How to Have Sex Movie Review - Molly Manning Walker

‘How to Have Sex’ Review: A Quietly Devastating Drama with Mia McKenna-Bruce

Mia McKenna-Bruce Gives a star-making performance in this quietly devastating drama.  The first thirty minutes or so of Molly Manning Walker’s feature directorial debut, How to Have Sex, is highly disorienting. Walker zips through one scene after the next at a breakneck pace as she posits the story as a coming-of-age tale where a group …

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Netflix's Sixty Minutes Film Review

Review: ‘Sixty Minutes’ Has a Hard Time Making an Impact

Tom Tykwer’s Run Lola Run (Lola Rennt) opened the doors for many short but effective action scenes where its protagonist had a set amount of time to get from point A to point B, only for them to be stuck in innumerable (and preposterous) situations that would slow them down. That’s also …

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This is a an image for a film review of Origin, by Ava DuVernay.

Ava DuVernay’s ‘Origin’ is one of the most important films of the decade

Describing Ava DuVernay’s Origin to an average moviegoer may prove complex, especially concerning its opening moments, where Isabel Wilkerson (Aunjanue Ellis-Taylor) listens to a recorded phone conversation with the police and the assailant who murdered Trayvon Martin (Myles Frost). DuVernay and cinematographer Matthew J. Lloyd recreate this tragic moment in American history chillingly, with Isabel listening attentively to …

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Mean Girls Review Banner 2

Review: ‘Mean Girls’ (2024) is a Superior Reinvention of the 2004 Original

Who would’ve thought a January-released musical remake of Mark Waters’ Mean Girls would actually be so fetch? Definitely not me, but here we are. Moreover, it’s a far better film than the 2004 original, with energy in front and behind the camera, making it a special piece of consumerist entertainment. There’s no denying the …

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This is a banner for a film review of The Three Musketeers: Milady.

Review: ‘The Three Musketeers: Milady’ Concludes Martin Bourboulon’s Grand Epic

Alexandre Dumas’ The Three Musketeers has gone through many permutations, but Martin Bourboulon’s two-parter, which has allowed France to direct a just – and realist – adaptation of Dumas’ tale, is one of the very best modern book-to-film iterations we’ve seen in ages. And its first installment, D’Artagnan, is also the best part one of …

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