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‘La Belle Année’ Documentary Review: A Bloated Remembering of Teenage Desires

Cinema works as a personal diary for filmmakers. The camera as an instrument substitutes the pen, words shift to images, and the stories build upon a different logic. Similar to the process of writing in a journal, there is a process involved in the act of storytelling. The written story …

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Interview: Director Carl Joseph Papa on the Film ‘58th’

Filipino filmmaker Carl Joseph Papa’s latest film 58th is a gripping animated docudrama on the infamous 2009 Maguindanao massacre, now known as the single deadliest attack on journalists in recorded history. Recently screened in the Harbour programme of the 2026 International Film Festival Rotterdam, where the director’s critically acclaimed Iti …

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‘Psalms of the People’ Documentary Review – Film Raises its Voice (Glasgow 2026)

This documentary is about the power of community in healing from grief, through the method of Gaelic psalm singing. The dialogue is almost entirely in Scots-Gaelic – the indigenous language of Scotland and a cousin to Irish Gaelic, the indigenous language of Ireland – and centers the journey of one …

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Interview: Director Ryan Machado on ‘Raging’ (Berlinale 2026)

Another small-town story set in its director’s hometown, Romblon island, Filipino filmmaker Ryan Machado’s sophomore feature Raging follows a young man (played by Elijah Canlas) in the aftermath of sexual abuse. Unfolding in the mid-1990s, the film is pensive and unhurriedly paced, portraying its central character’s conflicts as more inward …

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‘Cesarean Weekend’ Film Review: A Bold, Formal Iranian Film

In 1979, Iran underwent a severe transformation after the Iranian Revolution. Mohammad Reza Pahlavi, the last Shah of the country, fell due to the dissatisfaction of the population, which organized itself politically. The figure of that revolution grew to power, Ayatollah Khomeini, a central individual who established the morality police …

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‘Black Lions – Roman Wolves’ Documentary Review: Haile Gerima’s Anti-Colonial Epic

Throughout the more than a hundred and twenty-five years of filmmaking, the film history organized itself into canons and critical retrospectives that analyzed cinema through various prisms. Similar to all of the arts, this canon is white-centered and Anglo-European, excluding the works of people of color, women, and those located …

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‘Eight Bridges’ Documentary Review: James Benning’s Relentless Portrayal of the American Landscape (Berlinale 2026)

James Benning is one of the most prominent experimental directors in history. Labeled as a researcher of the American landscapes, his work features a formally rigorous study of the United States and its structures. His interest in the composition of the country is evident in his most well-known films: The …

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‘Isabel’ Film Review: A Sweet Toast to Failure (Berlinale 2026)

The Brazilian director Gabe Klinger has built his career entirely in the United States. Based in Chicago, he directed the documentary Double Play: James Benning and Richard Linklater, Porto, and the short film Bergman’s Ghosts, a complementary work to Bergman Island, the Cannes film by Mia Hansen-Løve. For the first …

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‘Ghost in the Machine’ Documentary Review – Film is Almost Too Hot to Handle

It’s very normal for documentaries to begin and end with copious lists of the various production companies who have contributed to or enabled its making. As director Valerie Veatch pointed out in her Sundance Film Festival Q&A, Ghost in the Machine has none of these. She had to fund the …

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‘A Fabulosa Máquina do Tempo’ Documentary Review: A Clever Exercise of Imagination (Berlinale)

In 2023, the Brazilian documentary veteran, Eliza Capai, released her Incompatível com a Vida (Incompatible with Life). Despite being a mix of talking head with diary documentary, it is an utterly personal telling of her experience with the traumatic loss of her baby in her womb. The director tells her …

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‘Rosebush Pruning’ is Tasteless and Pointless (Berlinale 2026 Film Review)

I think we can blame the English royal family. When TV shows like Succession, The Righteous Gemstones and Yellowstone decide to examine the interpersonal struggle for power within an unbelievable wealthy family, they’ve all worked from the same template: tyrannical father and absent or dead mother with three sons and …

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‘Good Luck, Have Fun, Don’t Die’ is a Gonzo Thrill Ride (Berlinale 2026 Film Review)

Good Luck, Have Fun, Don’t Die takes the worst nightmares of the current moment and turns them into comedy, but the kind of comedy where if you didn’t laugh you’d cry. This is done in the lighthearted comic blockbuster style best described as a mash-up where 1990s French horror-comedy Delicatessen …

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‘The Red Hangar’ is Subtle Like a Knife (Berlinale 2026 Review)

This Chilean-Argentinian coproduction is a Chilean story but was filmed in Argentina for reasons its subject matter makes obvious. The military coup in Chile in 1973 that started with the murder of Salvador Allende brought about (speaking with understatement here) such a traumatic time to the nation that the after-effects …

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‘To Hold a Mountain’ Documentary Film Review: The Daily Life and the Political Fight in Montenegro

The legendary filmmaker Robert Flaherty made history with his documentary Nanook of the North, a pioneering film, considered the first non-fiction work. Despite the controversies and claims of its stagings, it establishes the medium’s interest in the study of the human organization and the different cultures. A century later, we …

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‘Everybody to Kenmure Street’ Documentary Film Review – When Ordinary People Step Up

It’s only January but Scottish documentary Everybody to Kenmure Street is a very serious contender for best documentary of the year. It’s rare to feel a documentary so firmly plant the seed of possibility in the mind of its audience. But there are three things audiences need to know in …

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‘The Oldest Person in the World’ Documentary Review: Sam Green on Longevity and the Inevitability of Death

In 2022, the Academy-nominated documentary Filmmaker Sam Green (The Weather Underground) impressed the audiences with a sonic experiment in his 32 Sounds. Mixed as an experiment to watch at the theater and scenes where the sound echoes differently in each soundbar, it illustrates how, underneath the technical experimentation, Green’s films …

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