This is a banner for a review of How Dark My Love.

‘How Dark My Love’ Film Review: Into the Bizarre Mind of Joe Coleman

Nearly a decade ago, American alternative artist and provocateur Joe Coleman painted a door-sized, hyper-detailed self-portrait titled “Doorway to Joe,” which reflects his personal lore, uninhibited fantasies and fetishes, and penchant for the divine and the profane. Later, he figured that the project called for a seven-foot companion portrait of …

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‘We Are Pat’ Film Review: Tribeca Alum Rowan Haber Reframes A ‘90s Cult Figure

Nearly six minutes into We Are Pat, a hybrid documentary from Tribeca alum Rowan Haber, our gaze fixates on a graphic in pink and blue gradient featuring a photograph of the director’s toddler self—naked, sporting a cute red eyewear, and waving their hand—juxtaposed with a larger photograph of Pat, the …

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‘I Was Born This Way’ Documentary Review: A Compelling Look at Carl Bean

Veteran documentary filmmakers Sam Pollard (MLK/FBI and Citizen Ashe) and Daniel Junge (Challenger: The Final Flight and A Lego Documentary) come together to direct I Was Born This Way. Borrowing the title name from the 1975 song by Valentino, globally famous through the voice of Carl Bean in 1977. The …

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‘Esta Isla’ Review: A Coming-of-Age Film About Love, Crime, and Belonging

In their debut feature film, Esta Isla (This Island), Lorraine Jones Molina and Christian Carretero narrate a story about love and crime. Bebo (Zion Ortiz) is a working-class young man who lives on an island in Puerto Rico. He fishes in the sea with his brother Charlie (Xavier Morales). They …

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This is a review of The Rose: Come Back to Me.

‘The Rose: Come Back to Me’ Film Review: Eugene Yi on the Cost of Super Stardom

At times it’s best to encounter a movie as a blank slate, even for film critics like me who have never been put off by any ounce of spoilers. If anything, there’s a different kind of pleasure that arises from experiencing something for the first time, and it’s often ambrosial …

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‘Tow’ Film Review: A Compelling Enough Drama from Stephanie Laing and Rose Byrne

The veteran indie director Stephanie Laing (Irreplaceable You and Family Squares) teams up with Rose Byrne to present Tow. The film tells the true story of Amanda Ogle (Byrne), a woman who left her child, Avery (Elsie Fisher), to find a better life condition as a veterinary technician. However, she …

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‘The Wolf, the Fox, and the Leopard’ Review: Jessica Reynolds Brings Freshness to an Otherwise Middling Film

Director David Verbeek presents his latest film, The Wolf, the Fox, and the Leopard, at this year’s Tribeca Film Festival. Divided into chapters, the film narrates the story of a girl (Jessica Reynolds) who lives in the woods as a wolf. She behaves, eats, and walks like a wolf. Suddenly, …

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‘Honeyjoon’ Film Review: Lillian T. Mehrel on Mothers and Daughters

In her debut feature premiering at this year’s Tribeca, Lillian T. Mehrel narrates about the relationship between a mother and daughter in Honeyjoon. In the film, June (Ayden Mayeri) and Lela (Amira Casar) travel to Açores in Portugal to celebrate the first anniversary of the family patriarch’s death. In their …

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‘Inside’ Film Review: Charles Williams’ Debut Feature

Australian director Charles Williams presents his debut feature: Inside. Williams won the short film Palme d’Or in 2018 at Cannes for All These Creatures and soon became a potential talent for the future. Six years later, the director narrates the story of a young man, Mel (Vincent Miller), who is …

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‘The Travel Companion’ Film Review: Travis Wood and Alex Mallis’ Achingly Moving Debut Feature

After working on their respective short films and co-directing the documentary short Dollar Pizza Documentary, Brooklyn-based filmmakers Travis Wood and Alex Mallis are upping the ante as their debut feature The Travel Companion is having its world premiere in the US Narrative Competition section of the 2025 Tribeca Film Festival. …

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‘Runa Simi’ Documentary Review: Fernando Valencia’s Quechua Dream

The Peruvian director Augusto Zegarra presents his debut feature, Runa Simi, at the 2025 Tribeca Film Festival. The film narrates the story of Fernando Valencia, an indigenous man from Cusco, Peru. He has been passionate about voice work since he was a young child, inspired by Walt Disney animations that …

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‘Cuerpo Celeste’ Film Review: Nayra Ilic García’s Debut Feature is a Poetic Snapshot of post-Pinochet Chile

In Cuerpo Celeste, the symbolically loaded debut feature from Chilean writer-director Nayra Ilic García, the past not only fractures the present and future but actively exists along with it as if they are all one and the same. The film explores that threshold, the possibility to re-encounter even something we …

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‘Backside’ Film Review: A Look at the Working Class Behind the Kentucky Derby

In his debut feature, Backside, Mexican director Raúl O. Paz-Pastrana tells the untold stories behind one of the most crucial sports events in the United States, the Kentucky Derby. Every May, more than a hundred thousand people attend the traditional horse racing event at Churchill Downs in Louisville, Kentucky. Besides …

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‘A Bright Future’ Review: An Deliciously Absurd and Intriguing Sci-Fi Film

The Uruguayan director Lucia Garibaldi presents her sophomore feature, Un Futuro Brillante (A Bright Future), at this year’s Tribeca Film Festival. Her first film, Los Tiburones (The Sharks), premiered at the 2019 Sundance Film Festival. Consequently, her subsequent work became a highly anticipated title on the festival circuit, and it …

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This is a banner for a review of the documentary Natchez. Photo still credit to Noah Collier.

‘Natchez’ Documentary Film Review: Southern History Reexamined

In her sophomore effort, Suzannah Herbert premieres her film Natchez at the Tribeca Film Festival. The documentary title borrows its name from the city in Mississippi. In the 1800s, it was the city with the most millionaires in the world; cotton plantations and the slave trade were the main commercial …

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My Best Friend - Elina Street and Lana Boy

Interview: Elina Street and Lana Boy on ‘My Best Friend’

A lot of people believe that friendship and intimacy are different. But friendship is one of the most intimate relationships we can have. In human relationships, the boundary between friendship and romance is often clearly defined, or so we believe. In Elina Street’s short film My Best Friend, the filmmaker …

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My Best Friend - Elina Street - Movie Review

‘My Best Friend’ Review: Elina Street’s Short

What happens when two friends explore their sexualities and end up breaking the delicate boundary between friendship and romance? Well, we get to see one of the most intimate relationships that the world has ever seen. Elina Street’s short film My Best Friend explores friendship and romance, taking viewers on …

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