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‘Blue Heron’ Film Review: Sophy Romvari’s Excellent Debut Feature

Even before her debut feature, Sophy Romvari has become a highly regarded upcoming director among the online cinephiles. Her shorts Norman Norman, Still Processing, and It’s What Each Person Needs were part of the selections at the Toronto International Film Festival. Criterion Channel acquired some of her other films, such …

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‘Il Maestro’ Review: A Coming of Age Through Tennis Film

This movie, for which the English title should be My Tennis Coach and it’s weird that it isn’t, is an affable Italian road movie about the coming of age of a wannabe tennis player. The entire thing is built around the nuclear-level charm of Pierfrancesco Favino (who previously worked with …

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‘Mosquitos’ Film Review: A Disappointing Outing from Nicole and Valentina Bertani

In their first directorial effort as a directing duo, Nicole and Valentina Bertani debut at the Concorso Internazionale of the Locarno Film Festival with Mosquitoes (Le Bambine). In 2022, Valentina screened her first film, The Crown Shyness (La timidezza delle chiome) at the Giornate degli Autori of the Venice Film …

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‘Human Resource’ Film Review: Nawapol Thamrongrattanarit’s Return to Realism Reckons With Personal Agency in a Harsh World

Playing in the Orizzonti competition program at the 2025 Venice International Film Festival, Thai director and screenwriter Nawapol Thamrongrattanarit’s latest vision Human Resource doubles as an intimate character study and a meditative portrait of contemporary Thai life mapped through the soul-sapping mechanics of corporate grind, a kind of a white-collar …

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‘After the Hunt’ Review: A Reactionary Film from Luca Guadagnino

No deer longs for the hunter’s arrow, and no art designed to maintain the status quo is ever as good as it thinks it is. Say what you will about Luca Guadagnino, he has made three solid movies in the last eighteen months, a level of career output rarely seen since …

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‘Demon Slayer: Infinity Castle’ is Visually Beautiful and Emotionally Deep (Film Review)

I stumbled upon Demon Slayer when it first premiered in America back in 2019, thanks to a friend who was obsessed with anime. While I cut my teeth on series such as Pokémon, Digimon, and Sailor Moon as an adolescent, it had been decades since I actively chose an anime to watch in my …

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‘Nova ‘78’ Film Review: A Prophetic William Burroughs Tribute

Playing out of competition at the 2025 Locarno Film Festival, Nova ‘78, from the directing duo of Aaron Brookner and Rodrigo Areias, functions both as a moving paean to the enduring greatness of eminent writer and iconoclast William S. Burroughs (1914-1997) and an electrifying snapshot of a bygone period of …

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‘Juror #2’ Film Review: Eastwood’s Courtroom Morality Drama For A Simpler Time

Juror #2 could not have come out at a stranger time in world events towards the end of 2024. As a director, Clint Eastwood’s interests have been captured by the contradictions of life and justice in the United States: there are often clear-cut guilty and innocent parties, but who prevails …

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‘The Order’ Movie Review: True Crime Drama Shows Toxic Masculinity’s Extremes

Nicholas Hoult had a theme in 2024. The Order, director Justin Kurzel’s latest dramatic feature based on true events, puts his character in a very similar situation as in Clint Eastwood’s Juror #2. Both Bob Mathews (The Order) and Justin Kemp (Juror #2) are morally compromised men making bad (desperate, …

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‘Ghost Elephants’ Documentary Film Review: Searching for Elephants in Angola

There are other directors who are better, there are others who are more stylish, but there is no director anywhere in the world who is more interesting than Werner Herzog. He was once shot on camera during an interview for British television and actually called the wound “insignificant” as the …

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‘God Will Not Help’ Film Review: When Fierce Performances Aren’t Enough

In the following effort for the Croatian director Hana Jušić, she presents God Will Not Help in the Concorso Internazionale of the 2025 Locarno Film Festival. Following her debut at the Venice Film Festival’s Giornate degli Autori with Quit Staring at My Plate, the Croatian author takes a look at the …

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