It’s so ordinary nowadays for crime stories to have an absolutely terrific setup leading to a whimper of an ending, so when one plays its cards as well as A Private Life does it should be praised from the rooftops. In the last twenty or so years Jodie Foster has …
This examination of privilege in the modern American moment tries to have its cake and eat it, and while there’s nothing necessarily wrong with that, the badly-titled Dreams botches the recipe. Considering that ballet is at the center of this movie and director Michel Franco (and his cinematographer Yves Cape) …
In the non-fiction medium, there is a fascinating sub-genre. In recent years, filmmakers have been documenting unconventional competitions. In both Girls State & Boys State, we follow a mock representative election by high school students who are aficionados of politics. In Pianoforte, the filmmakers narrate the International Chopin Piano Competition, …
Jalmari Helander’s blood-soaked Sisu was a true hidden gem. A Finnish answer John Wick or Rambo, the title is a fitting one: it comes from a Finnish concept with no exact English translation, yet roughly means a unique kind of resilience that allows one to overcome the most extreme of …
The greatest glory of Pillion is that its sexual boldness is in service to an important point about self-determination and personal desire. We can watch this for the action, the message, or both. Though don’t get your hopes up too high: not a great deal of ‘action’ is shown, although …
Selected as Italy’s official contender for best international feature film at the 2026 Oscars, Francesco Costabile’s sophomore feature Familia carries the thematic preoccupations of their directorial debut Una Femmina: The Code of Silence, a crime drama loosely based on Italian journalist Lirio Abbate’s investigative book, which wrestles with women victims …
The Secret Agent won two major awards at this year’s Cannes film festival, Best Director for Kleber Mendonça Filho and Best Actor for Wagner Moura, an unusual and enormous compliment. The Secret Agent is a lot like Waiting for Godot, as it is two and a half hours of set-up …
Amir El-Masry is the lucky owner of one of the great faces in modern cinema, and he got to show it off not once but twice at this year’s London Film Festival. Unfortunately in neither case was it shown off to his best advantage. Giant managed somehow not to be …
Eternity feels like the type of movie made 60 or 70 years ago. Charming and romantic, this comedy-drama relies on the on-screen chemistry of its leading stars and whip-smart writing. Set in a version of the afterlife, Eternity explores who from your life you will be destined to spend your …
Amir El-Masry is the lucky owner of one of the great faces in modern cinema, and he got to show it off not once but twice at this year’s London Film Festival. Unfortunately in neither case was it shown off to his best advantage. The less said about 100 Nights …
There are only so many ways one can put up a facade, and yet every time Matthias (an unassumingly effective Albrecht Schuch) takes on a different life in different social scenarios, in front of total strangers, it’s as if all the pretense is infinite. Matthias has faked it so real …
Rosemead deals with one of life’s most significant challenges. What happens to our loved ones after we leave? Will they be in a safe position as we depart? The film focuses on a mother played by Lucy Liu, who sees the world that she knows coming to a close. But …
One of the benefits of all of us having professional-grade recording devices on our persons at all times is that we are able to document everything. One of the downsides to this is that it’s possible to cross-reference any even slightly true story with the real footage of the case. …
Director Stephen Shimek recently sat down with us to discuss Murder at the Embassy, his new film that’s out now in theaters and on demand. It’s a murder mystery set in 1930s Cairo starring Mischa Barton along with Mido Hamada and Richard Dillane. It’s the second installment in the Miranda …
Rose Byrne’s magnificent performance grounds this takedown of modern motherhood (not parenthood) under capitalism, but If I Had Legs I’d Kick You is really about the flaws of modern American society. Its unmissable message is that America is completely ruled by its addictions and its impossible desire to get without …
H For Hawk, based on Helen MacDonald’s eloquent memoir about grief, is a moving guide to processing loss. The film and the book follow Helen unravelling mind as she tries to distract herself after the death of her father by adopting a goshawk. Academic Helen (Claire Foy) is not the …
Screening in the Before Midnight section of the 2025 QCinema International Film Festival, Dutch filmmaker Morgan Knibbe’s sophomore feature The Garden of Earthly Delights portrays a gritty, neon-tinged Manila inferno centered on a young queer protagonist played by first-time actor JP Rodriguez. A teenager named Ginto descends deep into the …
Kazuo Ishiguro’s 1982 debut novel, A Pale View of Hills, is an elegant and nuanced examination of identity for post-war Japan. Kei Ishikawa’s ambitious but unsubtle adaptation can’t capture the spirit of his gorgeous writing. The novel and the film are narrated by Etsuko, who appears in two timelines. In …
The Choral is the kind of movie at which the British film industry excels: made for audiences who like their stories flavoured strongly with nostalgia, and who like to read between the lines for their hard-hitting topics. These movies tend to play better overseas, where the historical trappings and the …
Richard Linklater brought two films to the festival crowds this year. The first being Blue Moon, a drama about the tragic Lorenz Hart, whose professional relationship with Richard Rodgers has mostly been lost to history. The second is Nouvelle Vague, a loving ode to French New Wave cinema. Both are …