This is a banner for a review of After the Hunt. Image courtesy of the filmmakers.

‘After the Hunt’ Review: A Reactionary Film from Luca Guadagnino

No deer longs for the hunter’s arrow, and no art designed to maintain the status quo is ever as good as it thinks it is. Say what you will about Luca Guadagnino, he has made three solid movies in the last eighteen months, a level of career output rarely seen since …

Read more

This is a banner for a review of Nova '78. Image courtesy of the filmmakers and the Howard Brookner Estate.

‘Nova ‘78’ Film Review: A Prophetic William Burroughs Tribute

Playing out of competition at the 2025 Locarno Film Festival, Nova ‘78, from the directing duo of Aaron Brookner and Rodrigo Areias, functions both as a moving paean to the enduring greatness of eminent writer and iconoclast William S. Burroughs (1914-1997) and an electrifying snapshot of a bygone period of …

Read more

This is a banner for a review of Werner Herzog's documentary Ghost Elephants. Image courtesy of the filmmakers.

‘Ghost Elephants’ Documentary Film Review: Searching for Elephants in Angola

There are other directors who are better, there are others who are more stylish, but there is no director anywhere in the world who is more interesting than Werner Herzog. He was once shot on camera during an interview for British television and actually called the wound “insignificant” as the …

Read more

This is a banner for a review of God Will Not Help. Image courtesy of the filmmakers.

‘God Will Not Help’ Film Review: When Fierce Performances Aren’t Enough

In the following effort for the Croatian director Hana Jušić, she presents God Will Not Help in the Concorso Internazionale of the 2025 Locarno Film Festival. Following her debut at the Venice Film Festival’s Giornate degli Autori with Quit Staring at My Plate, the Croatian author takes a look at the …

Read more

This is a banner for a review of Mare's Nest. Image courtesy of the filmmakers.

‘Mare’s Nest’ Review: Ben Rivers Adapts Don DeLillo

The experimental director and visual artist Ben Rivers is a respected name in the film festival circuit. The director debuts his works in principal events, such as the Locarno Film Festival, where he premiered his 2024 film Bogancloch and his new work, Mare’s Nest, both in the Concorso Internazionale. In …

Read more

This is a banner for a review of Sorella Di Clausura. Image courtesy of the filmmakers.

‘Sorella di Clausura’ Film Review: Ivana Mladenović’s Gem

In her fourth directorial effort, the Serbian director Ivana Mladenović returns to the Locarno Film Festival, where she premiered her 2019 film Ivana the Terrible, now with Sorella di Clausura. The director, who currently resides in Romania, presents a story about a wasted Romanian talent – someone who never reached …

Read more

This is a banner for a review of the film Hair, Paper, Water... (Tóc, giấy và nước...). Image courtesy of the filmmakers.

‘Tóc, giấy và nước…’ Film Review: Trương Minh Quý and Nicolas Graux on the Differences in Generations

The Vietnamese director Trương Minh Quý was one of the highlights of the 2024 Cannes Film Festival with his film Viet and Nam. The film had an extensive festival season, including a main slate slot in the New York Film Festival and a Wavelength selection in the Toronto International Film …

Read more

This is a banner for a review of Fantasy. Image courtesy of the filmmakers.

‘Fantasy’ Film Review: Kukla’s Surreal Social Drama is One of 2025’s Strongest Debuts

A competitive entry in the Filmmakers of the Present program of the Locarno Film Festival’s 78th edition, Fantasy, the feature directorial debut from Slovenian musician and director Kukla, at times credited as Katarina Bogdanović, is a hypnotic, surreal expansion of the story the filmmaker initially sketched in her award-winning short …

Read more

This is a banner for a review of How to Shoot a Ghost. Image courtesy of the filmmakers.

‘How to Shoot a Ghost’ Review: The Afterlife in Athens with Charlie Kaufman

There has been a disturbing recent trend of setting stories in the afterlife, with the position that growth and change is really only possible after you are dead. This removes our agency, and posits that our situation is more important than our free will. This is especially aggravating when you …

Read more

This is a banner for a review of Frankenstein. Image courtesy of the filmmakers.

‘Frankenstein’ Movie Review: An Instant Classic, A Wonderful Horrible Joy (Venice)

Frankenstein is a masterpiece, an instant classic and a complete and utter triumph. It sticks very close to the source material while managing to be something fresh and new, it maintains its historic setting while never forgetting the current moment, and it all hangs on two extraordinary central performances that …

Read more

This is an image for a review of the Locarno film Tabi to hibi. Image courtesy of the filmmakers.

‘Tabi to Hibi’ Film Review: Shô Miyake’s Golden Leopard Winner is a Pulsating Drama About Existential Solitude and the Limits of Language

An incommunicable solitude pulsates at the heart of Tabi to Hibi — also titled Two Seasons, Two Strangers — the bifurcated drama from Japanese writer-director Shô Miyake, who just won a career-defining Pardo d’Oro (Golden Leopard) for the movie, following its world premiere in the Concorso Internazionale section of this …

Read more

This is a banner for a review of the Locarno film A Balcony in Limoges. Image courtesy of the filmmakers.

‘A Balcony in Limoges’ Film Review: A Subtle, Slippery Morality Tale (Locarno)

Premiering in the Filmmakers of the Present competition of the recently concluded Locarno Film Festival, A Balcony in Limoges, French writer-director Jérôme Reybaud’s feature follow-up to his debut 4 Days in France (2016), is the kind of movie that one might describe as deceptive, or unforeseen at the very least, …

Read more

‘Yakushima’s Illusion’ Film Review: Vicky Krieps’ Best Performance Since Corsage

Naomi Kawase is arguably the most well-known Japanese female director internationally. Previously, she competed in the Festival de Cannes competition five times with Shara in 2003, The Mourning Forest in 2007, Hanezu in 2011, Still the Water in 2014, and Radiance in 2017. Her 2020 feature, True Mothers, appeared on …

Read more

This is a banner for a review of Le Lac. Image courtesy of the filmmakers.

‘Le Lac’ Film Review: An Unconventional Exploration of Grief from Fabrice Aragno (Locarno)

The Swiss director Fabrice Aragno is known for his collaborations with the cinematic genius Jean-Luc Godard. He worked as a cinematographer in Godard’s films ” Film Socialisme, Goodbye to Language, and Trailer of a Film That Will Never Exist: Phony Wars. He produced Godard’s last Cannes competition entry, The Book …

Read more

This is a banner for a review of the film Blue Film. Image courtesy of the filmmakers.

‘Blue Film’ EIFF Review: A Fearless Look at Desire and Taboo

From the title of Blue Film, writer and director Elliott Tuttle’s feature debut suggests titillation. This unbelievably challenging work, however, is something far more slippery, enigmatic, and subversive than simple thrills within the milieu of modern sex work. Indeed, the on-screen sex scenes are brief and shot with a curious …

Read more

This is a banner for an interview with Grace Glowicki and Ben Petrie of the Edinburgh film Dead Lover. Image courtesy of the filmmakers.

Interview: Grace Glowicki and Ben Petrie talk smell-o-vision and ‘Dead Lover’

Toronto-based filmmaker Grace Glowicki is no stranger to the bizarre. Recently she, along with husband Ben Petrie, starred in the schlocky, romantic gothic horror Honey Bunch which premiered at Berlin in 2025. Her feature debut, Tito, was an offbeat comedy where she herself played an agoraphobic man whose world is …

Read more