighting, injustice, long cons, false identities requiring elaborate disguises, secret children, hidden treasure, beautiful ladies, villains becoming heroes, heroes becoming villains, and revenge served …
Any description of The Shameless could make it sound like the most exploitative trash, so it’s stunning to realize that despite the grim setting, the exceptionally troubled characters, and the hopelessness of their situation, that it isn’t. This is a testament to the skill of writer-director (and Bulgarian-American) Konstantin Bojanov, …
Miguel Gomes won the Best Director prize at this year’s Cannes Film Festival for Grand Tour, which he co-wrote with Telmo Churro, Maureen Fazendeiro, and Mariana Ricardo, because it is an impossible film. It’s an epic pan-Asian journey best described as a mash-up of Wisconsin Death Trip and Apocalypse Now, …
In an unprecedented move, the Cannes Film Festival jury awarded the Best Actress prize this year to the four actresses of Emilia Pérez – Zoe Saldaña, Selena Gomez, Karla Sofía Gascón and Adriana Paz. This is almost as startling as French writer-director Jacques Audiard making a primarily Spanish-language musical about …
Emma Stone and Yorgos Lanthimos need each other. Through Ms. Stone, Mr. Lanthimos has an entry into Hollywood and the chance for his work to go mainstream worldwide, and through Mr. Lanthimos, Ms. Stone gets the art-house credibility usually denied to actresses whose careers began in teenage sex comedies. But just because they make quite a pair, that doesn’t mean the work …
Other reviews compare Anora to Pretty Woman, but this is a bad mistake. The world has moved on considerably since 1990, and these days, capitalism is now second to oligarchy. Oligarchs are people for whom life is to be lived without consequences because their incredible wealth means anything, or anyone, can be bought. …
It’s been a long time since Cate Blanchett got weird. She’s played unlikeable, she’s played dark, she’s played strange, but not since Heaven in 2002, in which German director Tom Tykwer got her to shave her head and bomb the Italian police, has Cate Blanchett got weird. But Cate Blanchett is also one of the very rare actors in …
The Girl with the Needle (Pigen med Nålen) is based on such a well-known criminal case in Denmark that mentioning the name of one of the characters is a local spoiler. For the rest of us, the horror must unspool the old-fashioned way as we watch a young woman’s truly desperate …
There’s nothing like a sudden death to bring a community together, and there’s nothing like a tragedy to make people realize what’s truly important. This Icelandic movie, When the Light Breaks (Ljósbrot), is about the worst 24 hours in the lives of a group of young friends because, in the course …
In the horrible post-apocalyptic future depicted in the Mad Max movies, where people have names like The Octoboss and Toast the Knowing, it was downright revolutionary of Mad Max’s mother to name him Max. In Furiosa: A Mad Max Saga, two of the evil sidekicks are named Rictus Erectus (Nathan Jones) and, what …
Quentin Dupieux, the director of The Second Act (Le deuxième acte), who was also the writer, cinematographer, and editor of The Second Act, thanks his own brain in the credits. This is entirely what should be expected from Mr. Dupieux, whose works are – and this is meant as an extreme compliment – completely insane. He tends to work …
The Gutter, a bowling comedy from Yassir Lester (Marvel’s Armor Wars) and Isaiah Lester recently had its world premiere at SXSW in Austin. The film stars Shameik Moore, Susan Sarandon, D’Arcy Carden, Jay Ellis, Jackée Harry, and Paul Reiser, just to name a few. Moore plays Walt, a bartender and shoe de-roacher (exactly what you think) at the AlleyCatz bowling alley. Money problems …
Kristi Shimek is Arcadian’s editor and one of the people responsible for helping to create the post-apocalyptic tension in director Ben Brewer’s horror thriller. Arcadian is a story of survival, where ferocious creatures that go bump in the night are after a father and his twin boys. The film stars Nicholas Cage as the dad, Paul, with Jaeden Martell and Maxwell …
Sasha Nathwani’s brilliant coming-of-age film Last Swim is set in London during the sweaty swing of summer, as young astrophysics enthusiast Ziba (Deba Hekmat) has her eye set on experiencing a meteor shower in person. Last Swim chronicles a day with Ziba and her friends as they celebrate their A-level results amongst their fading youth. …
In Aesop’s Fables, a set of tales told to children to imbue them with socially correct morals, exists the story of “The North Wind and The Sun.” The iconic fable describes how the anthropomorphic entities of the Wind and the Sun argued between themselves on the best method in getting someone …
Stuntmen do very impressive work on movies, and the better they are, the less likely you are even to notice them. While rumblings about an Oscar for stunts finally being given out have led nowhere, the best boost to this particular section of the industry is the big-budget blockbuster The Fall …
It is a truth universally acknowledged that a British movie set at the seaside will be incredibly depressing, and on the surface, Silver Haze is another one of them. It’s done in the usual no-budget British style saved for working-class stories – handheld cameras following screaming families of dubious income smoking endless …