John Lennon and Yoko Ono in ONE TO ONE: JOHN & YOKO, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.

‘One to One: John & Yoko’ Film Review: Lennon, Politically

Academy Award-winning director Kevin MacDonald has returned to documentary filmmaking after a series of fiction works, including The Mauritanian and How I Live Now, among others. His last three works were documentaries: High and Low – John Galliano, Last Song From Kabul, and One to One: John & Yoko. In …

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‘Food Delivery’ Documentary Film Review: Country Underwater

Five minutes into Food Delivery: Fresh from the West Philippine Sea, the latest documentary from Filipino filmmaker Baby Ruth Villarama, we are presented with a patchwork of news headlines, archived footage depicting Filipino and Chinese maritime vessels ramming into each other, and graphics mapping the Philippines’ nautical borders. A propulsive …

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‘Better Go Mad in the Wild’ Review: A Film of Beauty in the Absurd

The Slovak director Miro Remo presents an alternative way of living in his film Better Go Mad in the Wild. In his fifth feature-length film, the director closely observes the twin brothers František and Ondřej Klišík. They live in the inner countryside of the Czech Republic, in the Sumava. The …

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‘Strange Journey: The Story of Rocky Horror’ Documentary Review

This documentary about the continuing phenomenon of Rocky Horror is directed by the son of the man who created the phenomenon. Normally this would lead to calls of nepotism, but somehow here the closeness to the material is appropriate. The stories within Strange Journey have clearly been told and revisited …

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‘The Alabama Solution’ Documentary Review: Horrifying and Unspeakable but Deserving of Atttention

This movie is horrifying and shaming and unspeakable but it deserves our attention, because all the horrifying, shaming, unspeakable things within it are happening to human beings. This is often forgotten in prison discourse, that every prisoner is a person too. Regardless of the worst things we have ever done, …

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‘The Gas Station Attendant’ Documentary Review: An Elegy for an Entire Way of Life

The fundraising headline of The Gas Station Attendant was clearly that director Karla Murthy’s father, H. N. Shantha Murthy, worked in a gas station while Ms. Murthy was in college. But his life was considerably more complex than the stereotype mainstreamed into American society by The Simpsons. What clearly started …

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‘How Dark My Love’ Film Review: Into the Bizarre Mind of Joe Coleman

Nearly a decade ago, American alternative artist and provocateur Joe Coleman painted a door-sized, hyper-detailed self-portrait titled “Doorway to Joe,” which reflects his personal lore, uninhibited fantasies and fetishes, and penchant for the divine and the profane. Later, he figured that the project called for a seven-foot companion portrait of …

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‘Deaf President Now!’ Documentary Review: Chronicles of A Monumental Student Movement at Gallaudet

In Deaf President Now!, Nyle DiMarco and Academy Award-winning director Davis Guggenheim join forces to tell a milestone in the education of the deaf community. In 1988, at Gallaudet University in Washington, D.C, the first and only deaf people’s university in the world, students gathered to protest. The board of …

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‘We Are Pat’ Film Review: Tribeca Alum Rowan Haber Reframes A ‘90s Cult Figure

Nearly six minutes into We Are Pat, a hybrid documentary from Tribeca alum Rowan Haber, our gaze fixates on a graphic in pink and blue gradient featuring a photograph of the director’s toddler self—naked, sporting a cute red eyewear, and waving their hand—juxtaposed with a larger photograph of Pat, the …

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