This is a review of The Rose: Come Back to Me.

‘The Rose: Come Back to Me’ Film Review: Eugene Yi on the Cost of Super Stardom

At times it’s best to encounter a movie as a blank slate, even for film critics like me who have never been put off by any ounce of spoilers. If anything, there’s a different kind of pleasure that arises from experiencing something for the first time, and it’s often ambrosial …

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‘Runa Simi’ Documentary Review: Fernando Valencia’s Quechua Dream

The Peruvian director Augusto Zegarra presents his debut feature, Runa Simi, at the 2025 Tribeca Film Festival. The film narrates the story of Fernando Valencia, an indigenous man from Cusco, Peru. He has been passionate about voice work since he was a young child, inspired by Walt Disney animations that …

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This is a banner for a review of the documentary Backside.

‘Backside’ Film Review: A Look at the Working Class Behind the Kentucky Derby

In his debut feature, Backside, Mexican director Raúl O. Paz-Pastrana tells the untold stories behind one of the most crucial sports events in the United States, the Kentucky Derby. Every May, more than a hundred thousand people attend the traditional horse racing event at Churchill Downs in Louisville, Kentucky. Besides …

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This is a banner for a review of Tell Her I Love Her.

‘Tell Her I Love Her’ Film Review: Romane Bohringer’s Extremely Personal Story

Romane Bohringer is a French actor who, for her second film as director, has chosen to make an extremely personal story about her search for more information about her mother, Maggy, who left the family before she was a year old and died when Ms. Bohringer was in her early …

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This is a banner for a review of the documentary Natchez. Photo still credit to Noah Collier.

‘Natchez’ Documentary Film Review: Southern History Reexamined

In her sophomore effort, Suzannah Herbert premieres her film Natchez at the Tribeca Film Festival. The documentary title borrows its name from the city in Mississippi. In the 1800s, it was the city with the most millionaires in the world; cotton plantations and the slave trade were the main commercial …

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This is a banner for an interview with Suzanne Raes.

Interview: Suzanne Raes on Pulling her Audience into Another World in ‘Where Dragons Live’

Independent Dutch director Suzanne Raes’ documentary, Where Dragons Live, revolves around Harriet and her siblings, who, following their mother’s death, begin preparing their stately childhood home, Cumnor Place in Oxfordshire, for sale. Sorting through the house that has become cluttered with forgotten and once-important belongings, stir memories of their childhood. …

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This banner is a review for the documentary Ernest Cole: Lost and Found.

‘Ernest Cole: Lost and Found’ Documentary Film Review: A Reflection on Segregation, Post-War Politics, and Colonial Violence

In Ernest Cole: Lost and Found by the legendary Raoul Peck, we learn more about Cole and the South African apartheid. In 1948, with the election of Daniel François Malan as the first minister of South Africa, apartheid became a policy of the government. The black population of the country …

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This is a banner for a review of the documentary Ladies & Gentlemen…50 Years of SNL Music.

‘Ladies & Gentlemen…50 Years of SNL Music’ Documentary Review: Looking Back at Music and Television History

On October 11th, 1975, television changed forever. NBC premiered a revolutionary concept. It combined a bunch of young and innovative comedians who would perform sketches written during the week. The show, commanded by the young Canadian writer Lorne Michaels, was Saturday Night Live. Fifty years later, SNL became a place …

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This is a banner for a review of the documentary Under the Flags, the Sun.

‘Under the Flags, the Sun’ Documentary Review: Juanjo Pereira on the Stroessner era

In 1954, the General of the Paraguayan army, Alfredo Stroessner, performed a military coup in which he would become the country’s President. At that time, Paraguay would be an internationally unknown territory between two massive South American potencies: Argentina and Brazil. In Under the Flags, the Sun, the Paraguayan director …

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‘The Invasion’ Documentary Movie Review: Life Far from the Frontline

Since Russia annexed the Crimean Peninsula in 2014, film production has shifted to narrating the intricacies of geopolitical matters. The 2022 Russian aggression and declaration of war by invading the Ukrainian borders provided different approaches to the reality in filmmaking. Therefore, the major film festivals in the world became a …

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This is a banner for a review of the documentary My Armenian Phantoms.

‘My Armenian Phantoms’ Documentary Review: Family and Soviet Cinema

During the Union of Soviet Socialist Republics (USSR), cinema was a meaningful tool for propaganda and Soviet cultural identity development. As the USSR had a massive territorial length, each region would have a unique voice in its approach regarding filmmaking. Therefore, plenty of the productions from the Soviet period are …

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This is a banner for a review of the documentary Totoboro: La Consulta Popular.

‘Toroboro: La Consulta Popular’ or ‘The People’s Referendum’ Documentary Review

The sophomore effort in the Napo River (Toroboro) in Manolo Sarmiento’s diptych about the local communities is La Consulta Popular, or The People’s Referendum. He focuses on the political aspect of the situation. With this film, he shifts his lenses to the isolated tribes, who decided to continue far from …

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This is a review for the documentary Toroboro: El Nombre de las Plantas.

‘Toroboro: El Nombre de las Plantas’ or ‘The Name of the Plants’ Documentary Review

The Ecuadorian director Manolo Sarmiento is a crucial figure in the local documentary community. He is the co-founder and executive director of EDOC, Encuentros del Otro Cine, a singular festival for Ecuadorian cinema. Sarmiento produced a diptych, a two-piece work on the native people of the Rio Napo. The indigenous …

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