This is a banner for a review of Season 1, Episode 7 of Careme. Image courtesy of Apple TV+.

‘Carême’ Season 1, Episode 7 Review: Confession

After all the machinations of the previous episode it’s no wonder this course of Carême chooses a different focus for all its power struggles. The episode takes place entirely within Talleyrand’s (Jérémie Renier) estate and revolves around Hortense (Lily Taieb) unexpectedly going into labour. For those of you not keeping …

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‘Strange Journey: The Story of Rocky Horror’ Documentary Review

This documentary about the continuing phenomenon of Rocky Horror is directed by the son of the man who created the phenomenon. Normally this would lead to calls of nepotism, but somehow here the closeness to the material is appropriate. The stories within Strange Journey have clearly been told and revisited …

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‘The Alabama Solution’ Documentary Review: Horrifying and Unspeakable but Deserving of Atttention

This movie is horrifying and shaming and unspeakable but it deserves our attention, because all the horrifying, shaming, unspeakable things within it are happening to human beings. This is often forgotten in prison discourse, that every prisoner is a person too. Regardless of the worst things we have ever done, …

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‘The Gas Station Attendant’ Documentary Review: An Elegy for an Entire Way of Life

The fundraising headline of The Gas Station Attendant was clearly that director Karla Murthy’s father, H. N. Shantha Murthy, worked in a gas station while Ms. Murthy was in college. But his life was considerably more complex than the stereotype mainstreamed into American society by The Simpsons. What clearly started …

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’13 Days, 13 Nights’ Film Review: A French Perspective on Kabul in August 2021

The generic title underplays the importance of this French war film, which does something utterly shocking from an American perspective: it pays respect to France’s allies, too. Not since the days of World War II movies have any American films bothered to mark our allies, even in passing. (A brief …

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‘Amrum’ Film Review: A Squarely German Story That Deserves to go Global

No one quite knows what to do with director Fatih Akin. His explosive early movie Head-On was about the complex convergence of immigration and mental health issues between two Turkish-German punks. It’s one of the most violent and romantic movies ever made and also one of the smartest about intersectional …

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‘Sentimental Value’ Film Review: Joachim Trier on the Problems of Success

Sentimental Value won the Grand Prix at this year’s Cannes Film Festival thanks to the three central performances by Renate Reinsve, Elle Fanning and Stellan Skarsgård. Director Joachim Trier has a real talent for pulling out the emotional subtexts of ordinary lives and figuring out why people make the choices …

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‘Tell Her I Love Her’ Film Review: Romane Bohringer’s Extremely Personal Story

Romane Bohringer is a French actor who, for her second film as director, has chosen to make an extremely personal story about her search for more information about her mother, Maggy, who left the family before she was a year old and died when Ms. Bohringer was in her early …

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‘Resurrection’ Review: An Enormous, Sumptuous and Magnificent Movie from Bi Gan

This enormous, sumptuous, magnificent movie is almost too much, which is not a complaint. Resurrection is one of those movies that decided to tell the story of a universe starting with a kitchen sink and then built out from there. It’s very long – 160 minutes in this edit – …

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This is a banner for a review and recap of Murderbot Season 1, Episode 4, Escape Velocity Protocol.

‘Murderbot’ Season 1, Episode 4: Escape Velocity Protocol

Now here is where things get very good. There’s a sense of humour in Escape Velocity Protocol which we haven’t seen before, just as we haven’t seen violence this serious in Murderbot before. But the main issue here is the dichotomy between the world as Murderbot (Alexander Skarsgård) understands it …

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‘Murderbot’ Season 1, Episode 3 Review: Risk Assessment

We’re off to the races! Can free planets handle themselves? Can Murderbot (Alexander Skarsgård) stand to be “stuck with these people and their pheromones in a small craft”? Although for a being that claims not to care about people, it sure does spend a lot of time paying close attention …

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‘Eagles of the Republic’ Film Review: Movies, Governments, and the Truth

The movie with the best title at this year’s Cannes Film Festival is also the kind of movie filmmakers love to make: a movie about making a movie. But less joyously, the setting here is present-day Egypt, a nation not currently enjoying the delights of democracy. The creatives involved, beginning …

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