This is a banner for an interview with Oliver Laxe. Image courtesy of the filmmakers.

Interview: Oliver Laxe on Sirât

In this year’s Cannes Film Festival, a post-screening reaction surprised tons of cinephiles following the festival’s attendees. Despite premiering after a veteran French filmmaker, Dominik Moll, with his Case 137, the most talked-about film of the second day of the festival was Sirât by the French-Spanish director, Oliver Laxe. In …

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‘The Testament of Ann Lee’ Film Review – A Haunting Experience for All The Senses

It was Stephen Sondheim who wrote a song about the two things people can leave behind: children and art. What the Shakers, a small religious movement which began in the mid-1700s, left behind was their art. Some of this is their highly influential style of furniture, made plainly to emphasise …

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This is a banner for an interview with director Joachim Trier, of Sentimental Value. Images courtesy of the filmmakers.

Interview with Co-Writer and Director Joachim Trier on ‘Sentimental Value’

Since his debut feature in 2006 with Reprise, Joachim Trier has become a relevant author in the arthouse circuit. His films gathered attention for the humanity, but centered on the use of Oslo, Norway, as a prominent character. Hence, Trier is mainly associated with his “Oslo Trilogy”, composed by Reprise, …

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‘Belén’ Movie Review – The Portrait of the Success of Argentinian Feminism 

Throughout the complicated formation of Latin America, Catholicism became the norm for the so-called civilization of native populations. Hence, ever since its inception, the new continent has been a Catholic region, colonized mainly by the Portuguese and Spanish. Despite the colonial wounds, the imperial process carries severe traumas, particularly in …

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‘The Things You Kill’ Film Review: A Psychological Thriller Rendered Surreal And Slippery By A Lynchian Dream Logic

Following its Sundance world premiere in early 2025, The Things You Kill, the third feature from Iranian filmmaker Alireza Khatami, is set to screen in Philippine theaters as part of the 2025 QCinema International Film Festival. Selected as the Canadian submission for the 2026 Oscar Best International Feature Film category, …

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‘Familia’ Film Review: Italy’s Oscar Entry Offers an Intense Look Into Domestic Abuse and Masculinity in Crisis

Selected as Italy’s official contender for best international feature film at the 2026 Oscars, Francesco Costabile’s sophomore feature Familia carries the thematic preoccupations of their directorial debut Una Femmina: The Code of Silence, a crime drama loosely based on Italian journalist Lirio Abbate’s investigative book, which wrestles with women victims …

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‘Motor City’ Film Review: Alan Ritchson’s 70’s Stunt Spectacular

There is a fascinating new trend in cinema gathering steam: action movies with hardly any dialogue. Finland’s Sisu from 2022 shows Nazis being slaughtered without saying much about it, while America’s No One Will Save You from 2023 has a young woman fighting off an alien attack. And now Detroit …

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‘Frankenstein’ Movie Review: An Instant Classic, A Wonderful Horrible Joy (Venice)

Frankenstein is a masterpiece, an instant classic and a complete and utter triumph. It sticks very close to the source material while managing to be something fresh and new, it maintains its historic setting while never forgetting the current moment, and it all hangs on two extraordinary central performances that …

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‘Cuerpo Celeste’ Film Review: Nayra Ilic García’s Debut Feature is a Poetic Snapshot of post-Pinochet Chile

In Cuerpo Celeste, the symbolically loaded debut feature from Chilean writer-director Nayra Ilic García, the past not only fractures the present and future but actively exists along with it as if they are all one and the same. The film explores that threshold, the possibility to re-encounter even something we …

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‘Sentimental Value’ Film Review: Joachim Trier on the Problems of Success

Sentimental Value won the Grand Prix at this year’s Cannes Film Festival thanks to the three central performances by Renate Reinsve, Elle Fanning and Stellan Skarsgård. Director Joachim Trier has a real talent for pulling out the emotional subtexts of ordinary lives and figuring out why people make the choices …

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‘Resurrection’ Review: An Enormous, Sumptuous and Magnificent Movie from Bi Gan

This enormous, sumptuous, magnificent movie is almost too much, which is not a complaint. Resurrection is one of those movies that decided to tell the story of a universe starting with a kitchen sink and then built out from there. It’s very long – 160 minutes in this edit – …

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‘It Was Just An Accident’ Review: Jafar Panahi’s Film Shines a Light on The Difference Between Justice and Revenge

The gift Iranian writer-director Jafar Panahi has given to us all is no accident. Palme d’Or winner It Was Just an Accident uses a very simple scenario to ask unanswerable questions about what makes a person good. It does this by offering four people a chance many dream of: the …

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