This is a banner for a review of The Red Hangar. Image courtesy of the filmmakers.

‘The Red Hangar’ is Subtle Like a Knife (Berlinale 2026 Review)

This Chilean-Argentinian coproduction is a Chilean story but was filmed in Argentina for reasons its subject matter makes obvious. The military coup in Chile in 1973 that started with the murder of Salvador Allende brought about (speaking with understatement here) such a traumatic time to the nation that the after-effects …

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‘Wuthering Heights’ Film Review: A Stone Cold, Smoking Hot Banger

Talk about melodrama! It is not so much that this adaption of Wuthering Heights goes to eleven, but that this version of Wuthering Heights starts at eleven and keeps going and going, and going, without losing its momentum for a moment. This over-the-top depiction of secret and dangerous passion makes …

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‘Everybody to Kenmure Street’ Documentary Film Review – When Ordinary People Step Up

It’s only January but Scottish documentary Everybody to Kenmure Street is a very serious contender for best documentary of the year. It’s rare to feel a documentary so firmly plant the seed of possibility in the mind of its audience. But there are three things audiences need to know in …

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‘The Stranger’ Film Review – The More Things Change

The central plot point of The Stranger – a coloniser kills one of the colonised, and there are consequences – lands very differently now that it did when the original novella was published by Albert Camus in occupied France in 1942. For one thing, the world is trying with mixed …

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‘Dhurandhar’ Film Review

It is a cultural quirk of Indian cinema that they will show the most gruesome torture and murders in glorious close-up while simultaneously subtitling the language used during these scenes as “Dang!” and “You idiot!” If we are in a hard-R/18 environment, capable of being shown a man suspended off …

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‘The Testament of Ann Lee’ Film Review – A Haunting Experience for All The Senses

It was Stephen Sondheim who wrote a song about the two things people can leave behind: children and art. What the Shakers, a small religious movement which began in the mid-1700s, left behind was their art. Some of this is their highly influential style of furniture, made plainly to emphasise …

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‘The RajaSaab’ Movie Review: All Shock, No Awe

A mishmash of moods held together by preposterous musical numbers is part of the appeal of most Indian cinema, but Telugu-language The RajaSaab holds together worse than most. There are three movies inside The RajaSaab struggling to get out: a haunted-house horror thriller, a paean to the grandmothers who raised …

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‘Aontas’ Film Review: Irish Language Thriller Is Worth Watching

This clever no-budget thriller is automatically recommended by me because it’s in the Irish language. Its aspirational depiction of life entirely inside the Irish language, which rarely happens in real life, is just wonderful to see. It is also a heist movie, with three women (two of whom are middle-aged) …

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‘A Private Life’ Film Review – Jodie Foster’s Excellent French Story

It’s so ordinary nowadays for crime stories to have an absolutely terrific setup leading to a whimper of an ending, so when one plays its cards as well as A Private Life does it should be praised from the rooftops. In the last twenty or so years Jodie Foster has …

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‘Dreams’ Movie Review: Jessica Chastain and Isaac Hernández’s Ballet Drama

This examination of privilege in the modern American moment tries to have its cake and eat it, and while there’s nothing necessarily wrong with that, the badly-titled Dreams botches the recipe. Considering that ballet is at the center of this movie and director Michel Franco (and his cinematographer Yves Cape) …

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