There is a fascinating new trend in cinema gathering steam: action movies with hardly any dialogue. Finland’s Sisu from 2022 shows Nazis being slaughtered without saying much about it, while America’s No One Will Save You from 2023 has a young woman fighting off an alien attack. And now Detroit …
Frankenstein is a masterpiece, an instant classic and a complete and utter triumph. It sticks very close to the source material while managing to be something fresh and new, it maintains its historic setting while never forgetting the current moment, and it all hangs on two extraordinary central performances that …
Lydia Tár is a b*tch. That’s what a student calls Cate Blanchett’s Lydia, the sociopathic lead of Todd Field’s visceral psychological thriller Tár. They’re not wrong. She is the sort of damaged soul that has hit the heights of her conducting profession, who flies so close to the sun and …
In 2021, while the world was still heavily facing the COVID-19 pandemic, the Sundance Film Festival introduced its hybrid version with drive-ins in different states of the country, an online option, and the traditional Park City venue in Utah. Coming off a year of complicated production for the film industry. …
In Cuerpo Celeste, the symbolically loaded debut feature from Chilean writer-director Nayra Ilic García, the past not only fractures the present and future but actively exists along with it as if they are all one and the same. The film explores that threshold, the possibility to re-encounter even something we …
Sentimental Value won the Grand Prix at this year’s Cannes Film Festival thanks to the three central performances by Renate Reinsve, Elle Fanning and Stellan Skarsgård. Director Joachim Trier has a real talent for pulling out the emotional subtexts of ordinary lives and figuring out why people make the choices …
This enormous, sumptuous, magnificent movie is almost too much, which is not a complaint. Resurrection is one of those movies that decided to tell the story of a universe starting with a kitchen sink and then built out from there. It’s very long – 160 minutes in this edit – …
The gift Iranian writer-director Jafar Panahi has given to us all is no accident. Palme d’Or winner It Was Just an Accident uses a very simple scenario to ask unanswerable questions about what makes a person good. It does this by offering four people a chance many dream of: the …
Sirât is the rare movie that should be seen absolutely cold. I mean it, stop reading this review right now until after you have seen it, then come back for when you need someone to hold your hand afterwards. For Sirât manages to deliver one of the greatest shocks ever …
Ryan Coogler knew just what audiences were missing and delivered a euphoric cinematic experience as he has answered our prayer for original filmmaking with the spectacular whirlwind known as Sinners. Taking us on a dance with one or more devils and a journey through 1930s Southern US history with a …
Karan Kandhari’s Sister Midnight seems, upon its opening, to be a quotidian domestic drama. Uma (Radhika Apte) has one key problem taking over her life: she and her new husband, Gobal (Ashok Parthak), are not at all compatible. Those who arranged their marriage failed to account for fundamental differences in …
Unusually, September 5 faced one main question before its release: why has it been made? Well, since the last presidential inauguration, we have our answer. September 5 is one of those biopic-style (but not a documentary) re-enactments of tragic real-world events. Here the disaster is at the 1972 Munich Olympics, …
Brazilian cinema has always been known for exploring the country’s turbulent history and coming forward with hard-hitting stories. Be it the City of God or Four Days in September, cinema has been one of the most powerful mediums for shedding light on Brazil’s socio-political struggles, unearthing raw, unfiltered narratives that …
Kiyoshi Kurosawa is one of the most prolific directors in world cinema. This year, he premiered Chime at the 74th Berlinale. The French remake of his 1998 film, Serpent’s Path, went to the San Sebástian Film Festival. Concluding his year, Cloud debuted at the Biennale di Venezia, and Japan selected …
Animation is often seen as a genre for children, but that is because it is a genre for imagination. It’s a way of visually expressing stories that cannot be realistically or safely acted out. The stop-motion Memoir of a Snail, which has surprisingly won Best Film at this year’s London …
German-born director Nora Fingscheidt is in high-demand with her new film The Outrun starring Oscar-nominee Saoirse Ronan. I was lucky enough to speak with her about her new film, where we talk about the film’s themes on addiction and redemption, the power of Ronan, and stealing from the best films. …
Amy Liptrot’s breathtakingly poignant and unsparing memoir The Outrun has been acclaimed by critics and adored by readers across the world since its 2016 publication. Eight years later, the book loses none of its effect – the description of a very personal journey through familial mental illness, addiction, substance abuse, …
Mark Cousins is an Irish author and filmmaker. He is well-known for his literary work on film. His book The Story of Film is an introductory book in cinema history that is taught in many film courses. Besides serving as the premise to a 930-minute documentary in 2011, The Story …
Musical biopics consistently earn a reputation as a simple path to awards seasons and other accolades. In recent years, there have been examples in Bohemian Rapsody, Maestro, Elvis, and The United States vs. Billie Holiday, among others. It is a genre that has been repeating itself constantly and delivering mediocre …
Not much is known about Josef Mysliveček – the 18th-century composer at the center of writer and director Petr Václav’s lavish historical biopic The Bohemian – in the English-speaking musical world. It is known he was on good terms with Wolfgang Amadeus Mozart as the two composers vied for recognition …