Writer-director Shahad Ameen begins her movie with the last thing you’d expect from a story set in Saudi Arabia: snow. The message of this image is clear: if stereotypes are all you know then you know nothing at all. And as we follow three people on a secret, dangerous journey, …
No deer longs for the hunter’s arrow, and no art designed to maintain the status quo is ever as good as it thinks it is. Say what you will about Luca Guadagnino, he has made three solid movies in the last eighteen months, a level of career output rarely seen since …
There are other directors who are better, there are others who are more stylish, but there is no director anywhere in the world who is more interesting than Werner Herzog. He was once shot on camera during an interview for British television and actually called the wound “insignificant” as the …
There has been a disturbing recent trend of setting stories in the afterlife, with the position that growth and change is really only possible after you are dead. This removes our agency, and posits that our situation is more important than our free will. This is especially aggravating when you …
Frankenstein is a masterpiece, an instant classic and a complete and utter triumph. It sticks very close to the source material while managing to be something fresh and new, it maintains its historic setting while never forgetting the current moment, and it all hangs on two extraordinary central performances that …
I texted a friend that I’d just seen a movie about how hard it is to be George Clooney and he immediately suggested we show Jay Kelly to every Palestinian. Perhaps there would be less sarcasm about world-famous middle-aged white male American millionaires in life crisis if there was any …
It’s depressing to realize someone is coasting on their reputation instead of using their talent, and in fact making so little use of their talent that their reputation becomes suspect. This is the sorry state of affairs after seeing The Room Next Door, written and directed by Pedro Almodóvar, that …
This 3 ½ hour long tale, complete with intermission, of a Jewish-Hungarian architect attempting to make his way in America after the second world war is what Francis Ford Coppola’s Megalopolis wishes it had been. It is about human dignity in the face of incredible suffering, and the ways in …
Happy Holidays is possibly as apolitical as a Palestinian movie can get, which is to say not very. Writer-editor-director Scandar Copti, who won the Orrozonti prize for best screenplay at this year’s Venice Biennale, worked with non-professional actors in an non-linear fashion to depict a very bad few months in …
They live in Metz, a city in northeastern France close to the borders with both Germany and Luxembourg. Both sons, who are in their very early twenties, cheerfully live at home. The older Fus (Benjamin Voisin) studied to be a welder but has been unable to find paying work so …
Writer-director Francesca Comencini apparently decided that her entire audience for The Time It Takes would be people who already knew that she is the daughter of the late Italian film director Luigi Comencini. This was so obvious to her that neither the father (played by Fabrizio Gifuni) nor the daughter …
What you have to realize about Queer is that it is an adaptation of a book by William S. Burroughs, so the queerness on display here is less about sexuality, but more a way of looking at the world. William Lee, largely Lee to his friends (an astonishing Daniel Craig), …
The most anticipated film of the Venice Biennale this year was the epic Horizon: An American Saga – Chapter 2, which landed with something of a whimper instead of the bang it truly deserves. Kevin Costner’s project, the first part of which had its world premiere in Cannes this past …
The empty nest is notoriously difficult for parents to deal with, but My Everything (Mon Inséparable) has taken a fresh angle to this ordinary dilemma: the adult son who’s ready to flee the coop has an intellectual disability. Joël (Charles Peccia Galletto) is in his late twenties/early thirties and lives …
Tim Burton’s Beetlejuice Beetlejuice screened out of competition at the 81st Venice International Film Festival on August 28, 2024. There are few directors in which can truly be accredited with the title of ‘auteur’, but Tim Burton, with his affinity for the macabre, can be called just that. Over a …