One of the neatest tricks Carême has pulled over the course of this fine first season is erasing Napoleon. He is there, when he needs to be, but he never speaks and the face of the actor playing him is rarely shown. The focus on the power games swirling around …
After all the machinations of the previous episode it’s no wonder this course of Carême chooses a different focus for all its power struggles. The episode takes place entirely within Talleyrand’s (Jérémie Renier) estate and revolves around Hortense (Lily Taieb) unexpectedly going into labour. For those of you not keeping …
Well. This is the darkest episode yet of Carême and where almost all of the various plot points from earlier in the season have finally converged. Our hero Antonin (Benjamin Voisin) finally has it drilled into his skull not only that actions have consequences, but also that he is not …
This episode of Carême pays off some serious buildup, but the important thing is this is when our cutie hero finally grows up. Antonin (Benjamin Voisin) finally comes to appreciate how his skills as the best cook in France mean that he is not just a pawn on the chessboard …
On the one hand, this is the weakest episode yet of Carême, full of characterisations that are regrettable cliche. On the other, director Matias Boucard, cinematographer Julio Ramón Ribeyro and editor Jean-Baptiste Beaudoin managed to create a mood that makes palpable both the price of power and the cost of …
Everybody clearly had a wonderful time making this episode of Carême, in which they either very politely make vicious threats to each other, or create a colossal mess. Best of all, nudity! Sorry, this is France: nudité. One bottom belongs to a male extra who has evidently just participated in …
What happens throughout this episode is, in the very best sense of the word, adult. Carême’s understanding that people’s motivations and people’s desires do not necessarily reflect their best selves is unknown in American art. But the French are perhaps more capable of acknowledging the gap between their best and …
The sumptuous Carême hits two basic needs for a high-end television series. One is for sex, but the other is rarer in fictional television: food porn. This combination is an absolutely wonderful idea, because god knows our appetite for something good to eat doesn’t always get its due from a …
The central plot point of The Stranger – a coloniser kills one of the colonised, and there are consequences – lands very differently now that it did when the original novella was published by Albert Camus in occupied France in 1942. For one thing, the world is trying with mixed …
The generic title underplays the importance of this French war film, which does something utterly shocking from an American perspective: it pays respect to France’s allies, too. Not since the days of World War II movies have any American films bothered to mark our allies, even in passing. (A brief …
The eponymous hero of this new TV show Murderbot, based on the first of The Murderbot Diaries series of novels by Martha Wells, is strictly speaking a cyborg. It – though sometimes its clients misgender it as a he – has a metallic structure covered with cloned human flesh, including …
Why is a movie about the aftermath of a Parisian career woman’s mental breakdown, set in a small town in eastern France, named after an area of the west coast of Ireland? Because in 1981 a French singer, Michel Sardou, had a massive hit with a song called “Les lacs …
The ripped-from-the-headlines Case 137 (Dossier 137) combines two genres everybody loves. The first is the detailed bureaucracy of justice and how much easier it is to find objective truth since we all started carrying recording devices (our mobile phones) around at all times. Think Anatomy of a Fall and Saint …