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‘Blue Heron’ Film Review: Sophy Romvari’s Excellent Debut Feature

Even before her debut feature, Sophy Romvari has become a highly regarded upcoming director among the online cinephiles. Her shorts Norman Norman, Still Processing, and It’s What Each Person Needs were part of the selections at the Toronto International Film Festival. Criterion Channel acquired some of her other films, such …

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‘Mosquitos’ Film Review: A Disappointing Outing from Nicole and Valentina Bertani

In their first directorial effort as a directing duo, Nicole and Valentina Bertani debut at the Concorso Internazionale of the Locarno Film Festival with Mosquitoes (Le Bambine). In 2022, Valentina screened her first film, The Crown Shyness (La timidezza delle chiome) at the Giornate degli Autori of the Venice Film …

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‘Nova ‘78’ Film Review: A Prophetic William Burroughs Tribute

Playing out of competition at the 2025 Locarno Film Festival, Nova ‘78, from the directing duo of Aaron Brookner and Rodrigo Areias, functions both as a moving paean to the enduring greatness of eminent writer and iconoclast William S. Burroughs (1914-1997) and an electrifying snapshot of a bygone period of …

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‘God Will Not Help’ Film Review: When Fierce Performances Aren’t Enough

In the following effort for the Croatian director Hana Jušić, she presents God Will Not Help in the Concorso Internazionale of the 2025 Locarno Film Festival. Following her debut at the Venice Film Festival’s Giornate degli Autori with Quit Staring at My Plate, the Croatian author takes a look at the …

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‘Mare’s Nest’ Review: Ben Rivers Adapts Don DeLillo

The experimental director and visual artist Ben Rivers is a respected name in the film festival circuit. The director debuts his works in principal events, such as the Locarno Film Festival, where he premiered his 2024 film Bogancloch and his new work, Mare’s Nest, both in the Concorso Internazionale. In …

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‘Sorella di Clausura’ Film Review: Ivana Mladenović’s Gem

In her fourth directorial effort, the Serbian director Ivana Mladenović returns to the Locarno Film Festival, where she premiered her 2019 film Ivana the Terrible, now with Sorella di Clausura. The director, who currently resides in Romania, presents a story about a wasted Romanian talent – someone who never reached …

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‘Tóc, giấy và nước…’ Film Review: Trương Minh Quý and Nicolas Graux on the Differences in Generations

The Vietnamese director Trương Minh Quý was one of the highlights of the 2024 Cannes Film Festival with his film Viet and Nam. The film had an extensive festival season, including a main slate slot in the New York Film Festival and a Wavelength selection in the Toronto International Film …

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‘Fantasy’ Film Review: Kukla’s Surreal Social Drama is One of 2025’s Strongest Debuts

A competitive entry in the Filmmakers of the Present program of the Locarno Film Festival’s 78th edition, Fantasy, the feature directorial debut from Slovenian musician and director Kukla, at times credited as Katarina Bogdanović, is a hypnotic, surreal expansion of the story the filmmaker initially sketched in her award-winning short …

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‘Tabi to Hibi’ Film Review: Shô Miyake’s Golden Leopard Winner is a Pulsating Drama About Existential Solitude and the Limits of Language

An incommunicable solitude pulsates at the heart of Tabi to Hibi — also titled Two Seasons, Two Strangers — the bifurcated drama from Japanese writer-director Shô Miyake, who just won a career-defining Pardo d’Oro (Golden Leopard) for the movie, following its world premiere in the Concorso Internazionale section of this …

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‘A Balcony in Limoges’ Film Review: A Subtle, Slippery Morality Tale (Locarno)

Premiering in the Filmmakers of the Present competition of the recently concluded Locarno Film Festival, A Balcony in Limoges, French writer-director Jérôme Reybaud’s feature follow-up to his debut 4 Days in France (2016), is the kind of movie that one might describe as deceptive, or unforeseen at the very least, …

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‘Yakushima’s Illusion’ Film Review: Vicky Krieps’ Best Performance Since Corsage

Naomi Kawase is arguably the most well-known Japanese female director internationally. Previously, she competed in the Festival de Cannes competition five times with Shara in 2003, The Mourning Forest in 2007, Hanezu in 2011, Still the Water in 2014, and Radiance in 2017. Her 2020 feature, True Mothers, appeared on …

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‘Le Lac’ Film Review: An Unconventional Exploration of Grief from Fabrice Aragno (Locarno)

The Swiss director Fabrice Aragno is known for his collaborations with the cinematic genius Jean-Luc Godard. He worked as a cinematographer in Godard’s films ” Film Socialisme, Goodbye to Language, and Trailer of a Film That Will Never Exist: Phony Wars. He produced Godard’s last Cannes competition entry, The Book …

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‘As Estações’ Film Review: A Poetic Documentary Portraying Alentejo

The French director Maureen Fazendeiro is known for her short documentary Sol Negro (Black Sun), a recitation of Henri Michaux‘s poem. After that, she joined the Portuguese director Miguel Gomes, co-writing his Cannes award-winning Grand Tour, and co-directing the 2021 film, Diários de Otsoga (The Tsugua Diaries). Now, she directs …

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‘Solomamma’ Film Review: A Single Mother Finds A Second Coming of Age in Janicke Askevold’s Soberly Riveting Drama (Locarno)

2025 is slowly turning into a banner year for Norwegian cinema, not least because of the Grand Prix acclaim of Joachim Trier’s Sentimental Value, already touted as one of “The 100 Best Movies of the 2020s (So Far),” at this year’s Cannes Film Festival. Not long prior to that, Nina …

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‘Dry Leaf’ Film Review: Alexandre Koberidze’s Gorgeously Fierce Neo-Noir Odyssey

Georgian director Alexandre Koberidze made a splash in the arthouse circuit when he competed in the 2021 Berlin Film Festival with his What Do We See When We Look at the Sky?. MUBI acquired the film and released it as one of the original releases during the expansion of the …

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