Lé Baltar 
Julian Glander longs for a slow day. Like Billy 5000, the brooding teenager hustling for cash through a food-on-demand app, who’s at the center of his feature directorial debut Boys Go to Jupiter, the director has been on the grind lately, promoting the theatrical release of the neon-tinged animated musical, …
2025 is slowly turning into a banner year for Norwegian cinema, not least because of the Grand Prix acclaim of Joachim Trier’s Sentimental Value, already touted as one of “The 100 Best Movies of the 2020s (So Far),” at this year’s Cannes Film Festival. Not long prior to that, Nina …
KPop Demon Hunters, the latest musical adventure from Sony Pictures Animation, is, in many respects, a global hit. Released in mid-June, the title is officially the most-watched animated movie of all time on Netflix, its distributor. Currently, the film sits comfortably at No. 2 on the streaming service’s Global Top …
It feels like every movie I’ve seen at this year’s Fantasia International Film Festival turns into an instant favorite, from A Grand Mockery, a hypnotic Super 8mm avant-garde trip from Sam Dixon and Adam C. Briggs, to Anything That Moves, an inventively transgressive Giallo/Bomba picture courtesy of Alex Phillips. Every …
Dui Shaw, courtesy of Bangladeshi writer-director Nuhash Humayun – who made history as the first filmmaker from Bangladesh to cop an Oscar nomination for the post-apocalyptic short film Moshari (2022), executive produced by horror master Jordan Peele and Sound of Metal star Riz Ahmed – locates grimy, cyclic folklores in …
Every Heavy Thing, the latest feature from prolific indie auteur Mickey Reece which just had its world premiere at Fantasia 2025, is a pulsing technothriller propelled by daring Lynchian experimentations. Essentially, it feels like a standalone Black Mirror episode reckoning with the threat of Big Tech in American suburbs. Mounted …
Brock Bodell’s feature directorial debut, Hellcat, which made its world premiere at the 2025 Fantasia International Film Festival, is a chamber survival horror-thriller that manages to be effectively tense and visceral despite a premise that we’ve come across a few too many times before. Produced and shot entirely in Nashville, …
A horror-comedy that perfectly evokes the schlocky charm and madness of B-movies has been a rare sight since the last decade, save of course for Shin’ichirō Ueda’s 2017 low-budget film-within-a-film comedy, One Cut of the Dead, the last ingenious and delightfully funny effort I could name and recommend. Something you …
Since its production until its world debut, Food Delivery: Fresh from the West Philippine Sea, the documentary that China tried to ban, has been making national headlines. Days after the film had its world premiere at New Zealand’s Doc Edge Festival, which later recognized the film with the Tides of …
Five minutes into Food Delivery: Fresh from the West Philippine Sea, the latest documentary from Filipino filmmaker Baby Ruth Villarama, we are presented with a patchwork of news headlines, archived footage depicting Filipino and Chinese maritime vessels ramming into each other, and graphics mapping the Philippines’ nautical borders. A propulsive …
When Squid Game, the South Korean survival drama series created by Hwang Dong-hyuk, debuted in 2021, it took the world by storm, topping Netflix’s most-watched list barely two weeks in, and at one point becoming “the most in-demand show in the world, with 79 times as much audience interest as …
Adults, the latest twentysomething hangout comedy offered by FX/Hulu, might just be the television equivalent of TikTok brainrot: chaotic, nearly cringe, and specifically tailored for a Gen Z audience. But it’s a series that functions beyond matching Gen Z’s freak. Executive produced by comedian Nick Kroll and co-written by Tonight …
Nearly a decade ago, American alternative artist and provocateur Joe Coleman painted a door-sized, hyper-detailed self-portrait titled “Doorway to Joe,” which reflects his personal lore, uninhibited fantasies and fetishes, and penchant for the divine and the profane. Later, he figured that the project called for a seven-foot companion portrait of …
Running from July 16 through August 3 in Montréal, Canada, the Fantasia International Film Festival is back for its 29th edition, featuring a massive slate of over 125 features and 200 short films, programmed across various sections and accompanied by workshops, exhibitions, artist talks, and more special events. Screenings will …
Nearly six minutes into We Are Pat, a hybrid documentary from Tribeca alum Rowan Haber, our gaze fixates on a graphic in pink and blue gradient featuring a photograph of the director’s toddler self—naked, sporting a cute red eyewear, and waving their hand—juxtaposed with a larger photograph of Pat, the …
In Yanuni, the Tribeca closer from Austrian director Richard Ladkani, ecocide and genocide are one and the same. From the vantage point of the occupied, the Ecocidal project is decidedly one of ethnic cleansing—it is only through the forceful killing and erasure of Indigenous peoples defending their homeland that the …
At times it’s best to encounter a movie as a blank slate, even for film critics like me who have never been put off by any ounce of spoilers. If anything, there’s a different kind of pleasure that arises from experiencing something for the first time, and it’s often ambrosial …
After working on their respective short films and co-directing the documentary short Dollar Pizza Documentary, Brooklyn-based filmmakers Travis Wood and Alex Mallis are upping the ante as their debut feature The Travel Companion is having its world premiere in the US Narrative Competition section of the 2025 Tribeca Film Festival. …
In Cuerpo Celeste, the symbolically loaded debut feature from Chilean writer-director Nayra Ilic García, the past not only fractures the present and future but actively exists along with it as if they are all one and the same. The film explores that threshold, the possibility to re-encounter even something we …