The trouble with writers is that our work is not very cinematic. Watching someone type down their thoughts is only marginally more interesting than watching someone read a book. So it helps if the writer is easy to watch, whether that’s by being good-looking or from providing excellent archival footage …
This loving but very sad movie obeys a stereotype of Spanish cinema by handling a complex issue – in this case, domestic violence – through the eyes of a very small girl. The Spirit of the Beehive handled the Spanish civil war this way, as Summer 1993 handled AIDS and …
Silver Star, a determinedly quirky little movie, is a throwback to the indie cinema of the nineties in the best way. It stands and falls entirely on the actions of two unpredictable people, thrown together through a combination of foolishness and bad decisions, and who stick together through a combination …
Zeitgeisty trends combine in Peacock: how it mocks the vapid wealthy with lives so comfortable they must manufacture problems for themselves is clearly inspired by the work of Ruben Östlund. The problem is that social satire works best with a strong opinion about the behaviour being mocked. Are you teasing …
The only flaw in the magnificent The Return is that, by virtue of the casting, the audience is able to predict the plot before the characters can. This is however an extremely small complaint in the grand scheme of an unusually subtle and thoughtful war movie. For one thing, it’s …
Long Day’s Journey into Night has been a core of the theatrical canon since its 1956 debut. It won the Pulitzer Prize posthumously for its author, Eugene O’Neill, and has been in worldwide repertory ever since. The role of the mother, Mary Tyrone, is one of the best in the …
In The End, Joshua Oppenheimer turns his camera from documentary towards fiction while continuing his exploration of the lies people tell themselves. The film opens with a young man (George Mackay) painstakingly painting miniature figures and landscapes onto a large diorama; on closer inspection, the diorama seems to encapsulate a …
Luck is not a belief unique to Americans, but The Luckiest Man in America – a half-fictionalised dramatisation of real events directed by Samir Oliveros – makes the case that no one commits to the myth of random good fortune with as much aplomb as does the denizens of the …
If there’s one person you want to cast in your movie about a man waging war against local thugs, who slowly but surely has a mental collapse, it’s the ever-eccentric Nicolas Cage. Pair Cage with Lorcan Finnegan, director of bizarre suburban horror Vivarium, and you have a match made in …
The Scottish comedian Janey Godley is from Glasgow, so of course a new documentary about her life would be the closing gala of the Glasgow Film Festival. But when a person’s life has been as troubled as Ms. Godley’s, a documentary needs to address those troubles directly instead of letting circumstances do the …
The G, from writer-director Karl R. Hearne, is an unusual crime thriller in that its central character is a woman in her sixties and the insults of aging are central to the crimes at its core. But the unusual intelligence of The G is that it knows that physical weakness means little if …
Punctuation can speak volumes. The latest feature from writer-director duo Austin Stark and Joseph Schuman – Coup! – joins the ranks of Baz Luhrmann’s Moulin Rouge! and Richard Linklater’s Everybody Wants Some!! in adding an exclamation point to a punch title, immediately suggesting a zany, irreverent take on social paranoia during the 1918 Spanish Flu pandemic. As the world recovers from war …
Some of film history’s most iconic works take place across one eventful day or night. Tummy Monster easily fits this model, taking place in one location over a night that goes from ordinary to extraordinary with alarming speed. Tattoo artist Tales (Lorn Macdonald) is just about to close up shop …
Twenty-four hours in one lawyer’s chaotic personal and professional life comes to a head in Selman Nacar’s sophomore feature. Hesitation Wound (Tereddüt Çizgisi) clocks in under 90 minutes, but the fullness of its action and the richness of its moral dilemmas, characterizations, and performances gives it the weight of many longer features. Canan …
The year is 2041, and death before one’s time does not necessarily mean the end of one’s life in Robert Hloz’s sleek sci-fi thriller. Restore Point takes its title from this new technology, managed in a central database in a nondescript metropolis of tarnished chrome (perhaps Prague in the future, though signs of its …
Love stories often rely on two characters being in the right place at the right time. Falling Into Place – a melancholic slow-burn love story from writer/director Aylin Tezel – follows in the timeless vein of the recent phenomena Normal People and One Day: the meeting of its characters may feel like destiny, but trials of time, …
Road trip films have always been a staple of American cinema, and Emma Westenberg’s new feature sets out in this nostalgic vein as she tackles the highs and lows of family bonds. In Bleeding Love, which had its Scottish premiere at the Glasgow Film Festival after an earlier 2023 South by Southwest world premiere, …